“Beginning” means: (a) That part of a thing from which one may first move; eg., a line or a journey has one beginning here, and another at the opposite extremity.
ἀρχὴ λέγεται ἡ μὲν ὅθεν ἄν τις τοῦ πράγματος κινηθείη πρῶτον, οἷον τοῦ μήκους καὶ ὁδοῦ ἐντεῦθεν μὲν αὕτη ἀρχή, ἐξ ἐναντίας δὲ ἑτέρα·
(b) The point from which each thing may best come into being; e.g., a course of study should sometimes be begun not from what is primary or from the starting-point of the subject, but from the point from which it is easiest to learn. (c) That thing as a result of whose presence something first comes into being; e.g., as the keel is the beginning of a ship, and the foundation that of a house, and as in the case of animals some thinkers suppose the heart to be the “beginning,” others the brain, and others something similar, whatever it may be. (d) That from which, although not present in it, a thing first comes into being, and that from which motion and change naturally first begin, as the child comes from the father and mother, and fighting from abuse. (e) That in accordance with whose deliberate choice that which is moved is moved, and that which is changed is changed; such as magistracies, authorities, monarchies and despotisms. (f) Arts are also called “beginnings,” especially the architectonic arts. (g) Again, “beginning” means the point from which a thing is first comprehensible, this too is called the “beginning” of the thing; e.g. the hypotheses of demonstrations. (“Cause” can have a similar number of different senses, for all causes are “beginnings.” ) It is a common property, then, of all “beginnings” to be the first thing from which something either exists or comes into being or becomes known; and some beginnings are originally inherent in things, while others are not.
ἡ δὲ ὅθεν ἂν κάλλιστα ἕκαστον γένοιτο, οἷον καὶ μαθήσεως οὐκ ἀπὸ τοῦ πρώτου καὶ τῆς τοῦ πράγματος ἀρχῆς ἐνίοτε ἀρκτέον ἀλλʼ ὅθεν ῥᾷστʼ ἂν μάθοι· ἡ δὲ ὅθεν πρῶτον γίγνεται ἐνυπάρχοντος, οἷον ὡς πλοίου τρόπις καὶ οἰκίας θεμέλιος, καὶ τῶν ζῴων οἱ μὲν καρδίαν οἱ δὲ ἐγκέφαλον οἱ δʼ ὅ τι ἂν τύχωσι τοιοῦτον ὑπολαμβάνουσιν· ἡ δὲ ὅθεν γίγνεται πρῶτον μὴ ἐνυπάρχοντος καὶ ὅθεν πρῶτον ἡ κίνησις πέφυκεν ἄρχεσθαι καὶ ἡ μεταβολή, οἷον τὸ τέκνον ἐκ τοῦ πατρὸς καὶ τῆς μητρὸς καὶ ἡ μάχη ἐκ τῆς λοιδορίας· ἡ δὲ οὗ κατὰ προαίρεσιν κινεῖται τὰ κινούμενα καὶ μεταβάλλει τὰ μεταβάλλοντα, ὥσπερ αἵ τε κατὰ πόλεις ἀρχαὶ καὶ αἱ δυναστεῖαι καὶ αἱ βασιλεῖαι καὶ τυραννίδες ἀρχαὶ λέγονται καὶ αἱ τέχναι, καὶ τούτων αἱ ἀρχιτεκτονικαὶ μάλιστα. ἔτι ὅθεν γνωστὸν τὸ πρᾶγμα πρῶτον, καὶ αὕτη ἀρχὴ λέγεται τοῦ πράγματος, οἷον τῶν ἀποδείξεων αἱ ὑποθέσεις. ἰσαχῶς δὲ καὶ τὰ αἴτια λέγεται· πάντα γὰρ τὰ αἴτια ἀρχαί. πασῶν μὲν οὖν κοινὸν τῶν ἀρχῶν τὸ πρῶτον εἶναι ὅθεν ἢ ἔστιν ἢ γίγνεται ἢ γιγνώσκεται· τούτων δὲ αἱ μὲν ἐνυπάρχουσαί εἰσιν αἱ δὲ ἐκτός.
Hence “nature” is a beginning, and so is “element” and “understanding” and “choice” and “essence” and “final cause”—for in many cases the Good and the Beautiful are the beginning both of knowledge and of motion. “Cause” means: (a) in one sense, that as the result of whose presence something comes into being—e.g. the bronze of a statue and the silver of a cup, and the classes which contain these; (b) in another sense, the form or pattern; that is, the essential formula and the classes which contain it—e.g. the ratio 2:1 and number in general is the cause of the octave—and the parts of the formula. (c) The source of the first beginning of change or rest; e.g. the man who plans is a cause, and the father is the cause of the child, and in general that which produces is the cause of that which is produced, and that which changes of that which is changed. (d) The same as “end”; i.e. the final cause; e.g., as the “end” of walking is health. For why does a man walk? “To be healthy,” we say, and by saying this we consider that we have supplied the cause. (e) All those means towards the end which arise at the instigation of something else, as, e.g. fat-reducing, purging, drugs and instruments are causes of health;
διὸ ἥ τε φύσις ἀρχὴ καὶ τὸ στοιχεῖον καὶ ἡ διάνοια καὶ ἡ προαίρεσις καὶ οὐσία καὶ τὸ οὗ ἕνεκα· πολλῶν γὰρ καὶ τοῦ γνῶναι καὶ τῆς κινήσεως ἀρχὴ τἀγαθὸν καὶ τὸ καλόν. αἴτιον λέγεται ἕνα μὲν τρόπον ἐξ οὗ γίγνεταί τι ἐνυπάρχοντος, οἷον ὁ χαλκὸς τοῦ ἀνδριάντος καὶ ὁ ἄργυρος τῆς φιάλης καὶ τὰ τούτων γένη· ἄλλον δὲ τὸ εἶδος καὶ τὸ παράδειγμα, τοῦτο δʼ ἐστὶν ὁ λόγος τοῦ τί ἦν εἶναι καὶ τὰ τούτου γένη (οἷον τοῦ διὰ πασῶν τὸ δύο πρὸς ἓν καὶ ὅλως ὁ ἀριθμός) καὶ τὰ μέρη τὰ ἐν τῷ λόγῳ. ἔτι ὅθεν ἡ ἀρχὴ τῆς μεταβολῆς ἡ πρώτη ἢ τῆς ἠρεμήσεως, οἷον ὁ βουλεύσας αἴτιος, καὶ ὁ πατὴρ τοῦ τέκνου καὶ ὅλως τὸ ποιοῦν τοῦ ποιουμένου καὶ τὸ μεταβλητικὸν τοῦ μεταβάλλοντος. ἔτι ὡς τὸ τέλος· τοῦτο δʼ ἐστὶ τὸ οὗ ἕνεκα, οἷον τοῦ περιπατεῖν ἡ ὑγίεια. διὰ τί γὰρ περιπατεῖ; φαμέν. ἵνα ὑγιαίνῃ. καὶ εἰπόντες οὕτως οἰόμεθα ἀποδεδωκέναι τὸ αἴτιον. καὶ ὅσα δὴ κινήσαντος ἄλλου μεταξὺ γίγνεται τοῦ τέλους, οἷον τῆς ὑγιείας ἡ ἰσχνασία ἢ ἡ κάθαρσις ἢ τὰ φάρμακα ἢ τὰ ὄργανα·
