---
title: "The Dream, or Lucian’s Career · Περὶ τοῦ Ἐνυπνίου ἤτοι Βίος Λουκιανοῦ"
author: "Lucian"
translator: "Austin Morris Harmon"
languages: [grc, en]
shelf: "Classical Greek"
url: https://scriptura.si/works/lucian-the-dream/
cite: "Lucian, tr. Austin Morris Harmon, The Dream, or Lucian’s Career · Περὶ τοῦ Ἐνυπνίου ἤτοι Βίος Λουκιανοῦ. Scriptura (scriptura.si), https://scriptura.si/works/lucian-the-dream/"
---

# The Dream, or Lucian’s Career · Περὶ τοῦ Ἐνυπνίου ἤτοι Βίος Λουκιανοῦ

*Lucian, tr. Austin Morris Harmon*

Lucian tells how Sculpture and Culture appeared to him in a dream and he chose Culture.

> Greek: ed. Austin Morris Harmon, from the Perseus Digital Library (canonical-greekLit, tlg0062.tlg029, CC BY-SA 4.0).

> English: Austin Morris Harmon, from the Perseus Digital Library (tlg0062.tlg029.perseus-eng2). Notes are not included.

> Rows follow the references the two texts share (chapters and sections), cut where both reach the end of a sentence.

## Contents

1. [Sections 1–18](https://scriptura.si/works/lucian-the-dream/1.md)

## 1. Sections 1–18

Source: https://scriptura.si/works/lucian-the-dream/1/ · cite a paragraph as https://scriptura.si/works/lucian-the-dream/1/#p-N

[¶0] 1. No sooner had I left off school, being then well on in my teens, than my father and his friends began to discuss what he should have me taught next. Most of them thought that higher education required great labour, much time, considerable expense, and conspicuous social position, while our circumstances were but moderate and demanded. speedy relief; but that if I were to learn one of the handicrafts, in the first place I myself would immediately receive my support from the trade instead of continuing to share the family table at my age; besides, at no distant day I would delight my father by bringing home my earnings regularly.

> Greek: 1. ἄρτι μὲν ἐπεπαύμην εἰς τὰ διδασκαλεῖα φοιτῶν ἤδη τὴν ἡλικίαν πρόσηβος ὤν, ὁ δὲ πατὴρ ἐσκοπεῖτο μετὰ τῶν φίλων ὅ τι καὶ διδάξαιτό με. τοῖς πλείστοις οὖν ἔδοξεν παιδεία μὲν καὶ πόνου πολλοῦ καὶ χρόνου μακροῦ καὶ δαπάνης οὐ μικρᾶς καὶ τύχης δεῖσθαι λαμπρᾶς, τὰ δʼ ἡμέτερα μικρά τε εἶναι καὶ ταχεῖάν τινα τὴν ἐπικουρίαν ἀπαιτεῖν· εἰ δέ τινα τέχνην τῶν βαναύσων τούτων ἐκμάθοιμι, τὸ μὲν πρῶτον εὐθὺς ἂν αὐτὸς ἔχειν τὰ ἀρκοῦντα παρὰ τῆς τέχνης καὶ μηκέτʼ οἰκόσιτος εἶναι τηλικοῦτος ὤν, οὐκ εἰς μακρὰν δὲ καὶ τὸν πατέρα εὐφρανεῖν ἀποφέρων ἀεὶ τὸ γιγνόμενον.

[¶1] 2. The next topic for discussion was opened by raising the question, which of the trades was best, easiest to learn, suitable for a man of free birth, required an outfit that was easy to come by, and offered an income that was sufficient. Each praised a different trade, according to his own judgement or experience; but my father looked at my uncle (for among the company was my uncle on my mother’s side, who had the reputation of being an excellent. sculptor) and said: “It isn’t right that any other trade should have the preference while you are by. Come, take this lad in hand’—with a gesture toward me—“and teach him to be a good stone-cutter, mason, and sculptor, for he is capable of it, since, as you know, he has a natural gift for it.”’ He drew this inference from the way in which I had played with wax; for whenever my teachers dismissed me I would scrape the wax from my tablets and model cattle or horses or even men, and’ they were true to life, my father thought. I used to get thrashings from my teachers on account of them, but at that time they brought me praise for my cleverness, and good hopes were entertained of me, on the ground that I would soon learn the trade, to judge from that modelling.

