Life in the quarter. Our bistro, for instance, at the foot of the
Hôtel des Trois Moineaux. A tiny brick-floored room, half underground,
with wine-sodden tables, and a photograph of a funeral inscribed
'_Crédit est mort_'; and red-sashed workmen carving sausage with big
jack-knives; and Madame F., a splendid Auvergnat peasant woman with the
face of a strong-minded cow, drinking Malaga all day 'for her stomach';
and games of dice for apéritifs; and songs about 'Les Fraises et Les
Framboises', and about Madelon, who said, '_Comment épouser un soldat,
moi qui aime tout le régiment?_'; and extraordinarily public
love-making. Half the hotel used to meet in the bistro in the
evenings. I wish one could find a pub in London a quarter as cheery.
One heard queer conversations in the bistro. As a sample I give you
Charlie, one of the local curiosities, talking.
Charlie was a youth of family and education who had run away from home
and lived on occasional remittances. Picture him very pink and young,
with the fresh cheeks and soft brown hair of a nice little boy, and lips
excessively red and wet, like cherries. His feet are tiny, his arms
abnormally short, his hands dimpled like a baby's. He has a way of
dancing and capering while he talks, as though he were too happy and too
full of life to keep still for an instant. It is three in the afternoon,
and there is no one in the bistro except Madame F. and one or two men
who are out of work; but it is all the same to Charlie whom he talks to,
so long as he can talk about himself. He declaims like an orator on a
barricade, rolling the words on his tongue and gesticulating with his
short arms. His small, rather piggy eyes glitter with enthusiasm. He is,
somehow, profoundly disgusting to see.
He is talking of love, his favourite subject.
'_Ah, l'amour, l'amour! Ah, que les femmes m'ont tué!_ Alas, _messieurs
et dames_, women have been my ruin, beyond all hope my ruin. At
twenty-two I am utterly worn out and finished. But what things I have
learned, what abysses of wisdom have I not plumbed! How great a thing it
is to have acquired the true wisdom, to have become in the highest sense
of the word a civilized man, to have become raffiné, vicieux,' etc.
etc.
'_Messieurs et dames_, I perceive that you are sad. _Ah, mais la vie est
belle_—you must not be sad. Be more gay, I beseech you!
Fill high ze bowl vid Samian vine,
Ve vill not sink of semes like zese!
'_Ah, que la vie est belle!_ Listen, messieurs et dames, out of the
fullness of my experience I will discourse to you of love. I will
explain to you what is the true meaning of love—what is the true
sensibility, the higher, more refined pleasure which is known to
civilized men alone. I will tell you of the happiest day of my life.
Alas, but I am past the time when I could know such happiness as that.
It is gone for ever—the very possibility, even the desire for it, are
gone.
'Listen, then. It was two years ago; my brother was in Paris—he is a
lawyer—and my parents had told him to find me and take me out to
dinner. We hate each other, my brother and I, but he preferred not to
disobey my parents. We dined, and at dinner he grew very drunk upon
three bottles of Bordeaux. I took him back to his hotel, and on the way
I bought a bottle of brandy, and when we had arrived I made my brother
drink a tumblerful of it—I told him it was something to make him sober.
He drank it, and immediately he fell down like somebody in a fit, dead
drunk. I lifted him up and propped his back against the bed; then I went
through his pockets. I found eleven hundred francs, and with that I
hurried down the stairs, jumped into a taxi, and escaped. My brother did
not know my address—I was safe.
'Where does a man go when he has money? To the bordels, naturally. But
you do not suppose that I was going to waste my time on some vulgar
debauchery fit only for navvies? Confound it, one is a civilized man! I
was fastidious, exigeant, you understand, with a thousand francs in my
pocket. It was midnight before I found what I was looking for. I had
fallen in with a very smart youth of eighteen, dressed en smoking and
with his hair cut à l'américaine, and we were talking in a quiet
bistro away from the boulevards. We understood one another well, that
youth and I. We talked of this and that, and discussed ways of diverting
oneself. Presently we took a taxi together and were driven away.
'The taxi stopped in a narrow, solitary street with a single gas-lamp
flaring at the end. There were dark puddles among the stones. Down one
side ran the high blank wall of a convent. My guide led me to a tall,
ruinous house with shuttered windows, and knocked several times at the
door. Presently there was a sound of footsteps and a shooting of bolts,
and the door opened a little. A hand came round the edge of it; it was a
large, crooked hand, that held itself palm upwards under our noses,
demanding money.
'My guide put his foot between the door and the step. "How much do you
want?" he said.
'"A thousand francs," said a woman's voice. "Pay up at once or you don't
come in."