for they all have the end as their object, although they differ from each other as being some instruments, others actions. These are roughly all the meanings of “cause,” but since causes are spoken of with various meanings, it follows that there are several causes (and that not in an accidental sense) of the same thing. E.g., both statuary and bronze are causes of the statue; not in different connections, but qua statue. However, they are not causes in the same way, but the one as material and the other as the source of motion. And things are causes of each other; as e.g. labor of vigor, and vigor of labor—but not in the same way; the one as an end, and the other as source of motion. And again the same thing is sometimes the cause of contrary results; because that which by its presence is the cause of so-and-so we sometimes accuse of being, by its absence, the cause of the contrary—as, e.g., we say that the absence of the pilot is the cause of a capsize, whereas his presence was the cause of safety. And both, presence and privation, are moving causes. Now there are four senses which are most obvious under which all the causes just described may be classed. The components of syllables; the material of manufactured articles; fire, earth and all such bodies; the parts of a whole;
πάντα γὰρ ταῦτα τοῦ τέλους ἕνεκά ἐστι, διαφέρει δὲ ἀλλήλων ὡς ὄντα τὰ μὲν ὄργανα τὰ δʼ ἔργα. τὰ μὲν οὖν αἴτια σχεδὸν τοσαυταχῶς λέγεται, συμβαίνει δὲ πολλαχῶς λεγομένων τῶν αἰτίων καὶ πολλὰ τοῦ αὐτοῦ αἴτια εἶναι οὐ κατὰ συμβεβηκός (οἷον τοῦ ἀνδριάντος καὶ ἡ ἀνδριαντοποιητικὴ καὶ ὁ χαλκὸς οὐ καθʼ ἕτερόν τι ἀλλʼ ᾗ ἀνδριάς· ἀλλʼ οὐ τὸν αὐτὸν τρόπον ἀλλὰ τὸ μὲν ὡς ὕλη τὸ δʼ ὡς ὅθεν ἡ κίνησις), καὶ ἀλλήλων αἴτια (οἷον τὸ πονεῖν τῆς εὐεξίας καὶ αὕτη τοῦ πονεῖν· ἀλλʼ οὐ τὸν αὐτὸν τρόπον ἀλλὰ τὸ μὲν ὡς τέλος τὸ δʼ ὡς ἀρχὴ κινήσεως). ἔτι δὲ ταὐτὸ τῶν ἐναντίων ἐστίν· ὃ γὰρ παρὸν αἴτιον τουδί, τοῦτʼ ἀπὸν αἰτιώμεθα ἐνίοτε τοῦ ἐναντίου, οἷον τὴν ἀπουσίαν τοῦ κυβερνήτου τῆς ἀνατροπῆς, οὗ ἦν ἡ παρουσία αἰτία τῆς σωτηρίας· ἄμφω δέ, καὶ ἡ παρουσία καὶ ἡ στέρησις, αἴτια ὡς κινοῦντα.—ἅπαντα δὲ τὰ νῦν εἰρημένα αἴτια εἰς τέτταρας τρόπους πίπτει τοὺς φανερωτάτους. τὰ μὲν γὰρ στοιχεῖα τῶν συλλαβῶν καὶ ἡ ὕλη τῶν σκευαστῶν καὶ τὸ πῦρ καὶ ἡ γῆ καὶ τὰ τοιαῦτα πάντα τῶν σωμάτων καὶ τὰ μέρη τοῦ ὅλου καὶ αἱ ὑποθέσεις τοῦ συμπεράσματος ὡς τὸ ἐξ οὗ αἴτιά ἐστιν·
and the premisses of a syllogistic conclusion; are causes in the material sense. Of these some are causes as substrate: e.g. the parts; and others as essence: the whole, and the composition, and the form. The seed and the physician and the contriver and in general that which produces, all these are the source of change or stationariness. The remainder represent the end and good of the others; for the final cause tends to be the greatest good and end of the rest. Let it be assumed that it makes no difference whether we call it “good” or “apparent good.” In kind, then, there are these four classes of cause. The modes of cause are numerically many, although these too are fewer when summarized. For causes are spoken of in many senses, and even of those which are of the same kind, some are causes in a prior and some in a posterior sense; e.g., the physician and the expert are both causes of health; and the ratio 2:1 and number are both causes of the octave; and the universals which include a given cause are causes of its particular effects. Again, a thing may be a cause in the sense of an accident, and the classes which contain accidents; e.g., the cause of a statue is in one sense Polyclitus and in another a sculptor, because it is an accident of the sculptor to be Polyclitus.
τούτων δὲ τὰ μὲν ὡς τὸ ὑποκείμενον, οἷον τὰ μέρη, τὰ δὲ ὡς τὸ τί ἦν εἶναι, τό τε ὅλον καὶ ἡ σύνθεσις καὶ τὸ εἶδος. τὸ δὲ σπέρμα καὶ ὁ ἰατρὸς καὶ ὁ βουλεύσας καὶ ὅλως τὸ ποιοῦν, πάντα ὅθεν ἡ ἀρχὴ τῆς μεταβολῆς ἢ στάσεως. τὰ δʼ ὡς τὸ τέλος καὶ τἀγαθὸν τῶν ἄλλων· τὸ γὰρ οὗ ἕνεκα βέλτιστον καὶ τέλος τῶν ἄλλων ἐθέλει εἶναι· διαφερέτω δὲ μηδὲν αὐτὸ εἰπεῖν ἀγαθὸν ἢ φαινόμενον ἀγαθόν.—τὰ μὲν οὖν αἴτια ταῦτα καὶ τοσαῦτά ἐστι τῷ εἴδει, τρόποι δὲ τῶν αἰτίων ἀριθμῷ μέν εἰσι πολλοί, κεφαλαιούμενοι δὲ καὶ οὗτοι ἐλάττους. λέγονται γὰρ αἴτια πολλαχῶς, καὶ αὐτῶν τῶν ὁμοειδῶν προτέρως καὶ ὑστέρως ἄλλο ἄλλου, οἷον ὑγιείας ὁ ἰατρὸς καὶ ὁ τεχνίτης, καὶ τοῦ διὰ πασῶν τὸ διπλάσιον καὶ ἀριθμός, καὶ ἀεὶ τὰ περιέχοντα ὁτιοῦν τῶν καθʼ ἕκαστα. ἔτι δʼ ὡς τὸ συμβεβηκὸς καὶ τὰ τούτων γένη, οἷον ἀνδριάντος ἄλλως Πολύκλειτος καὶ ἄλλως ἀνδριαντοποιός, ὅτι συμβέβηκε τῷ ἀνδριαντοποιῷ Πολυκλείτῳ εἶναι·
And the universal terms which include accidents are causes; e.g., the cause of a statue is a man, or even, generally, an animal; because Polyclitus is a man, and man is an animal. And even of accidental causes some are remoter or more proximate than others; e.g., the cause of the statue might be said to be “white man” or “cultured man,” and not merely “Polyclitus” or “man.” And besides the distinction of causes as proper and accidental, some are termed causes in a potential and others in an actual sense; e.g., the cause of building is either the builder or the builder who builds. And the same distinctions in meaning as we have already described will apply to the effects of the causes; e.g. to this statue, or a statue, or generally an image; and to this bronze, or bronze, or generally material. And it is the same with accidental effects. Again, the proper and accidental senses will be combined; e.g., the cause is neither “Polyclitus” nor “a sculptor” but “the sculptor Polyclitus.” However, these classes of cause are in all six in number, each used in two senses. Causes are (1.) particular, (2.) generic, (3.) accidental, (4.) generically accidental; and these may be either stated singly or (5, 6) in combination;