> Greek: 2. δευτέρας οὖν σκέψεως ἀρχὴ προὐτέθη, τίς ἀρίστη τῶν τεχνῶν καὶ ῥᾴστη ἐκμαθεῖν καὶ ἀνδρὶ ἐλευθέρῳ πρέπουσα καὶ πρόχειρον ἔχουσα τὴν χορηγίαν καὶ διαρκῆ τὸν πόρον. ἄλλου τοίνυν ἄλλην ἐπαινοῦντος, ὡς ἕκαστος γνώμης ἢ ἐμπειρίας εἶχεν, ὁ πατὴρ εἰς τὸν θεῖον ἀπιδών, — παρῆν γὰρ ὁ πρὸς μητρὸς θεῖος, ἄριστος ἑρμογλύφος εἶναι δοκῶν — οὐ θέμις, εἶπεν, ἄλλην τέχνην ἐπικρατεῖν σοῦ παρόντος, ἀλλὰ τοῦτον ἄγε — δείξας ἐμέ — δίδασκε παραλαβὼν λίθων ἐργάτην ἀγαθὸν εἶναι καὶ συναρμοστὴν καὶ ἑρμογλυφέα· δύναται γὰρ καὶ τοῦτο, φύσεώς γε, ὡς οἶσθα, ἔχων δεξιῶς. ἐτεκμαίρετο δὲ ταῖς ἐκ τοῦ κηροῦ παιδιαῖς· ὁπότε γὰρ ἀφεθείην ὑπὸ τῶν διδασκάλων, ἀποξέων ἂν τὸν κηρὸν ἢ βόας ἢ ἵππους ἢ καὶ νὴ Δί’ ἀνθρώπους ἀνέπλαττον, εἰκότας, ὡς ἐδόκουν τῷ πατρί· ἐφʼ οἷς παρὰ μὲν τῶν διδασκάλων πληγὰς ἐλάμβανον, τότε δὲ ἔπαινος εἰς τὴν εὐφυίαν καὶ ταῦτα ἦν, καὶ χρηστὰς εἶχον ἐπʼ ἐμοὶ τὰς ἐλπίδας ὡς ἐν βραχεῖ μαθήσομαι τὴν τέχνην, ἀπʼ ἐκείνης γε τῆς πλαστικῆς.

[¶2] 3. So, as soon as it seemed to be a suitable day to begin a trade, I was turned over to my uncle, and I was not greatly displeased with the arrangement, I assure you; on the contrary, I thought it involved interesting play of a sort, and a chance to show off to my schoolmates if I should turn out to be carving gods and fashioning little figures for myself and for those I liked best. Then came the first step and the usual experience of beginners. My uncle gave me a chisel and told me to strike a light blow on a slab that lay at hand, adding the trite quotation: “Well begun, half done.” But in my inexperience I struck too hard; the slab broke, and in a gust of anger he seized a stick that lay close by and put me through an initiation of no gentle or encouraging sort, so that tears were the overture to my apprenticeship.

> Greek: 3. ἅμα τε οὖν ἐπιτήδειος ἐδόκει ἡμέρα τέχνης ἐνάρχεσθαι, κἀγὼ παρεδεδόμην τῷ θείῳ μὰ τὸν Δίʼ οὐ σφόδρα τῷ πράγματι ἀχθόμενος, ἀλλά μοι καὶ παιδιάν τινα οὐκ ἀτερπῆ ἐδόκει ἔχειν καὶ πρὸς τοὺς ἡλικιώτας ἐπίδειξιν, εἰ φαινοίμην θεούς τε γλύφων καὶ ἀγαλμάτια μικρά τινα κατασκευάζων ἐμαυτῷ τε κἀκείνοις οἷς προῃρούμην. καὶ τό γε πρῶτον ἐκεῖνο καὶ σύνηθες τοῖς ἀρχομένοις ἐγίγνετο. ἐγκοπέα γάρ τινά μοι δοὺς ὁ θεῖος ἐκέλευσεν ἠρέμα καθικέσθαι πλακὸς ἐν μέσῳ κειμένης, ἐπειπὼν τὸ κοινὸν ἀρχὴ δέ τοι ἥμισυ παντός. σκληρότερον δὲ κατενεγκόντος ὑπʼ ἀπειρίας κατεάγη μὲν ἡ πλάξ, ὁ δὲ ἀγανακτήσας σκυτάλην τινὰ πλησίον κειμένην λαβὼν οὐ πρᾴως οὐδὲ προτρεπτικῶς μου κατήρξατο, ὥστε δάκρυά μοι τὰ προοίμια τῆς τέχνης.

[¶3] 4. I ran away from the place and came home sobbing continuously, with my eyes abrim with tears. I told about the stick, showed the welts and charged my uncle with great cruelty, adding that he did it out of jealousy, for fear that I should get ahead of him in his trade. My mother comforted me and roundly abused her brother, but when night came on, I fell asleep, still tearful and thinking of the stick.

> Greek: 4. ἀποδρὰς οὖν ἐκεῖθεν ἐπὶ τὴν οἰκίαν ἀφικνοῦμαι συνεχὲς ἀναλύζων καὶ δακρύων τοὺς ὀφθαλμοὺς ὑπόπλεως, καὶ διηγοῦμαι τὴν σκυτάλην καὶ τοὺς μώλωπας ἐδείκνυον, καὶ κατηγόρουν πολλήν τινα ὠμότητα, προσθεὶς ὅτι ὑπὸ φθόνου ταῦτα ἔδρασε, μὴ αὐτὸν ὑπερβάλωμαι κατὰ τὴν τέχνην. ἀνακτησαμένης δὲ τῆς μητρὸς καὶ πολλὰ τῷ ἀδελφῷ λοιδορησαμένης, ἐπεὶ νὺξ ἐπῆλθεν κατέδαρθον ἔτι ἔνδακρυς καὶ τὴν σκυτάλην ἐννοῶν.