'I put a thousand francs into the hand and gave the remaining hundred to
my guide; he said good night and left me. I could hear the voice inside
counting the notes, and then a thin old crow of a woman in a black dress
put her nose out and regarded me suspiciously before letting me in. It
was very dark inside; I could see nothing except a flaring gas-jet that
illuminated a patch of plaster wall, throwing everything else into
deeper shadow. There was a smell of rats and dust. Without speaking, the
old woman lighted a candle at the gas-jet, then hobbled in front of me
down a stone passage to the top of a flight of stone steps.
'"_Voilà!_" she said; "go down into the cellar there and do what you
like. I shall see nothing, hear nothing, know nothing. You are free, you
understand—perfectly free."
'Ah, messieurs, need I describe to you—forcément, you know it
yourselves—that shiver, half of terror and half of joy, that goes
through one at these moments? I crept down, feeling my way; I could hear
my breathing and the scraping of my feet on the stones, otherwise all
was silence. At the bottom of the stairs my hand met an electric switch.
I turned it, and a great electrolier of twelve red globes flooded the
cellar with a red light. And behold, I was not in a cellar, but in a
bedroom, a great rich garish bedroom, coloured blood red from top to
bottom. Figure it to yourselves, messieurs et dames! Red carpet on the
floor, red paper on the walls, red plush on the chairs, even the ceiling
red; everywhere red, burning into the eyes. It was a heavy, stifling
red, as though the light were shining through bowls of blood. At the far
end stood a huge square bed, with quilts red like the rest, and on it a
girl was lying, dressed in a frock of red velvet. At the sight of me she
shrank away and tried to hide her knees under the short dress.
'I had halted by the door. "Come here, my chicken," I called to her.
'She gave a whimper of fright. With a bound I was beside the bed; she
tried to elude me, but I seized her by the throat—like this, do you
see?—tight! She struggled, she began to cry out for mercy, but I held
her fast, forcing back her head and staring down into her face. She was
twenty years old, perhaps; her face was the broad dull face of a stupid
child, but it was coated with paint and powder, and her blue, stupid
eyes, shining in the red light, wore that shocked, distorted look that
one sees nowhere save in the eyes of these women. She was some peasant
girl, doubtless, whom her parents had sold into slavery.
'Without another word I pulled her off the bed and threw her onto the
floor. And then I fell upon her like a tiger! Ah, the joy, the
incomparable rapture of that time! There, messieurs et dames, here is
what I would expound to you; voilà l'amour! There is the true love,
there is the only thing in the world worth striving for; there is the
thing beside which all your arts and ideals, all your philosophies and
creeds, all your fine words and high attitudes, are as pale and
profitless as ashes. When one has experienced love—the true love—what
is there in the world that seems more than a mere ghost of joy?
'More and more savagely I renewed the attack. Again and again the girl
tried to escape; she cried out for mercy anew, but I laughed at her.
'"Mercy!" I said, "do you suppose I have come here to show mercy? Do you
suppose I have paid a thousand francs for that?" I swear to you,
messieurs et dames, that if it were not for that accursed law that
robs us of our liberty, I would have murdered her at that moment.
'Ah, how she screamed, with what bitter cries of agony. But there was no
one to hear them; down there under the streets of Paris we were as
secure as at the heart of a pyramid. Tears streamed down the girl's
face, washing away the powder in long dirty smears. Ah, that
irrecoverable time! You, messieurs et dames, you who have not
cultivated the finer sensibilities of love, for you such pleasure is
almost beyond conception. And I too, now that my youth is gone—ah,
youth!—shall never again see life so beautiful as that. It is finished.
'Ah yes, it is gone—gone for ever. Ah, the poverty, the shortness, the
disappointment of human joy! For in reality—car en réalité, what is
the duration of the supreme moment of love? It is nothing, an instant, a
second perhaps. A second of ecstasy, and after that—dust, ashes,
nothingness.
'And so, just for one instant, I captured the supreme happiness, the
highest and most refined emotion to which human beings can attain. And
in the same moment it was finished, and I was left—to what? All my
savagery, my passion, were scattered like the petals of a rose. I was
left cold and languid, full of vain regrets; in my revulsion I even felt
a kind of pity for the weeping girl on the floor. Is it not nauseous,
that we should be the prey of such mean emotions? I did not look at the
girl again; my sole thought was to get away. I hastened up the steps of
the vault and out into the street. It was dark and bitterly cold, the
streets were empty, the stones echoed under my heels with a hollow,
lonely ring. All my money was gone, I had not even the price of a taxi
fare. I walked back alone to my cold, solitary room.
'But there, messieurs et dames, that is what I promised to expound to
you. That is Love. That was the happiest day of my life.'
He was a curious specimen, Charlie. I describe him, just to show what
diverse characters could be found flourishing in the Coq d'Or quarter.
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