καὶ τὰ περιέχοντα δὲ τὸ συμβεβηκός, οἷον ἄνθρωπος αἴτιος ἀνδριάντος, ἢ καὶ ὅλως ζῷον, ὅτι ὁ Πολύκλειτος ἄνθρωπος ὁ δὲ ἄνθρωπος ζῷον. ἔστι δὲ καὶ τῶν συμβεβηκότων ἄλλα ἄλλων πορρώτερον καὶ ἐγγύτερον, οἷον εἰ ὁ λευκὸς καὶ ὁ μουσικὸς αἴτιος λέγοιτο τοῦ ἀνδριάντος, ἀλλὰ μὴ μόνον Πολύκλειτος ἢ ἄνθρωπος. παρὰ πάντα δὲ καὶ τὰ οἰκείως λεγόμενα καὶ τὰ κατὰ συμβεβηκός, τὰ μὲν ὡς δυνάμενα λέγεται τὰ δʼ ὡς ἐνεργοῦντα, οἷον τοῦ οἰκοδομεῖσθαι οἰκοδόμος ἢ οἰκοδομῶν οἰκοδόμος. ὁμοίως δὲ λεχθήσεται καὶ ἐφʼ ὧν αἴτια τὰ αἴτια τοῖς εἰρημένοις, οἷον τοῦδε τοῦ ἀνδριάντος ἢ ἀνδριάντος ἢ ὅλως εἰκόνος, καὶ χαλκοῦ τοῦδε ἢ χαλκοῦ ἢ ὅλως ὕλης· καὶ ἐπὶ τῶν συμβεβηκότων ὡσαύτως. ἔτι δὲ συμπλεκόμενα καὶ ταῦτα κἀκεῖνα λεχθήσεται, οἷον οὐ Πολύκλειτος οὐδὲ ἀνδριαντοποιὸς ἀλλὰ Πολύκλειτος ἀνδριαντοποιός. ἀλλʼ ὅμως ἅπαντά γε ταῦτʼ ἐστὶ τὸ μὲν πλῆθος ἕξ, λεγόμενα δὲ διχῶς· ἢ γὰρ ὡς τὸ καθʼ ἕκαστον ἢ ὡς τὸ γένος, ἢ ὡς τὸ συμβεβηκὸς ἢ ὡς τὸ γένος τοῦ συμβεβηκότος, ἢ ὡς συμπλεκόμενα ταῦτα ἢ ὡς ἁπλῶς λεγόμενα, πάντα δὲ ἢ ὡς ἐνεργοῦντα ἢ κατὰ δύναμιν.
and further they are all either actual or potential. And there is this difference between them, that actual and particular causes coexist or do not coexist with their effects (e.g. this man giving medical treatment with this man recovering his health, and this builder with this building in course of erection); but potential causes do not always do so; for the house and the builder do not perish together. “Element” means (a) the primary immanent thing, formally indivisible into another form, of which something is composed. E.g., the elements of a sound are the parts of which that sound is composed and into which it is ultimately divisible, and which are not further divisible into other sounds formally different from themselves. If an element be divided, the parts are formally the same as the whole: e.g., a part of water is water; but it is not so with the syllable. (b) Those who speak of the elements of bodies similarly mean the parts into which bodies are ultimately divisible, and which are not further divisible into other parts different in form. And whether they speak of one such element or of more than one, this is what they mean. (c) The term is applied with a very similar meaning to the “elements” of geometrical figures, and generally to the “elements” of demonstrations; for the primary demonstrations which are contained in a number of other demonstrations are called “elements” of demonstrations.
διαφέρει δὲ τοσοῦτον, ὅτι τὰ μὲν ἐνεργοῦντα καὶ τὰ καθʼ ἕκαστον ἅμα ἔστι καὶ οὐκ ἔστι καὶ ὧν αἴτια, οἷον ὅδε ὁ ἰατρεύων τῷδε τῷ ὑγιαζομένῳ καὶ ὅδε ὁ οἰκοδόμος τῷδε τῷ οἰκοδομουμένῳ, τὰ δὲ κατὰ δύναμιν οὐκ ἀεί· φθείρεται γὰρ οὐχ ἅμα ἡ οἰκία καὶ ὁ οἰκοδόμος. στοιχεῖον λέγεται ἐξ οὗ σύγκειται πρώτου ἐνυπάρχοντος ἀδιαιρέτου τῷ εἴδει εἰς ἕτερον εἶδος, οἷον φωνῆς στοιχεῖα ἐξ ὧν σύγκειται ἡ φωνὴ καὶ εἰς ἃ διαιρεῖται ἔσχατα, ἐκεῖνα δὲ μηκέτʼ εἰς ἄλλας φωνὰς ἑτέρας τῷ εἴδει αὐτῶν, ἀλλὰ κἂν διαιρῆται, τὰ μόρια ὁμοειδῆ, οἷον ὕδατος τὸ μόριον ὕδωρ, ἀλλʼ οὐ τῆς συλλαβῆς. ὁμοίως δὲ καὶ τὰ τῶν σωμάτων στοιχεῖα λέγουσιν οἱ λέγοντες εἰς ἃ διαιρεῖται τὰ σώματα ἔσχατα, ἐκεῖνα δὲ μηκέτʼ εἰς ἄλλα εἴδει διαφέροντα· καὶ εἴτε ἓν εἴτε πλείω τὰ τοιαῦτα, ταῦτα στοιχεῖα λέγουσιν. παραπλησίως δὲ καὶ τὰ τῶν διαγραμμάτων στοιχεῖα λέγεται, καὶ ὅλως τὰ τῶν ἀποδείξεων· αἱ γὰρ πρῶται ἀποδείξεις καὶ ἐν πλείοσιν ἀποδείξεσιν ἐνυπάρχουσαι, αὗται στοιχεῖα τῶν ἀποδείξεων λέγονται·
Such are the primary syllogisms consisting of three terms and with one middle term. (d) The term “element” is also applied metaphorically to any small unity which is useful for various purposes; and so that which is small or simple or indivisible is called an “element.” (e) Hence it comes that the most universal things are elements; because each of them, being a simple unity, is present in many things—either in all or in as many as possible. Some too think that unity and the point are first principles. (f) Therefore since what are called genera are universal and indivisible (because they have no formula), some people call the genera elements, and these rather than the differentia, because the genus is more universal. For where the differentia is present, the genus also follows; but the differentia is not always present where the genus is. And it is common to all cases that the element of each thing is that which is primarily inherent in each thing. “Nature” means: (a) in one sense, the genesis of growing things—as would be suggested by pronouncing the υ of φύσις long—and (b) in another, that immanent thing from which a growing thing first begins to grow. (c) The source from which the primary motion in every natural object is induced in that object as such.