[¶4] 5. Up to this point my story has been humorous and childish, but what you shall hear next, gentlemen, is not to be made light of; it deserves a very receptive audience. The fact is that, to use the words of Homer,
a god-sent vision appeared unto me in my slumber Out of immortal night,
so vivid as not to fall short of reality in any way. Indeed, even after all this time, the figures that I saw continue to abide in my eyes and the words that I heard in my ears, so plain was it all.

> Greek: 5. μέχρι μὲν δὴ τούτων γελάσιμα καὶ μειρακιώδη τὰ εἰρημένα· τὰ μετὰ ταῦτα δὲ οὐκέτι εὐκαταφρόνητα, ὦ ἄνδρες, ἀκούσεσθε, ἀλλὰ καὶ πάνυ φιληκόων ἀκροατῶν δεόμενα· ἵνα γὰρ καθʼ Ὅμηρον εἴπω,
θεῖός μοι ἐνύπνιον ἦλθεν ὄνειρος
ἀμβροσίην διὰ νύκτα,
ἐναργὴς οὕτως ὥστε μηδὲν ἀπολείπεσθαι τῆς ἀληθείας. ἔτι γοῦν καὶ μετὰ τοσοῦτον χρόνον τά τε σχήματά μοι τῶν φανέντων ἐν τοῖς ὀφθαλμοῖς παραμένει καὶ ἡ φωνὴ τῶν ἀκουσθέντων ἔναυλος· οὕτω σαφῆ πάντα ἦν.

[¶5] 6. Two women, taking me by the hands, were each trying to drag me toward herself with might and main; in fact, they nearly pulled me to pieces in their rivalry. Now one of them would get the better of it and almost have me altogether, and now I would be in the hands of the other. They shouted at each other, too, one of them saying, ‘He is mine, and you want to get him!” and the other: “It is no good your claiming what belongs to someone else.” One was like a workman, masculine, with unkempt hair, hands full of callous places, clothing tucked up, and a heavy layer of warble-dust upon her, just as my uncle looked when he cut stone. The other, however, was very fair of face, dignified in her appearance, and nice in her dress. At length they allowed me to decide which of them I wanted to be with. The first to state her case was the hard-favoured, masculine one.

> Greek: 6. δύο γυναῖκες λαβόμεναι ταῖν χεροῖν εἷλκόν με πρὸς ἑαυτὴν ἑκατέρα μάλα βιαίως καὶ καρτερῶς· μικροῦ γοῦν με διεσπάσαντο πρὸς ἀλλήλας φιλοτιμούμεναι· καὶ γὰρ καὶ ἄρτι μὲν ἂν ἡ ἑτέρα ἐπεκράτει καὶ παρὰ μικρὸν ὅλον εἶχέ με, ἄρτι δʼ ἂν αὖθις ὑπὸ τῆς ἑτέρας εἰχόμην. ἐβόων δὲ πρὸς ἀλλήλας ἑκατέρα, ἡ μὲν ὡς αὐτῆς ὄντα με κεκτῆσθαι βούλοιτο, ἡ δὲ ὡς μάτην τῶν ἀλλοτρίων ἀντιποιοῖτο. ἦν δὲ ἡ μὲν ἐργατικὴ καὶ ἀνδρικὴ καὶ αὐχμηρὰ τὴν κόμην, τὼ χεῖρε τύλων ἀνάπλεως, διεζωσμένη τὴν ἐσθῆτα, τιτάνου καταγέμουσα, οἷος ἦν ὁ θεῖος ὁπότε ξέοι τοὺς λίθους· ἡ ἑτέρα δὲ μάλα εὐπρόσωπος καὶ τὸ σχῆμα εὐπρεπὴς καὶ κόσμιος τὴν ἀναβολήν. τέλος δ' οὖν ἐφιᾶσί μοι δικάζειν ὁποτέρᾳ βουλοίμην συνεῖναι αὐτῶν. προτέρα δὲ ἡ σκληρὰ ἐκείνη καὶ ἀνδρώδης ἔλεξεν·

[¶6] 7. “Dear boy, I am the trade of Sculpture which you began to learn yesterday, of kin to you and related by descent; for your grandfather”—and she gave the name of my mother’s father—“was a sculptor, and so are both your uncles, who are very famous through me. If you are willing to keep clear of this woman’s silly nonsense” —with a gesture toward the other—“and to come and live with me, you will be generously kept and will have powerful shoulders, and you will be a stranger to jealousy of any sort; besides you will never go abroad, leaving your native country and your kinsfolk, and it will not be for mere words, either, that everyone will praise you.

