---
title: "Description of Greece · Ἑλλάδος περιήγησις"
author: "Pausanias"
translator: "W. H. S. Jones"
languages: [grc, en]
shelf: "Classical Greek"
section: 51 of 60
url: https://scriptura.si/works/pausanias-description-of-greece/51/
cite: "Pausanias, tr. W. H. S. Jones, Description of Greece · Ἑλλάδος περιήγησις, section 51. Scriptura (scriptura.si), https://scriptura.si/works/pausanias-description-of-greece/51/"
---

# Description of Greece · Ἑλλάδος περιήγησις

*Pausanias, tr. W. H. S. Jones*

A second-century traveller’s guide to the cities, temples, statues and legends of Greece, from Athens and Corinth to Olympia and Delphi, still used by archaeologists.

> Greek: ed. Friedrich Spiro, from the Perseus Digital Library (canonical-greekLit, tlg0525.tlg001, CC BY-SA 4.0).

> English: W. H. S. Jones, from the Perseus Digital Library (tlg0525.tlg001.perseus-eng2). Notes are not included.

> Rows follow the references the two texts share (books, chapters and sections), cut where both reach the end of a sentence.

## 51. Book IX · chapters 23–30

Source: https://scriptura.si/works/pausanias-description-of-greece/51/ · cite a paragraph as https://scriptura.si/works/pausanias-description-of-greece/51/#p-N

[¶0] 23.4. Pindar died at once, before ten days had passed since the dream. But there was in Thebes an old woman related by birth to Pindar who had practised singing most of his odes. By her side in a dream stood Pindar, and sang a hymn to Persephone. Immediately on waking out of her sleep she wrote down all she had heard him singing in her dream. In this song, among the epithets he applies to Hades is “golden-reined”—a clear reference to the rape of Persephone.

> Greek: 23.4. τὸν μὲν αὐτίκα τὸ χρεὼν ἐπιλαμβάνει πρὶν ἐξήκειν ἡμέραν δεκάτην ἀπὸ τοῦ ὀνείρατος, ἦν δὲ ἐν Θήβαις γυνὴ πρεσβῦτις γένους ἕνεκα προσήκουσα Πινδάρῳ καὶ τὰ πολλὰ μεμελετηκυῖα ᾄδειν τῶν ᾀσμάτων· ταύτῃ Πίνδαρος ἐνύπνιον τῇ πρεσβύτιδι ἐπιστὰς ὕμνον ᾖσεν ἐς Περσεφόνην, ἡ δὲ αὐτίκα ὡς ἀπέλιπεν αὐτὴν ὁ ὕπνος, ἔγραψε ταῦτα ὁπόσα τοῦ ὀνείρατος ἤκουσεν ᾄδοντος. ἐν τούτῳ τῷ ᾄσματι ἄλλαι τε ἐς τὸν Ἅιδην εἰσὶν ἐπικλήσεις καὶ ὁ χρυσήνιος, δῆλα ὡς ἐπὶ τῆς Κόρης τῇ ἁρπαγῇ.

[¶1] 23.5. From this point to Acraephnium is mainly flat. They say that originally the city formed part of the territory belonging to Thebes, and I learned that in later times men of Thebes escaped to it, at the time when Alexander destroyed Thebes. Weak and old, they could not even get safely away to Attica, but made their homes here. The town lies on Mount Ptous, and there are here a temple and image of Dionysus that are worth seeing.

> Greek: 23.5. ἐντεῦθεν ἐς Ἀκραίφνιόν ἐστιν ὁδὸς τὰ πλείω πεδιάς. εἶναι δὲ ἐξ ἀρχῆς τε μοῖραν τῆς Θηβαΐδος τὴν πόλιν φασὶ καὶ ὕστερον διαπεσόντας Θηβαίων ἐς αὐτὴν ἄνδρας εὕρισκον, ἡνίκα Ἀλέξανδρος ἐποίει τὰς Θήβας ἀναστάτους· ὑπὸ δὲ ἀσθενείας καὶ γήρως οὐδὲ ἐς τὴν Ἀττικὴν ἀποσωθῆναι δυνηθέντες ἐνταῦθα ᾤκησαν. κεῖται μὲν τὸ πόλισμα ἐν ὄρει τῷ Πτώῳ, θέας δὲ ἄξια ἐνταῦθα Διονύσου ναός ἐστι καὶ ἄγαλμα.

