SCRIPTURA

Adam Clarke · Adam Clarke’s Commentary and Critical Notes on the Bible · 686 of 914

Psalms · 140 of 159

5. The fifth time in the evening.

6. The sixth time at night ere he go to rest.

7. The seventh time at midnight. A good man would do so if he awoke.

It seems that the sign of the cross was thought sufficient, even without prayer.

Verse 165

Great peace have they - They have peace in their conscience, and joy in the Holy Spirit; and

Nothing shall offend - Stumble, or put them out of the way.

Verse 166

Lord, I have hoped - Thou hast promised deliverance, and I have expected it on the ground of that promise.

Verse 167

My soul hath kept - I have not attended to the latter merely, but my spirit has entered into the spirit and design of thy testimonies.

Verse 168

For all my ways are before thee - Thou knowest that I do not lie; thy eye has been upon my heart and my conduct, and thou knowest that I have endeavored to walk before thee with a perfect heart.

Verse 169

Let my cry come near before thee - This is really a fine image; it is of frequent occurrence, and is little heeded. Here the psalmists cry for deliverance is personified; made an intelligent being, and sent up to the throne of grace to negotiate in his behalf. He pursues this prosopopoeia in the next verse and sends his supplication in the same way. I have already had occasion to refer to a similar figure in Homer, where prayers are represented as the daughters of Jupiter. See on [Psa 88:2] (note).

Verse 171

My lips shall utter praise - תהלה tehillah, a song of praise.

Verse 172

My tongue shall speak of thy word - There is a curious distinction here. In the preceding verse he says, "My lips shall utter;" here no reference is made to articulate sounds, except as affixed to musical notes. In this verse he says, "My tongue shall speak;" here articulate and intelligible words are intended. He first utters sounds connected with words expressive of his grateful feelings; in the second he speaks words, principally those which God himself had spoken, containing promises of support, purposes relative to the redemption of his people, and denunciations against their enemies.

Verse 173

Let thine hand help me - Exert thy power in my defense.

Verse 175

Let my soul live - Let my life be preserved, and my soul quickened!

Verse 176

I have gone astray like a lost sheep - A sheep, when it has once lost the flock, strays in such a manner as to render the prospect of its own return utterly hopeless. I have seen them bleating when they have lost the flock, and when answered by the others, instead of turning to the sound, have gone on in the same direction in which they were straying, their bleatings answered by the rest of the flock, till they were out of hearing! This fact shows the propriety of the next clause.

Seek thy servant - I shall never find thee; come to the wilderness, take me up, and carry me to the flock. See the notes on the parable of the lost sheep, [Luk 15:4] (note), etc. The psalmist began with "Blessed are the undefiled in the way, who walk in the law of the Lord;" and he concludes with "I have gone astray like a lost sheep; seek thy servant." And thus, conscious of the blessedness of those who are in the way or righteousness, he desires to be brought into it, that he may walk in newness of life. [Psa 119:1] : "It is a good way, and they are blessed that walk in it." Verse the last, "Bring me into this way, that I may be blessed." And thus the Psalm, in sentiment, returns into itself; and the latter verse is so connected with the former, as to make the whole a perfect circle, like the serpent biting its own tail.

There is one extraordinary perfection in this Psalm: begin where you will, you seem to be at the commencement of the piece; end where you will, you seem to close with a complete sense. And yet it is not like the Book of Proverbs, a tissue of detached sentences; it is a whole composed of many parts, and all apparently as necessary to the perfection of the Psalm, as the different alphabetical letters under which it is arranged are to the formation of a complete alphabet. Though there be a continual recurrence of the same words, which would of itself prevent it from having a pleasing effect upon the ear, yet these words are so connected with a vast variety of others, which show their force and meaning in still new and impressive points of light, that attention is still excited, and devotion kept alive, during the whole reading. It is constructed with admirable art, and every where breathes the justest and highest encomiums on the revelation of God; shows the glories of the God who gave it, the necessities and dependence of his intelligent creatures, the bounty of the Creator, and the praise and obedience which are his due. It is elegant throughout; it is full of beauties, and I have endeavored in the preceding notes to mark some of them; but the number might have been greatly multiplied. To no Psalm can its own words be better applied, [Psa 119:18] : "Open thou mine eyes, that I may behold wondrous things out of thy law."