> Greek: 7. ἐγώ, φίλε παῖ, Ἑρμογλυφικὴ τέχνη εἰμί, ἣν χθὲς ἤρξω μανθάνειν, οἰκεία τέ σοι καὶ συγγενὴς οἴκοθεν· ὅ τε γὰρ πάππος σου — εἰποῦσα τοὔνομα τοῦ μητροπάτορος — λιθοξόος ἦν καὶ τὼ θείω ἀμφοτέρω καὶ μάλα εὐδοκιμεῖτον διʼ ἡμᾶς. εἰ δʼ ἐθέλεις λήρων μὲν καὶ φληνάφων τῶν παρὰ ταύτης ἀπέχεσθαι, — δείξασα τὴν ἑτέραν — ἕπεσθαι δὲ καὶ συνοικεῖν ἐμοί, πρῶτα μὲν θρέψῃ γεννικῶς καὶ τοὺς ὤμους ἕξεις καρτερούς, φθόνου δὲ παντὸς ἀλλότριος ἔσῃ· καὶ οὔποτε ἄπει ἐπὶ τὴν ἀλλοδαπήν, τὴν πατρίδα καὶ τοὺς οἰκείους καταλιπών, οὐδὲ ἐπὶ λόγοις... ἐπαινέσονταί σε πάντες.

[¶7] 8. “Do not be disgusted at my humble figure and my soiled clothing, for this is the way in which Phidias began, who revealed Zeus, and Polycleitus, who made Hera, Myron, whom men praise, and Praxiteles, at whom they marvel. Indeed, these men receive homage second only to the gods. If you become one of them, will you not yourself be famous in the sight of all mankind, make your father envied, and cause your native land to be admired?” Sculpture said all this, and even more than this, with a great deal of stumbling and bad grammar, talking very hurriedly and trying to convince me: I do not remember it all, however, for most of it has escaped my memory by this time. When she stopped, the other began after this fashion:

> Greek: 8. μὴ μυσαχθῇς δὲ τοῦ σχήματος τὸ εὐτελὲς μηδὲ τῆς ἐσθῆτος τὸ πιναρόν· ἀπὸ γὰρ τοιούτων ὁρμώμενος καὶ Φειδίας ἐκεῖνος ἔδειξε τὸν Δία καὶ Πολύκλειτος τὴν Ἥραν εἰργάσατο καὶ Μύρων ἐπῃνέθη καὶ Πραξιτέλης ἐθαυμάσθη. προσκυνοῦνται γοῦν οὗτοι μετὰ τῶν θεῶν. εἰ δὴ τούτων εἷς γένοιο, πῶς μὲν οὐ κλεινὸς αὐτὸς παρὰ πᾶσιν ἀνθρώποις ἔσῃ, ζηλωτὸν δὲ καὶ τὸν πατέρα ἀποδείξεις, περίβλεπτον δὲ ἀποφανεῖς καὶ τὴν πατρίδα; Ταῦτα καὶ ἔτι τούτων πλείονα διαπταίουσα καὶ βαρβαρίζουσα πάμπολλα εἶπεν ἡ Τέχνη, μάλα δὴ σπουδῇ συνείρουσα καὶ πείθειν με πειρωμένη· ἀλλʼ οὐκέτι μέμνημαι· τὰ πλεῖστα γὰρ ἤδη μου τὴν μνήμην διέφυγεν. ἐπεὶ δʼ οὖν ἐπαύσατο, ἄρχεται ἡ ἑτέρα ὧδέ πως·

[¶8] 9. “My child, I am Education, with whom you are already acquainted and familiar, even if you have not yet completed your experience of me. What it shall profit you to become a sculptor, this woman has told you; you will be nothing but a labourer, toiling with your body and putting in it your entire hope of a livelihood, personally inconspicuous, getting meagre and_ illiberal returns, humble-witted, an insignificant figure in public, neither sought by your friends nor feared by your enemies nor envied by your fellow-citizens—nothing but just a labourer, one of the swarming rabble, ever cringing to the man above you and courting the man who can use his tongue, leading a hare’s life, and counting as a godsend to anyone stronger. Even if you should become a Phidias or a Polycleitus and should create many marvellous works, everyone would praise your craftsmanship, to be sure, but none of those who saw you, if he were sensible, would pray to be like you; for no matter what you might be, you would be considered a mechanic, a man who has naught but his hands, a man who lives by his hands.