εἰσὶ δὲ τοιοῦτοι συλλογισμοὶ οἱ πρῶτοι ἐκ τῶν τριῶν διʼ ἑνὸς μέσου. καὶ μεταφέροντες δὲ στοιχεῖον καλοῦσιν ἐντεῦθεν ὃ ἂν ἓν ὂν καὶ μικρὸν ἐπὶ πολλὰ ᾖ χρήσιμον, διὸ καὶ τὸ μικρὸν καὶ ἁπλοῦν καὶ ἀδιαίρετον στοιχεῖον λέγεται. ὅθεν ἐλήλυθε τὰ μάλιστα καθόλου στοιχεῖα εἶναι, ὅτι ἕκαστον αὐτῶν ἓν ὂν καὶ ἁπλοῦν ἐν πολλοῖς ὑπάρχει ἢ πᾶσιν ἢ ὅτι πλείστοις, καὶ τὸ ἓν καὶ τὴν στιγμὴν ἀρχάς τισι δοκεῖν εἶναι. ἐπεὶ οὖν τὰ καλούμενα γένη καθόλου καὶ ἀδιαίρετα (οὐ γὰρ ἔστι λόγος αὐτῶν), στοιχεῖα τὰ γένη λέγουσί τινες, καὶ μᾶλλον ἢ τὴν διαφορὰν ὅτι καθόλου μᾶλλον τὸ γένος· ᾧ μὲν γὰρ ἡ διαφορὰ ὑπάρχει, καὶ τὸ γένος ἀκολουθεῖ, ᾧ δὲ τὸ γένος, οὐ παντὶ ἡ διαφορά. ἁπάντων δὲ κοινὸν τὸ εἶναι στοιχεῖον ἑκάστου τὸ πρῶτον ἐνυπάρχον ἑκάστῳ. φύσις λέγεται ἕνα μὲν τρόπον ἡ τῶν φυομένων γένεσις, οἷον εἴ τις ἐπεκτείνας λέγοι τὸ υ, ἕνα δὲ ἐξ οὗ φύεται πρώτου τὸ φυόμενον ἐνυπάρχοντος· ἔτι ὅθεν ἡ κίνησις ἡ πρώτη ἐν ἑκάστῳ τῶν φύσει ὄντων ἐν αὐτῷ ᾗ αὐτὸ ὑπάρχει·
All things are said to grow which gain increase through something else by contact and organic unity (or adhesion, as in the case of embryos). Organic unity differs from contact; for in the latter case there need be nothing except contact, but in both the things which form an organic unity there is some one and the same thing which produces, instead of mere contact, a unity which is organic, continuous and quantitative (but not qualitative). Again, “nature” means (d) the primary stuff, shapeless and unchangeable from its own potency, of which any natural object consists or from which it is produced; e.g., bronze is called the “nature” of a statue and of bronze articles, and wood that of wooden ones, and similarly in all other cases. For each article consists of these “natures,” the primary material persisting. It is in this sense that men call the elements of natural objects the “nature,” some calling it fire, others earth or air or water, others something else similar, others some of these, and others all of them. Again in another sense “nature” means (e) the substance of natural objects; as in the case of those who say that the “nature” is the primary composition of a thing, or as Empedocles says:
φύεσθαι δὲ λέγεται ὅσα αὔξησιν ἔχει διʼ ἑτέρου τῷ ἅπτεσθαι καὶ συμπεφυκέναι ἢ προσπεφυκέναι ὥσπερ τὰ ἔμβρυα· διαφέρει δὲ σύμφυσις ἁφῆς, ἔνθα μὲν γὰρ οὐδὲν παρὰ τὴν ἁφὴν ἕτερον ἀνάγκη εἶναι, ἐν δὲ τοῖς συμπεφυκόσιν ἔστι τι ἓν τὸ αὐτὸ ἐν ἀμφοῖν ὃ ποιεῖ ἀντὶ τοῦ ἅπτεσθαι συμπεφυκέναι καὶ εἶναι ἓν κατὰ τὸ συνεχὲς καὶ ποσόν, ἀλλὰ μὴ κατὰ τὸ ποιόν. ἔτι δὲ φύσις λέγεται ἐξ οὗ πρώτου ἢ ἔστιν ἢ γίγνεταί τι τῶν φύσει ὄντων, ἀρρυθμίστου ὄντος καὶ ἀμεταβλήτου ἐκ τῆς δυνάμεως τῆς αὑτοῦ, οἷον ἀνδριάντος καὶ τῶν σκευῶν τῶν χαλκῶν ὁ χαλκὸς ἡ φύσις λέγεται, τῶν δὲ ξυλίνων ξύλον· ὁμοίως δὲ καὶ ἐπὶ τῶν ἄλλων· ἐκ τούτων γάρ ἐστιν ἕκαστον διασωζομένης τῆς πρώτης ὕλης· τοῦτον γὰρ τὸν τρόπον καὶ τῶν φύσει ὄντων τὰ στοιχεῖά φασιν εἶναι φύσιν, οἱ μὲν πῦρ οἱ δὲ γῆν οἱ δʼ ἀέρα οἱ δʼ ὕδωρ οἱ δʼ ἄλλο τι τοιοῦτον λέγοντες, οἱ δʼ ἔνια τούτων οἱ δὲ πάντα ταῦτα. ἔτι δʼ ἄλλον τρόπον λέγεται ἡ φύσις ἡ τῶν φύσει ὄντων οὐσία, οἷον οἱ λέγοντες τὴν φύσιν εἶναι τὴν πρώτην σύνθεσιν, ἢ ὥσπερ Ἐμπεδοκλῆς λέγει ὅτιφύσις οὐδενὸς ἔστιν ἐόντων,ἀλλὰ μόνον μῖξίς τε διάλλαξίς τε μιγέντωνἔστι, φύσις δʼ ἐπὶ τοῖς ὀνομάζεται ἀνθρώποισιν.
Of nothing that exists is there nature, but only mixture and separation of what has been mixed; nature is but a name given to these by men. Hence as regards those things which exist or are produced by nature, although that from which they naturally are produced or exist is already present, we say that they have not their nature yet unless they have their form and shape. That which comprises both of these exists by nature; e.g. animals and their parts. And nature is both the primary matter (and this in two senses: either primary in relation to the thing, or primary in general; e.g., in bronze articles the primary matter in relation to those articles is bronze, but in general it is perhaps water—that is if all things which can be melted are water) and the form or essence, i.e. the end of the process, of generation. Indeed from this sense of “nature,” by an extension of meaning, every essence in general is called “nature,” because the nature of anything is a kind of essence. From what has been said, then, the primary and proper sense of “nature” is the essence of those things which contain in themselves as such a source of motion; for the matter is called “nature” because it is capable of receiving the nature, and the processes of generation and growth are called “nature” because they are motions derived from it. And nature in this sense is the source of motion in natural objects, which is somehow inherent in them, either potentially or actually.