Introduction

The psalmist, in great distress, calls on the Lord for deliverance from calumny and defamation, [Psa 120:1], [Psa 120:2]; shows the punishment that awaits his persecutor, [Psa 120:3], [Psa 120:4]; deplores the necessity of his residence with the ungodly, [Psa 120:5-7].

This Psalm, and all the rest that follow it, to the end of [Psa 134:1-3], fifteen in number, are called Psalms of Degrees; for thus the Hebrew title המעלות hammaaloth is generally translated, as coming from the root עלה alah, to ascend or mount upwards. Hence מעלות maaloth, steps or stairs for ascending, [1Kgs 10:19], [1Kgs 10:20]; [2Kgs 9:13]. But as the word may be applied to elevation in general, hence some have thought that it may here signify the elevation of voice; "these Psalms being sung with the highest elevations of voice and music." Others have thought the word expresses rather the matter of these Psalms, as being of peculiar excellence: and hence Junius and Tremellius prefix to each Canticum excellentissimum, "A most excellent ode."

R. D. Kimchi says, "There were fifteen steps by which the priests ascended into the temple, on each of which they sang one of these fifteen Psalms." This opinion I find referred to in the Apocryphal Gospel of the birth of Mary: "Her parents brought her to the temple, and set her upon one of the steps. Now there are fifteen steps about the temple, by which they go up to it, according to the fifteen Psalms of Degrees." But the existence of such steps and practices cannot be proved.

Aben Ezra supposes that the word means some kind of tune sung to these Psalms. It is more likely, if the title be really ancient, that it was affixed to them on account of their being sung on the return from the Babylonish captivity, as the people were going up to Jerusalem; for though some of them are attributed to David, yet it is very probable that they were all made long after his time, and probably during the captivity, or about the end of it. The author of these fifteen Psalms is not known; and most probably they were not the work of one person. They have been attributed to David, to Solomon, to Ezra, to Haggai, to Zechariah, and to Malachi, without any positive evidence. They are, however, excellent in their kind, and written with much elegance; containing strong and nervous sentiments of the most exalted piety, expressed with great felicity of language in a few words.

Verse 1

In my distress - Through the causes afterwards mentioned.

I cried unto the Lord - Made strong supplication for help.

And he heard one - Answered my prayer by comforting my soul.

It appears to be a prayer of the captives in Babylon for complete liberty; or perhaps he recites the prayer the Israelites had made previously to their restoration.

Verse 2

Lying lips, and from a deceitful tongue - From a people without faith, without truth, without religion; who sought by lies and calumnies to destroy them.

Verse 3

What shall be given unto thee? - Thou art worthy of the heaviest punishments.

Verse 4

Sharp arrows - The Chaldee has, "The strong, sharp arrows are like lightning from above, with coals of juniper kindled in hell beneath." On the juniper, see the note on [Job 30:4], where this passage is explained. Fiery arrows, or arrows wrapped about with inflamed combustibles, were formerly used in sieges to set the places on fire. See my notes on [Eph 6:16] (note).

Verse 5

That I sojourn in Mesech - The Chaldee has it, "Wo is me that I am a stranger with the Asiatics, (אוסאי useey), and that I dwell in the tents of the Arabs." Calmet, who understands the Psalm as speaking of the state of the captives in Babylon and its provinces, says, "Meshec was apparently the father of the Mosquians, who dwelt in the mountains that separate Iberia from Armenia, and both from Colchis. These provinces were subjugated by Nebuchadnezzar; and it is evident from [2Kgs 17:23], [2Kgs 17:24]; [2Kgs 18:11]; [2Kgs 19:12], [2Kgs 19:13], that many of the Jews were held in captivity in those countries. As to Kedar, it extended into Arabia Petraea, and towards the Euphrates; and is the country afterwards known as the country of the Saracens."