> Greek: 9. ἐγὼ δέ, ὦ τέκνον, Παιδεία εἰμὶ ἤδη συνήθης σοι καὶ γνωρίμη, εἰ καὶ μηδέπω εἰς τέλος μου πεπείρασαι. ἡλίκα μὲν οὖν τὰ ἀγαθὰ ποριῇ λιθοξόος γενόμενος, αὕτη προείρηκεν· οὐδὲν γὰρ ὅτι μὴ ἐργάτης ἔσῃ τῷ σώματι πονῶν κἀν τούτῳ τὴν ἅπασαν ἐλπίδα τοῦ βίου τεθειμένος, ἀφανὴς μὲν αὐτὸς ὤν, ὀλίγα καὶ ἀγεννῆ λαμβάνων, ταπεινὸς τὴν γνώμην, εὐτελὴς δὲ τὴν πρόοδον, οὔτε φίλοις ἐπιδικάσιμος οὔτε ἐχθροῖς φοβερὸς οὔτε τοῖς πολίταις ζηλωτός, ἀλλʼ αὐτὸ μόνον ἐργάτης καὶ τῶν ἐκ τοῦ πολλοῦ δήμου εἷς, ἀεὶ τὸν προὔχοντα ὑποπτήσσων καὶ τὸν λέγειν δυνάμενον θεραπεύων, λαγὼ βίον ζῶν καὶ τοῦ κρείττονος ἕρμαιον ὤν· εἰ δὲ καὶ Φειδίας ἢ Πολύκλειτος γένοιο καὶ πολλὰ θαυμαστὰ ἐξεργάσαιο, τὴν μὲν τέχνην ἅπαντες ἐπαινέσονται, οὐκ ἔστι δὲ ὅστις τῶν ἰδόντων, εἰ νοῦν ἔχοι, εὔξαιτʼ ἂν σοὶ ὅμοιος γενέσθαι· οἷος γὰρ ἂν ᾖς, βάναυσος καὶ χειρῶναξ καὶ ἀποχειροβίωτος νομισθήσῃ.

[¶9] 10. “If you follow my advice, first of all I shall show you many works of men of old, tell you their wondrous deeds and words, and make you conversant with almost all knowledge, and I shall ornament your soul, which concerns you most, with many noble adornments—temperance, justice, piety, kindliness, reasonableness, understanding, steadfastness, love of all that is beautiful, ardour towards all that is sublime; for these are the truly flawless jewels of the soul. Nothing that came to pass of old will escape you; and nothing that must now come to pass; nay, you will even foresee the future with me. In a word, I shall speedily teach you everything that there is, whether it pertains to the gods or to man.

> Greek: 10. ἢν δʼ ἐμοὶ πείθῃ, πρῶτον μέν σοι πολλὰ ἐπιδείξω παλαιῶν ἀνδρῶν ἔργα καὶ πράξεις θαυμαστὰς καὶ λόγους αὐτῶν ἀπαγγελῶ, καὶ πάντων ὡς εἰπεῖν ἔμπειρον ἀποφανῶ, καὶ τὴν ψυχήν, ὅπερ σοι κυριώτατόν ἐστι, κατακοσμήσω πολλοῖς καὶ ἀγαθοῖς κοσμήμασι — σωφροσύνῃ, δικαιοσύνῃ, εὐσεβείᾳ, πρᾳότητι, ἐπιεικείᾳ, συνέσει, καρτερίᾳ, τῷ τῶν καλῶν ἔρωτι, τῇ πρὸς τὰ σεμνότατα ὁρμῇ· ταῦτα γάρ ἐστιν ὁ τῆς ψυχῆς ἀκήρατος ὡς ἀληθῶς κόσμος. λήσει δέ σε οὔτε παλαιὸν οὐδὲν οὔτε νῦν γενέσθαι δέον, ἀλλὰ καὶ τὰ μέλλοντα προόψει μετʼ ἐμοῦ, καὶ ὅλως ἅπαντα ὁπόσα ἐστί, τά τε θεῖα τά τʼ ἀνθρώπινα, οὐκ εἰς μακράν σε διδάξομαι.

[¶10] 11. “You who are now the beggarly son of a nobody, who have entertained some thought of so illiberal a trade, will after a little inspire envy and jealousy in all men, for you will be honoured and lauded, you will be held in great esteem for the highest qualities and admired by men_ preeminent in lineage and in wealth, you will wear clothing such as this”—she pointed to her own, and she was very splendidly dressed—“and will be deemed worthy of office and precedence. If ever you go abroad, even on foreign soil you will not be unknown or inconspicuous, for will attach to you such marks of identification that everyone who sees you will nudge his neighbour and point you out with his finger, saying, ‘There he is!’

> Greek: 11. καὶ ὁ νῦν πένης ὁ τοῦ δεῖνος, ὁ βουλευσάμενός τι περὶ ἀγεννοῦς οὕτω τέχνης, μετʼ ὀλίγον ἅπασι ζηλωτὸς καὶ ἐπίφθονος ἔσῃ, τιμώμενος καὶ ἐπαινούμενος καὶ ἐπὶ τοῖς ἀρίστοις εὐδοκιμῶν καὶ ὑπὸ τῶν γένει καὶ πλούτῳ προὐχόντων ἀποβλεπόμενος, ἐσθῆτα μὲν τοιαύτην ἀμπεχόμενος, — δείξασα τὴν ἑαυτῆς· πάνυ δὲ λαμπρὰν ἐφόρει — ἀρχῆς δὲ καὶ προεδρίας ἀξιούμενος. κἄν που ἀποδημῇς, οὐδʼ ἐπὶ τῆς ἀλλοδαπῆς ἀγνὼς οὐδʼ ἀφανὴς ἔσῃ· τοιαῦτά σοι περιθήσω τὰ γνωρίσματα ὥστε τῶν ὁρώντων ἕκαστος τὸν πλησίον κινήσας δείξει σε τῷ δακτύλῳ, οὗτος ἐκεῖνος λέγων.