διὸ καὶ ὅσα φύσει ἔστιν ἢ γίγνεται, ἤδη ὑπάρχοντος ἐξ οὗ πέφυκε γίγνεσθαι ἢ εἶναι, οὔπω φαμὲν τὴν φύσιν ἔχειν ἐὰν μὴ ἔχῃ τὸ εἶδος καὶ τὴν μορφήν. φύσει μὲν οὖν τὸ ἐξ ἀμφοτέρων τούτων ἐστίν, οἷον τὰ ζῷα καὶ τὰ μόρια αὐτῶν· φύσις δὲ ἥ τε πρώτη ὕλη (καὶ αὕτη διχῶς, ἢ ἡ πρὸς αὐτὸ πρώτη ἢ ἡ ὅλως πρώτη, οἷον τῶν χαλκῶν ἔργων πρὸς αὐτὰ μὲν πρῶτος ὁ χαλκός, ὅλως δʼ ἴσως ὕδωρ, εἰ πάντα τὰ τηκτὰ ὕδωρ) καὶ τὸ εἶδος καὶ ἡ οὐσία· τοῦτο δʼ ἐστὶ τὸ τέλος τῆς γενέσεως. μεταφορᾷ δʼ ἤδη καὶ ὅλως πᾶσα οὐσία φύσις λέγεται διὰ ταύτην, ὅτι καὶ ἡ φύσις οὐσία τίς ἐστιν. ἐκ δὴ τῶν εἰρημένων ἡ πρώτη φύσις καὶ κυρίως λεγομένη ἐστὶν ἡ οὐσία ἡ τῶν ἐχόντων ἀρχὴν κινήσεως ἐν αὑτοῖς ᾗ αὐτά· ἡ γὰρ ὕλη τῷ ταύτης δεκτικὴ εἶναι λέγεται φύσις, καὶ αἱ γενέσεις καὶ τὸ φύεσθαι τῷ ἀπὸ ταύτης εἶναι κινήσεις. καὶ ἡ ἀρχὴ τῆς κινήσεως τῶν φύσει ὄντων αὕτη ἐστίν, ἐνυπάρχουσά πως ἢ δυνάμει ἢ ἐντελεχείᾳ.
“Necessary” means: (a) That without which, as a concomitant condition, life is impossible; e.g. respiration and food are necessary for an animal, because it cannot exist without them. (b) The conditions without which good cannot be or come to be, or without which one cannot get rid or keep free of evil—e.g., drinking medicine is necessary to escape from ill-health, and sailing to Aegina is necessary to recover one’s money. (c) The compulsory and compulsion; i.e. that which hinders and prevents, in opposition to impulse and purpose. For the compulsory is called necessary, and hence the necessary is disagreeable; as indeed Evenus says: “For every necessary thing is by nature grievous.” And compulsion is a kind of necessity, as Sophocles says: “Compulsion makes me do this of necessity.” And necessity is held, rightly, to be something inexorable; for it is opposed to motion which is in accordance with purpose and calculation. (d) Again, what cannot be otherwise we say is necessarily so. It is from this sense of “necessary” that all others are somehow derived; for the term “compulsory” is used of something which it is necessary for one to do or suffer only when it is impossible to act according to impulse, because of the compulsion: which shows that necessity is that because of which a thing cannot be otherwise; and the same is true of the concomitant conditions of living and of the good.
ἀναγκαῖον λέγεται οὗ ἄνευ οὐκ ἐνδέχεται ζῆν ὡς συναιτίου (οἷον τὸ ἀναπνεῖν καὶ ἡ τροφὴ τῷ ζῴῳ ἀναγκαῖον, ἀδύνατον γὰρ ἄνευ τούτων εἶναι), καὶ ὧν ἄνευ τὸ ἀγαθὸν μὴ ἐνδέχεται ἢ εἶναι ἢ γενέσθαι, ἢ τὸ κακὸν ἀποβαλεῖν ἢ στερηθῆναι (οἷον τὸ πιεῖν τὸ φάρμακον ἀναγκαῖον ἵνα μὴ κάμνῃ, καὶ τὸ πλεῦσαι εἰς Αἴγιναν ἵνα ἀπολάβῃ τὰ χρήματα). ἔτι τὸ βίαιον καὶ ἡ βία· τοῦτο δʼ ἐστὶ τὸ παρὰ τὴν ὁρμὴν καὶ τὴν προαίρεσιν ἐμποδίζον καὶ κωλυτικόν, τὸ γὰρ βίαιον ἀναγκαῖον λέγεται, διὸ καὶ λυπηρόν (ὥσπερ καὶ Εὔηνός φησι πᾶν γὰρ ἀναγκαῖον πρᾶγμʼ ἀνιαρὸν ἔφυ ), καὶ ἡ βία ἀνάγκη τις (ὥσπερ καὶ Σοφοκλῆς λέγει ἀλλʼ ἡ βία με ταῦτʼ ἀναγκάζει ποιεῖν ), καὶ δοκεῖ ἡ ἀνάγκη ἀμετάπειστόν τι εἶναι, ὀρθῶς· ἐναντίον γὰρ τῇ κατὰ τὴν προαίρεσιν κινήσει καὶ κατὰ τὸν λογισμόν. ἔτι τὸ μὴ ἐνδεχόμενον ἄλλως ἔχειν ἀναγκαῖόν φαμεν οὕτως ἔχειν· καὶ κατὰ τοῦτο τὸ ἀναγκαῖον καὶ τἆλλα λέγεταί πως ἅπαντα ἀναγκαῖα· τό τε γὰρ βίαιον ἀναγκαῖον λέγεται ἢ ποιεῖν ἢ πάσχειν τότε, ὅταν μὴ ἐνδέχηται κατὰ τὴν ὁρμὴν διὰ τὸ βιαζόμενον, ὡς ταύτην ἀνάγκην οὖσαν διʼ ἣν μὴ ἐνδέχεται ἄλλως, καὶ ἐπὶ τῶν συναιτίων τοῦ ζῆν καὶ τοῦ ἀγαθοῦ ὡσαύτως·
For when in the one case good, and in the other life or existence, is impossible without certain conditions, these conditions are necessary, and the cause is a kind of necessity. (e) Again, demonstration is a “necessary” thing, because a thing cannot be otherwise if the demonstration has been absolute. And this is the result of the first premisses, when it is impossible for the assumptions upon which the syllogism depends to be otherwise. Thus of necessary things, some have an external cause of their necessity, and others have not, but it is through them that other things are of necessity what they are. Hence the “necessary” in the primary and proper sense is the simple, for it cannot be in more than one condition. Hence it cannot be in one state and in another; for if so it would ipso facto be in more than one condition. Therefore if there are certain things which are eternal and immutable, there is nothing in them which is compulsory or which violates their nature. The term “one” is used (1.) in an accidental, (2.) in an absolute sense. (1.) In the accidental sense it is used as in the case of “Coriscus” and “cultured” and “cultured Coriscus” (for “Coriscus” and “cultured” and “cultured Coriscus” mean the same); and “cultured” and “upright” and “cultured upright Coriscus.”
ὅταν γὰρ μὴ ἐνδέχηται ἔνθα μὲν τὸ ἀγαθὸν ἔνθα δὲ τὸ ζῆν καὶ τὸ εἶναι ἄνευ τινῶν, ταῦτα ἀναγκαῖα καὶ ἡ αἰτία ἀνάγκη τίς ἐστιν αὕτη. ἔτι ἡ ἀπόδειξις τῶν ἀναγκαίων, ὅτι οὐκ ἐνδέχεται ἄλλως ἔχειν, εἰ ἀποδέδεικται ἁπλῶς· τούτου δʼ αἴτια τὰ πρῶτα, εἰ ἀδύνατον ἄλλως ἔχειν ἐξ ὧν ὁ συλλογισμός. τῶν μὲν δὴ ἕτερον αἴτιον τοῦ ἀναγκαῖα εἶναι, τῶν δὲ οὐδέν, ἀλλὰ διὰ ταῦτα ἕτερά ἐστιν ἐξ ἀνάγκης. ὥστε τὸ πρῶτον καὶ κυρίως ἀναγκαῖον τὸ ἁπλοῦν ἐστίν· τοῦτο γὰρ οὐκ ἐνδέχεται πλεοναχῶς ἔχειν, ὥστʼ οὐδὲ ἄλλως καὶ ἄλλως· ἤδη γὰρ πλεοναχῶς ἂν ἔχοι. εἰ ἄρα ἔστιν ἄττα ἀΐδια καὶ ἀκίνητα, οὐδὲν ἐκείνοις ἐστὶ βίαιον οὐδὲ παρὰ φύσιν. ἓν λέγεται τὸ μὲν κατὰ συμβεβηκὸς τὸ δὲ καθʼ αὑτό, κατὰ συμβεβηκὸς μὲν οἷον Κορίσκος καὶ τὸ μουσικόν, καὶ Κορίσκος μουσικός (ταὐτὸ γὰρ εἰπεῖν Κορίσκος καὶ τὸ μουσικόν, καὶ Κορίσκος μουσικός), καὶ τὸ μουσικὸν καὶ τὸ δίκαιον, καὶ μουσικὸς ⟨Κορίσκος⟩ καὶ δίκαιος Κορίσκος·
For all these terms refer accidentally to one thing; “upright” and “cultured” because they are accidental to one substance, and “cultured” and “Coriscus” because the one is accidental to the other. And similarly in one sense “cultured Coriscus” is one with “Coriscus,” because one part of the expression is accidental to the other, e.g. “cultured” to “Coriscus”; and “cultured Coriscus” is one with “upright Coriscus,” because one part of each expression is one accident of one and the same thing. It is the same even if the accident is applied to a genus or a general term; e.g., “man” and “cultured man” are the same, either because “cultured” is an accident of “man,” which is one substance, or because both are accidents of some individual, e.g. Coriscus. But they do not both belong to it in the same way; the one belongs presumably as genus in the substance, and the other as condition or affection of the substance. Thus all things which are said to be “one” in an accidental sense are said to be so in this way. (2.) Of those things which are said to be in themselves one, (a) some are said to be so in virtue of their continuity; e.g., a faggot is made continuous by its string, and pieces of wood by glue;
πάντα γὰρ ταῦτα ἓν λέγεται κατὰ συμβεβηκός, τὸ μὲν δίκαιον καὶ τὸ μουσικὸν ὅτι μιᾷ οὐσίᾳ συμβέβηκεν, τὸ δὲ μουσικὸν καὶ Κορίσκος ὅτι θάτερον θατέρῳ συμβέβηκεν· ὁμοίως δὲ τρόπον τινὰ καὶ ὁ μουσικὸς Κορίσκος τῷ Κορίσκῳ ἓν ὅτι θάτερον τῶν μορίων θατέρῳ συμβέβηκε τῶν ἐν τῷ λόγῳ, οἷον τὸ μουσικὸν τῷ Κορίσκῳ· καὶ ὁ μουσικὸς Κορίσκος δικαίῳ Κορίσκῳ ὅτι ἑκατέρου μέρος τῷ αὐτῷ ἑνὶ συμβέβηκεν ἕν. ὡσαύτως δὲ κἂν ἐπὶ γένους κἂν ἐπὶ τῶν καθόλου τινὸς ὀνομάτων λέγηται τὸ συμβεβηκός, οἷον ὅτι ἄνθρωπος τὸ αὐτὸ καὶ μουσικὸς ἄνθρωπος· ἢ γὰρ ὅτι τῷ ἀνθρώπῳ μιᾷ οὔσῃ οὐσίᾳ συμβέβηκε τὸ μουσικόν, ἢ ὅτι ἄμφω τῶν καθʼ ἕκαστόν τινι συμβέβηκεν, οἷον Κορίσκῳ. πλὴν οὐ τὸν αὐτὸν τρόπον ἄμφω ὑπάρχει, ἀλλὰ τὸ μὲν ἴσως ὡς γένος καὶ ἐν τῇ οὐσίᾳ τὸ δὲ ὡς ἕξις ἢ πάθος τῆς οὐσίας.—ὅσα μὲν οὖν κατὰ συμβεβηκὸς λέγεται ἕν, τοῦτον τὸν τρόπον λέγεται· τῶν δὲ καθʼ ἑαυτὰ ἓν λεγομένων τὰ μὲν λέγεται τῷ συνεχῆ εἶναι, οἷον φάκελος δεσμῷ καὶ ξύλα κόλλῃ·
and a continuous line, even if it is bent, is said to be one, just like each of the limbs; e.g. the leg or arm. And of these things themselves those which are naturally continuous are one in a truer sense than those which are artificially continuous. “Continuous” means that whose motion is essentially one, and cannot be otherwise; and motion is one when it is indivisible, i.e. indivisible in time. Things are essentially continuous which are one not by contact only; for if you put pieces of wood touching one another you will not say that they are one piece of wood, or body, or any other continuous thing. And things which are completely continuous are said to be “one” even if they contain a joint, and still more those things which contain no joint; e.g., the shin or the thigh is more truly one than the leg, because the motion of the leg may not be one. And the straight line is more truly one than the bent. We call the line which is bent and contains an angle both one and not one, because it may or may not move all at once; but the straight line always moves all at once, and no part of it which has magnitude is at rest while another moves, as in the bent line. (b) Another sense of “one” is that the substrate is uniform in kind. Things are uniform whose form is indistinguishable to sensation;
καὶ γραμμή, κἂν κεκαμμένη ᾖ, συνεχὴς δέ, μία λέγεται, ὥσπερ καὶ τῶν μερῶν ἕκαστον, οἷον σκέλος καὶ βραχίων. αὐτῶν δὲ τούτων μᾶλλον ἓν τὰ φύσει συνεχῆ ἢ τέχνῃ. συνεχὲς δὲ λέγεται οὗ κίνησις μία καθʼ αὑτὸ καὶ μὴ οἷόν τε ἄλλως· μία δʼ οὗ ἀδιαίρετος, ἀδιαίρετος δὲ κατὰ χρόνον. καθʼ αὑτὰ δὲ συνεχῆ ὅσα μὴ ἁφῇ ἕν· εἰ γὰρ θείης ἁπτόμενα ἀλλήλων ξύλα, οὐ φήσεις ταῦτα εἶναι ἓν οὔτε ξύλον οὔτε σῶμα οὔτʼ ἄλλο συνεχὲς οὐδέν. τά τε δὴ ὅλως συνεχῆ ἓν λέγεται κἂν ἔχῃ κάμψιν, καὶ ἔτι μᾶλλον τὰ μὴ ἔχοντα κάμψιν, οἷον κνήμη ἢ μηρὸς σκέλους, ὅτι ἐνδέχεται μὴ μίαν εἶναι τὴν κίνησιν τοῦ σκέλους. καὶ ἡ εὐθεῖα τῆς κεκαμμένης μᾶλλον ἕν· τὴν δὲ κεκαμμένην καὶ ἔχουσαν γωνίαν καὶ μίαν καὶ οὐ μίαν λέγομεν, ὅτι ἐνδέχεται καὶ μὴ ἅμα τὴν κίνησιν αὐτῆς εἶναι καὶ ἅμα· τῆς δʼ εὐθείας ἀεὶ ἅμα, καὶ οὐδὲν μόριον ἔχον μέγεθος τὸ μὲν ἠρεμεῖ τὸ δὲ κινεῖται, ὥσπερ τῆς κεκαμμένης. ἔτι ἄλλον τρόπον ἓν λέγεται τῷ τὸ ὑποκείμενον τῷ εἴδει εἶναι ἀδιάφορον· ἀδιάφορον δʼ ὧν ἀδιαίρετον τὸ εἶδος κατὰ τὴν αἴσθησιν· τὸ δʼ ὑποκείμενον ἢ τὸ πρῶτον ἢ τὸ τελευταῖον πρὸς τὸ τέλος·
and the substrate is either that which is primary, or that which is final in relation to the end. For wine is said to be one, and water one, as being something formally indistinguishable. And all liquids are said to be one (e.g. oil and wine), and melted things; because the ultimate substrate of all of them is the same, for all these things are water or vapor. (c) Things are said to be “one” whose genus is one and differs in its opposite differentiae. All these things too are said to be “one” because the genus, which is the substrate of the differentiae, is one (e.g., “horse,” “man” and “dog” are in a sense one, because they are all animals); and that in a way very similar to that in which the matter is one. Sometimes these things are said to be “one” in this sense, and sometimes their higher genus is said to be one and the same (if they are final species of their genus)—the genus, that is, which is above the genera of which their proximate genus is one; e.g., the isosceles and equilateral triangles are one and the same figure (because they are both triangles), but not the same triangles. (d) Again, things are said to be “one” when the definition stating the essence of one is indistinguishable from a definition explaining the other; for in itself every definition is distinguishable 〈into genus and differentiae〉. In this way that which increases and decreases is one, because its definition is one; just as in the case of planes the definition of the form is one.