[¶11] 12. If anything of grave import befalls your friends or even the entire city, all will turn their eyes upon you; and if at any time you chance to make a speech, the crowd will listen open-mouthed, marvelling and felicitating you upon your eloquence and your father upon his good fortune. They say that some men become immortal. I shall bring this to pass with you; for though you yourself depart from life, you will never cease associating with men of education and conversing with men of eminence. You know whose son Demosthenes was, and how great I made him. You know that Aeschines was the son of a tambourine girl, but for all that, Philip paid court to him for my sake. And Socrates himself was brought upunder the tutelage of our friend Sculpture, but as soon as he understood what was better he ran away from her and joined my colours; and you have heard how his praises are sung by everyone.

> Greek: 12. ἂν δέ τι σπουδῆς ἄξιον ἢ τοὺς φίλους ἢ καὶ τὴν πόλιν ὅλην καταλαμβάνῃ, εἰς σὲ πάντες ἀποβλέψονται· κἄν πού τι λέγων τύχῃς, κεχηνότες οἱ πολλοὶ ἀκούσονται, θαυμάζοντες καὶ εὐδαιμονίζοντές σε τῆς δυνάμεως τῶν λόγων καὶ τὸν πατέρα τῆς εὐποτμίας. ὃ δὲ λέγουσιν, ὡς ἄρα καὶ ἀθάνατοι γίγνονταί τινες ἐξ ἀνθρώπων, τοῦτό σοι περιποιήσω· καὶ γὰρ ἢν αὐτὸς ἐκ τοῦ βίου ἀπέλθῃς, οὔποτε παύσῃ συνὼν τοῖς πεπαιδευμένοις καὶ προσομιλῶν τοῖς ἀρίστοις. ὁρᾷς τὸν Δημοσθένην ἐκεῖνον, τίνος υἱὸν ὄντα ἐγὼ ἡλίκον ἐποίησα. ὁρᾷς τὸν Αἰσχίνην, ὡς τυμπανιστρίας υἱὸς ἦν, ἀλλʼ ὅμως αὐτὸν διʼ ἐμὲ Φίλιππος ἐθεράπευεν. ὁ δὲ Σωκράτης καὶ αὐτὸς ὑπὸ τῇ Ἑρμογλυφικῇ ταύτῃ τραφείς, ἐπειδὴ τάχιστα συνῆκεν τοῦ κρείττονος καὶ δραπετεύσας παρʼ αὐτῆς ηὐτομόλησεν ὡς ἐμέ, ἀκούεις ὡς παρὰ πάντων ᾄδεται.

[¶12] 13. “On the other hand, if you turn your back upon these men so great and noble, upon glorious deeds and sublime words, upon a dignified appearance, upon honour, esteem, praise, precedence, power and offices, upon fame for eloquence and felicitations for wit, then you will put on a filthy tunic, assume a servile appearance, and hold bars and gravers and sledges and chisels in your hands, with your back bent over your work; you will be a groundling, with groundling ambitions, altogether humble; you will never lift your head, or conceive a single manly or liberal thought, and although you will plan to make your works well-balanced and well-shapen, you will not show any concern to make yourself well-balanced and sightly; on the contrary, you will make yourself a thing of less value than a block of stone.”

> Greek: 13. ἀφεὶς δὲ αὖ τοὺς τηλικούτους καὶ τοιούτους ἄνδρας καὶ πράξεις λαμπρὰς καὶ λόγους σεμνοὺς καὶ σχῆμα εὐπρεπὲς καὶ τιμὴν καὶ δόξαν καὶ ἔπαινον καὶ προεδρίας καὶ δύναμιν καὶ ἀρχὰς καὶ τὸ ἐπὶ λόγοις εὐδοκιμεῖν καὶ τὸ ἐπὶ συνέσει εὐδαιμονίζεσθαι, χιτώνιόν τι πιναρὸν ἐνδύσῃ καὶ σχῆμα δουλοπρεπὲς ἀναλήψῃ καὶ μοχλία καὶ γλυφεῖα καὶ κοπέας καὶ κολαπτῆρας ἐν ταῖν χεροῖν ἕξεις κάτω νενευκὼς εἰς τὸ ἔργον, χαμαιπετὴς καὶ χαμαίζηλος καὶ πάντα τρόπον ταπεινός, ἀνακύπτων δὲ οὐδέποτε οὐδὲ ἀνδρῶδες οὐδὲ ἐλεύθερον οὐδὲν ἐπινοῶν, ἀλλὰ τὰ μὲν ἔργα ὅπως εὔρυθμα καὶ εὐσχήμονα ἔσται σοι προνοῶν, ὅπως δὲ αὐτὸς εὔρυθμός τε καὶ κόσμιος ἔσῃ, ἥκιστα πεφροντικώς, ἀλλʼ ἀτιμότερον ποιῶν σεαυτὸν λίθων.