καὶ γὰρ οἶνος εἷς λέγεται καὶ ὕδωρ ἕν, ᾗ ἀδιαίρετον κατὰ τὸ εἶδος, καὶ οἱ χυμοὶ πάντες λέγονται ἕν (οἷον ἔλαιον οἶνος) καὶ τὰ τηκτά, ὅτι πάντων τὸ ἔσχατον ὑποκείμενον τὸ αὐτό· ὕδωρ γὰρ ἢ ἀὴρ πάντα ταῦτα. λέγεται δʼ ἓν καὶ ὧν τὸ γένος ἓν διαφέρον ταῖς ἀντικειμέναις διαφοραῖς—καὶ ταῦτα λέγεται πάντα ἓν ὅτι τὸ γένος ἓν τὸ ὑποκείμενον ταῖς διαφοραῖς (οἷον ἵππος ἄνθρωπος κύων ἕν τι ὅτι πάντα ζῷα), καὶ τρόπον δὴ παραπλήσιον ὥσπερ ἡ ὕλη μία. ταῦτα δὲ ὁτὲ μὲν οὕτως ἓν λέγεται, ὁτὲ δὲ τὸ ἄνω γένος ταὐτὸν λέγεται —ἂν ᾖ τελευταῖα τοῦ γένους εἴδη—τὸ ἀνωτέρω τούτων, οἷον τὸ ἰσοσκελὲς καὶ τὸ ἰσόπλευρον ταὐτὸ καὶ ἓν σχῆμα ὅτι ἄμφω τρίγωνα· τρίγωνα δʼ οὐ ταὐτά. ἔτι δὲ ἓν λέγεται ὅσων ὁ λόγος ὁ τὸ τί ἦν εἶναι λέγων ἀδιαίρετος πρὸς ἄλλον τὸν δηλοῦντα [τί ἦν εἶναι] τὸ πρᾶγμα (αὐτὸς γὰρ καθʼ αὑτὸν πᾶς λόγος διαιρετός). οὕτω γὰρ καὶ τὸ ηὐξημένον καὶ φθῖνον ἕν ἐστιν, ὅτι ὁ λόγος εἷς, ὥσπερ ἐπὶ τῶν ἐπιπέδων ὁ τοῦ εἴδους.
And in general those things whose concept, which conceives the essence, is indistinguishable and cannot be separated either in time or in place or in definition, are in the truest sense one; and of these such as are substances are most truly one. For universally such things as do not admit of distinction are called “one” in so far as they do not admit of it; e.g., if “man” qua “man” does not admit of distinction, he is one man; and similarly if qua animal, he is one animal; and if qua magnitude, he is one magnitude. Most things, then, are said to be “one” because they produce, or possess, or are affected by, or are related to, some other one thing; but some are called “one” in a primary sense, and one of these is substance. It is one either in continuity or in form or in definition; for we reckon as more than one things which are not continuous, or whose form is not one, or whose definition is not one. Again, in one sense we call anything whatever “one” if it is quantitative and continuous; and in another sense we say that it is not “one” unless it is a whole of some kind, i.e. unless it is one in form (e.g., if we saw the parts of a shoe put together anyhow, we should not say that they were one — except in virtue of their continuity; but only if they were so put together as to be a shoe, and to possess already some one form). Hence the circumference of a circle is of all lines the most truly one, because it is whole and complete. The essence of “one” is to be a kind of starting point of number; for the first measure is a starting point, because that by which first we gain knowledge of a thing is the first measure of each class of objects.
ὅλως δὲ ὧν ἡ νόησις ἀδιαίρετος ἡ νοοῦσα τὸ τί ἦν εἶναι, καὶ μὴ δύναται χωρίσαι μήτε χρόνῳ μήτε τόπῳ μήτε λόγῳ, μάλιστα ταῦτα ἕν, καὶ τούτων ὅσα οὐσίαι· καθόλου γὰρ ὅσα μὴ ἔχει διαίρεσιν, ᾗ μὴ ἔχει, ταύτῃ ἓν λέγεται, οἷον εἰ ᾗ ἄνθρωπος μὴ ἔχει διαίρεσιν, εἷς ἄνθρωπος, εἰ δʼ ᾗ ζῷον, ἓν ζῷον, εἰ δὲ ᾗ μέγεθος, ἓν μέγεθος. τὰ μὲν οὖν πλεῖστα ἓν λέγεται τῷ ἕτερόν τι ἢ ποιεῖν ἢ ἔχειν ἢ πάσχειν ἢ πρός τι εἶναι ἕν, τὰ δὲ πρώτως λεγόμενα ἓν ὧν ἡ οὐσία μία, μία δὲ ἢ συνεχείᾳ ἢ εἴδει ἢ λόγῳ· καὶ γὰρ ἀριθμοῦμεν ὡς πλείω ἢ τὰ μὴ συνεχῆ ἢ ὧν μὴ ἓν τὸ εἶδος ἢ ὧν ὁ λόγος μὴ εἷς. ἔτι δʼ ἔστι μὲν ὡς ὁτιοῦν ἕν φαμεν εἶναι ἂν ᾖ ποσὸν καὶ συνεχές, ἔστι δʼ ὡς οὔ, ἂν μή τι ὅλον ᾖ, τοῦτο δὲ ἂν μὴ τὸ εἶδος ἔχῃ ἕν· οἷον οὐκ ἂν φαῖμεν ὁμοίως ἓν ἰδόντες ὁπωσοῦν τὰ μέρη συγκείμενα τοῦ ὑποδήματος, ἐὰν μὴ διὰ τὴν συνέχειαν, ἀλλʼ ἐὰν οὕτως ὥστε ὑπόδημα εἶναι καὶ εἶδός τι ἔχειν ἤδη ἕν· διὸ καὶ ἡ τοῦ κύκλου μάλιστα μία τῶν γραμμῶν, ὅτι ὅλη καὶ τέλειός ἐστιν.—τὸ δὲ ἑνὶ εἶναι ἀρχῇ τινί ἐστιν ἀριθμοῦ εἶναι· τὸ γὰρ πρῶτον μέτρον ἀρχή, ᾧ γὰρ πρώτῳ γνωρίζομεν, τοῦτο πρῶτον μέτρον ἑκάστου γένους·
“The one,” then, is the starting-point of what is knowable in respect of each particular thing. But the unit is not the same in all classes, for in one it is the quarter-tone, and in another the vowel or consonant; gravity has another unit, and motion another. But in all cases the unit is indivisible, either quantitatively or formally. Thus that which is quantitatively and qua quantitative wholly indivisible and has no position is called a unit; and that which is wholly indivisible and has position, a point; that which is divisible in one sense, a line; in two senses, a plane; and that which is quantitatively divisible in all three senses, a body. And reversely that which is divisible in two senses is a plane, and in one sense a line; and that which is in no sense quantitatively divisible is a point or a unit; if it has no position, a unit, and if it has position, a point. Again, some things are one numerically, others formally, others generically, and others analogically; numerically, those whose matter is one; formally, those whose definition is one; generically, those which belong to the same category; and analogically, those which have the same relation as something else to some third object. In every case the latter types of unity are implied in the former: e.g., all things which are one numerically are also one formally, but not all which are one formally are one numerically;
ἀρχὴ οὖν τοῦ γνωστοῦ περὶ ἕκαστον τὸ ἕν. οὐ ταὐτὸ δὲ ἐν πᾶσι τοῖς γένεσι τὸ ἕν. ἔνθα μὲν γὰρ δίεσις ἔνθα δὲ τὸ φωνῆεν ἢ ἄφωνον· βάρους δὲ ἕτερον καὶ κινήσεως ἄλλο. πανταχοῦ δὲ τὸ ἓν ἢ τῷ ποσῷ ἢ τῷ εἴδει ἀδιαίρετον. τὸ μὲν οὖν κατὰ τὸ ποσὸν ἀδιαίρετον, τὸ μὲν πάντῃ καὶ ἄθετον λέγεται μονάς, τὸ δὲ πάντῃ καὶ θέσιν ἔχον στιγμή, τὸ δὲ μοναχῇ γραμμή, τὸ δὲ διχῇ ἐπίπεδον, τὸ δὲ πάντῃ καὶ τριχῇ διαιρετὸν κατὰ τὸ ποσὸν σῶμα· καὶ ἀντιστρέψαντι δὴ τὸ μὲν διχῇ διαιρετὸν ἐπίπεδον, τὸ δὲ μοναχῇ γραμμή, τὸ δὲ μηδαμῇ διαιρετὸν κατὰ τὸ ποσὸν στιγμὴ καὶ μονάς, ἡ μὲν ἄθετος μονὰς ἡ δὲ θετὸς στιγμή. ἔτι δὲ τὰ μὲν κατʼ ἀριθμόν ἐστιν ἕν, τὰ δὲ κατʼ εἶδος, τὰ δὲ κατὰ γένος, τὰ δὲ κατʼ ἀναλογίαν, ἀριθμῷ μὲν ὧν ἡ ὕλη μία, εἴδει δʼ ὧν ὁ λόγος εἷς, γένει δʼ ὧν τὸ αὐτὸ σχῆμα τῆς κατηγορίας, κατʼ ἀναλογίαν δὲ ὅσα ἔχει ὡς ἄλλο πρὸς ἄλλο. ἀεὶ δὲ τὰ ὕστερα τοῖς ἔμπροσθεν ἀκολουθεῖ, οἷον ὅσα ἀριθμῷ καὶ εἴδει ἕν, ὅσα δʼ εἴδει οὐ πάντα ἀριθμῷ·
and all are one generically which are one formally, but such as are one generically are not all one formally, although they are one analogically; and such as are one analogically are not all one generically. It is obvious also that “many” will have the opposite meanings to “one.” Some things are called “many” because they are not continuous; others because their matter (either primary or ultimate) is formally divisible; others because the definitions of their essence are more than one. “Being” means (1.) accidental being, (2.) absolute being. (1.) E.g., we say that the upright person “is” cultured, and that the man “is” cultured, and that the cultured person “is” a man; very much as we say that the cultured person builds, because the builder happens to be cultured, or the cultured person a builder; for in this sense “X is Y” means that Y is an accident of X. And so it is with the examples cited above; for when we say that “the man is cultured” and “the cultured person is a man” or “the white is cultured” or “the cultured is white,” in the last two cases it is because both predicates are accidental to the same subject, and in the first case because the predicate is accidental to what is; and we say that “the cultured is a man” because “the cultured” is accidental to a man. (Similarly “not-white” is said to “be,” because the subject of which “not-white” is an accident, is.)
ἀλλὰ γένει πάντα ἓν ὅσαπερ καὶ εἴδει, ὅσα δὲ γένει οὐ πάντα εἴδει ἀλλʼ ἀναλογίᾳ· ὅσα δὲ ἀνολογίᾳ οὐ πάντα γένει. φανερὸν δὲ καὶ ὅτι τὰ πολλὰ ἀντικειμένως λεχθήσεται τῷ ἑνί· τὰ μὲν γὰρ τῷ μὴ συνεχῆ εἶναι, τὰ δὲ τῷ διαιρετὴν ἔχειν τὴν ὕλην κατὰ τὸ εἶδος, ἢ τὴν πρώτην ἢ τὴν τελευταίαν, τὰ δὲ τῷ τοὺς λόγους πλείους τοὺς τί ἦν εἶναι λέγοντας. τὸ ὂν λέγεται τὸ μὲν κατὰ συμβεβηκὸς τὸ δὲ καθʼ αὑτό, κατὰ συμβεβηκὸς μέν, οἷον τὸν δίκαιον μουσικὸν εἶναί φαμεν καὶ τὸν ἄνθρωπον μουσικὸν καὶ τὸν μουσικὸν ἄνθρωπον, παραπλησίως λέγοντες ὡσπερεὶ τὸν μουσικὸν οἰκοδομεῖν ὅτι συμβέβηκε τῷ οἰκοδόμῳ μουσικῷ εἶναι ἢ τῷ μουσικῷ οἰκοδόμῳ (τὸ γὰρ τόδε εἶναι τόδε σημαίνει τὸ συμβεβηκέναι τῷδε τόδε),—οὕτω δὲ καὶ ἐπὶ τῶν εἰρημένων· τὸν γὰρ ἄνθρωπον ὅταν μουσικὸν λέγωμεν καὶ τὸν μουσικὸν ἄνθρωπον, ἢ τὸν λευκὸν μουσικὸν ἢ τοῦτον λευκόν, τὸ μὲν ὅτι ἄμφω τῷ αὐτῷ συμβεβήκασι, τὸ δʼ ὅτι τῷ ὄντι συμβέβηκε, τὸ δὲ μουσικὸν ἄνθρωπον ὅτι τούτῳ τὸ μουσικὸν συμβέβηκεν (οὕτω δὲ λέγεται καὶ τὸ μὴ λευκὸν εἶναι, ὅτι ᾧ συμβέβηκεν, ἐκεῖνο ἔστιν)·—τὰ μὲν οὖν κατὰ συμβεβηκὸς εἶναι λεγόμενα οὕτω λέγεται ἢ διότι τῷ αὐτῷ ὄντι ἄμφω ὑπάρχει, ἢ ὅτι ὄντι ἐκείνῳ ὑπάρχει, ἢ ὅτι αὐτὸ ἔστιν ᾧ ὑπάρχει οὗ αὐτὸ κατηγορεῖται·