[¶13] 14. While these words were still on her lips, without waiting for her to finish what she was saying, I stood up and declared myself. Abandoning the ugly working-woman, I went over to Education with a right good will, especially when the stick entered my mind and the fact that it had laid many a blow upon me at the very outset the day before. When I abandoned Sculpture, at first she was indignant and struck her hands together and ground her teeth; but at length, like Niobe in the story, she grew rigid and turned to stone. Her fate was strange, but do not be incredulous, for dreams work miracles.

> Greek: 14. ταῦτα ἔτι λεγούσης αὐτῆς οὐ περιμείνας ἐγὼ τὸ τέλος τῶν λόγων ἀναστὰς ἀπεφηνάμην, καὶ τὴν ἄμορφον ἐκείνην καὶ ἐργατικὴν ἀπολιπὼν μετέβαινον πρὸς τὴν Παιδείαν μάλα γεγηθώς, καὶ μάλιστα ἐπεί μοι καὶ εἰς νοῦν ἦλθεν ἡ σκυτάλη καὶ ὅτι πληγὰς εὐθὺς οὐκ ὀλίγας ἀρχομένῳ μοι χθὲς ἐνετρίψατο. ἡ δὲ ἀπολειφθεῖσα τὸ μὲν πρῶτον ἠγανάκτει καὶ τὼ χεῖρε συνεκρότει καὶ τοὺς ὀδόντας συνέπριε· τέλος δέ, ὥσπερ τὴν Νιόβην ἀκούομεν, ἐπεπήγει καὶ εἰς λίθον μετεβέβλητο. εἰ δὲ παράδοξα ἔπαθε, μὴ ἀπιστήσητε· θαυματοποιοὶ γὰρ οἱ ὄνειροι.

[¶14] 15. The other fixed her eyes upon me and said: “I will therefore repay you for the justice that you have done in judging this issue rightly: come at once and mount this car”—pointing to a car with winged horses resembling Pegasus—“in order that you may know what you would have missed if you had not come with me.” When I had mounted she plied whip and reins, and I was carried up into the heights and went from the East to the very West, surveying cities and nations and peoples, sowing something broadcast over the earth like Triptolemus. I do not now remember what it was that I sowed; only that men, looking up from below, applauded, and all those above whom I passed in my flight sped me on my way with words of praise.

> Greek: 15. ἡ ἑτέρα δὲ πρός με ἀπιδοῦσα, τοιγαροῦν ἀμείψομαί σε, ἔφη, τῆσδε τῆς δικαιοσύνης, ὅτι καλῶς τὴν δίκην ἐδίκασας, καὶ ἐλθὲ ἤδη, ἐπίβηθι τούτου τοῦ ὀχήματος, — δείξασά τι ὄχημα ὑποπτέρων ἵππων τινῶν τῷ Πηγάσῳ ἐοικότων — ὅπως εἰδῇς οἷα καὶ ἡλίκα μὴ ἀκολουθήσας ἐμοὶ ἀγνοήσειν ἔμελλες. ἐπεὶ δὲ ἀνῆλθον, ἡ μὲν ἤλαυνε καὶ ὑφηνιόχει, ἀρθεὶς δὲ εἰς ὕψος ἐγὼ ἐπεσκόπουν ἀπὸ τῆς ἕω ἀρξάμενος ἄχρι πρὸς τὰ ἑσπέρια πόλεις καὶ ἔθνη καὶ δήμους, καθάπερ ὁ Τριπτόλεμος ἀποσπείρων τι εἰς τὴν γῆν. οὐκέτι μέντοι μέμνημαι ὅ τι τὸ σπειρόμενον ἐκεῖνο ἦν, πλὴν τοῦτο μόνον ὅτι κάτωθεν ἀφορῶντες ἄνθρωποι ἐπῄνουν καὶ μετʼ εὐφημίας καθʼ οὓς γενοίμην τῇ πτήσει παρέπεμπον.

[¶15] 16. After all this had been shown to me and I to the men who applauded, she brought me back again, no longer dressed in the same clothing that I wore when I began the flight; I dreamed that I came back in princely purple. Finding my father standing and waiting, she pointed him out my clothing and the guise in which I had returned, and even reminded him gently of the plans that they had narrowly escaped making for me. That is the dream which I remember having had when I wasa slip of a lad; it was due, I suppose, to my agitation on account of the fear inspired by the thrashing.

> Greek: 16. δείξασα δέ μοι τὰ τοσαῦτα κἀμὲ τοῖς ἐπαινοῦσιν ἐκείνοις ἐπανήγαγεν αὖθις, οὐκέτι τὴν αὐτὴν ἐσθῆτα ἐκείνην ἐνδεδυκότα ἣν εἶχον ἀφιπτάμενος, ἀλλά μοι ἐδόκουν εὐπάρυφός τις ἐπανήκειν. καταλαβοῦσα οὖν καὶ τὸν πατέρα ἑστῶτα καὶ περιμένοντα ἐδείκνυεν αὐτῷ ἐκείνη τὴν ἐσθῆτα κἀμέ, οἷος ἥκοιμι, καί τι καὶ ὑπέμνησεν οἷα μικροῦ δεῖν περὶ ἐμοῦ ἐβουλεύσαντο. ταῦτα μέμνημαι ἰδὼν ἀντίπαις ἔτι ὤν, ἐμοὶ δοκεῖν ἐκταραχθεὶς πρὸς τὸν τῶν πληγῶν φόβον.

[¶16] 17. Even as I speaking, “Heracles!!” someone said, “what a long and tiresome dream!” Then someone else broke in: “A winter dream, when the nights are longest; or perhaps it is itself a product of three nights, like Heracles! What got into him to tell us this idle tale and to speak of a night of his childhood and dreams that are ancient and superannuated?_ It is flat to spin pointless yarns. Surely he doesn't take us for interpreters of dreams?” No, my friend; and Xenophon, too, when he told one time. how he dreamed that a bolt of lightning, striking his father’s house, set it afire, and all the rest of it—you know it—did not do so because he wanted the dream interpreted, nor yet because he had made up his mind to talk nonsense, particularly in time of war and in a desperate state of affairs, with the enemy on every side; no, the story had a certain usefulness.

> Greek: 17. μεταξὺ δὲ λέγοντος, Ἡράκλεις, ἔφη τις, ὡς μακρὸν τὸ ἐνύπνιον καὶ δικανικόν. εἶτʼ ἄλλος ὑπέκρουσε, χειμερινὸς ὄνειρος, ὅτε μήκισταί εἰσιν αἱ νύκτες, ἢ τάχα που τριέσπερος, ὥσπερ ὁ Ἡρακλῆς, καὶ αὐτός ἐστι. τί δʼ οὖν ἐπῆλθεν αὐτῷ ληρῆσαι ταῦτα πρὸς ἡμᾶς καὶ μνησθῆναι παιδικῆς νυκτὸς καὶ ὀνείρων παλαιῶν καὶ γεγηρακότων; ἕωλος γὰρ ἡ ψυχρολογία. μὴ ὀνείρων τινὰς ὑποκριτὰς ἡμᾶς ὑπείληφεν; οὔκ, ὦγαθέ· οὐδὲ γὰρ ὁ Ξενοφῶν ποτε διηγούμενος τὸ ἐνύπνιον, ὡς ἐδόκει αὐτῷ κεραυνὸς ἐμπεσὼν καίειν τὴν πατρῴαν οἰκίαν καὶ τὰ ἄλλα, — ἴστε γάρ — οὐχ ὑπόκρισιν τὴν ὄψιν οὐδʼ ὡς φλυαρεῖν ἐγνωκὼς αὐτὰ διεξῄει, καὶ ταῦτα ἐν πολέμῳ καὶ ἀπογνώσει πραγμάτων, περιεστώτων πολεμίων, ἀλλά τι καὶ χρήσιμον εἶχεν ἡ διήγησις.

[¶17] 18. So it was with me, and I told you this dream in order that those who are young may take the better direction and cleave to education, above all if poverty is making any one of them faint-hearted and inclining him toward the worse, to the detriment of a noble nature. He will be strengthened, I am very sure, by hearing the tale, if he takes me as an adequate example, reflecting what I was when aspired to all that is finest and set my heart on education, showing no weakness in the face of my poverty at that time, and what I am now, on my return to you—if nothing more, at least quite as highly thought of as any sculptor.

> Greek: 18. καὶ τοίνυν κἀγὼ τοῦτον τὸν ὄνειρον ὑμῖν διηγησάμην ἐκείνου ἕνεκα, ὅπως οἱ νέοι πρὸς τὰ βελτίω τρέπωνται καὶ παιδείας ἔχωνται, καὶ μάλιστα εἴ τις αὐτῶν ὑπὸ πενίας ἐθελοκακεῖ καὶ πρὸς τὴν ἥττω ἀποκλίνει, φύσιν οὐκ ἀγεννῆ διαφθείρων. ἐπιρρωσθήσεται εὖ οἶδʼ ὅτι κἀκεῖνος ἀκούσας τοῦ μύθου, ἱκανὸν ἑαυτῷ παράδειγμα ἐμὲ προστησάμενος, ἐννοῶν οἷος μὲν ὢν πρὸς τὰ κάλλιστα ὥρμησα καὶ παιδείας ἐπεθύμησα, μηδὲν ἀποδειλιάσας πρὸς τὴν πενίαν τὴν τότε, οἷος δὲ πρὸς ὑμᾶς ἐπανελήλυθα, εἰ καὶ μηδὲν ἄλλο, οὐδενὸς γοῦν τῶν λιθογλύφων ἀδοξότερος.