[¶2] 23.6. About fifteen stades away from the city on the right is the sanctuary of Ptoan Apollo. We are told by Asius in his epic that Ptous, who gave a surname to Apollo and the name to the mountain, was a son of Athamas by Themisto. Before the expedition of the Macedonians under Alexander, in which Thebes was destroyed, there was here an oracle that never lied. Once too a mail of Europus, of the name of Mys, who was sent by Mardonius, inquired of the god in his own language, and the god too gave a response, not in Greek but in the Carian speech.

> Greek: 23.6. προελθόντι δὲ ἀπὸ τῆς πόλεως ἐν δεξιᾷ πέντε που καὶ δέκα σταδίους τοῦ Ἀπόλλωνός ἐστι τοῦ Πτώου τὸ ἱερόν. εἶναι δὲ Ἀθάμαντος καὶ Θεμιστοῦς παῖδα τὸν Πτῶον, ἀφʼ οὗ τῷ τε Ἀπόλλωνι ἐπίκλησις καὶ τῷ ὄρει τὸ ὄνομα ἐγένετο, Ἄσιος ἐν τοῖς ἔπεσιν εἴρηκε. πρὸ δὲ τῆς Ἀλεξάνδρου καὶ Μακεδόνων ἐπιστρατείας καὶ ὀλέθρου τοῦ Θηβαίων μαντεῖον ἦν αὐτόθι ἀψευδές· καί ποτε ἄνδρα Εὐρωπέα—ὄνομα δέ οἱ εἶναι Μῦν—, τοῦτον ἀποσταλέντα ὑπὸ Μαρδονίου τὸν Μῦν ἐπερέσθαι τε φωνῇ τῇ σφετέρᾳ καί οἱ χρῆσαι τὸν θεόν, οὐχ ἑλληνίσαντα οὐδὲ αὐτόν, διαλέκτῳ τῇ Καρικῇ.

[¶3] 23.7. On crossing Mount Ptous you come to Larymna, a Boeotian city on the coast, said to have been named after Larymna, the daughter of Cynus. Her earlier ancestors I shall give in my account of Locris. Of old Larymna belonged to Opus, but when Thebes rose to great power the citizens of their own accord joined the Boeotians. Here there is a temple of Dionysus with a standing image. The town has a harbor with deep water near the shore, and on the mountains commanding the city wild boars can be hunted.

> Greek: 23.7. ὑπερβαλόντων δὲ τὸ ὄρος τὸ Πτῶον ἔστιν ἐπὶ θαλάσσης Βοιωτῶν πόλις Λάρυμνα, γενέσθαι δὲ αὐτῇ τὸ ὄνομά φασιν ἀπὸ Λαρύμνης τῆς Κύνου· τοὺς δὲ ἀνωτέρω προγόνους δηλώσει μοι τὰ ἔχοντα ἐς Λοκροὺς τοῦ λόγου. καὶ συνετέλει δὲ ἐς Ὀποῦντα ἡ Λάρυμνα τὸ ἀρχαῖον· Θηβαίων δὲ ἐπὶ μέγα ἰσχύος προελθόντων, τηνικαῦτα ἑκουσίως μετετάξαντο ἐς Βοιωτούς. Διονύσου δὲ ἐνταῦθα ναὸς καὶ ἄγαλμα ὀρθὸν πεποίηται. λιμὴν δέ σφισίν ἐστιν ἀγχιβαθής, καὶ τὰ ὄρη τὰ ὑπὲρ τὴν πόλιν ὑῶν παρέχεται θήραν ἀγρίων.

[¶4] 24.1. On the straight road from Acraephnium to the Cephisian, or as it is also called, the Copaic Lake, is what is styled the Athamantian Plain, on which, they say, Athamas made his home. Into the lake flows the river Cephisus, which rises at Lilaea in Phocis, and on sailing across it you come to Copae, a town lying on the shore of the lake. Homer mentions it in the Catalogue. Here is a sanctuary of Demeter, one of Dionysus and a third of Serapis.

> Greek: 24.1. ἐξ Ἀκραιφνίου δὲ ἰόντι εὐθεῖαν ἐπὶ λίμνην τὴν Κηφισίδα—οἱ δὲ Κωπαΐδα ὀνομάζουσι τὴν αὐτήν— πεδίον καλούμενόν ἐστιν Ἀθαμάντιον· οἰκῆσαι δὲ Ἀθάμαντα ἐν αὐτῷ φασιν. ἐς δὲ τὴν λίμνην ὅ τε ποταμὸς ὁ Κηφισὸς ἐκδίδωσιν ἀρχόμενος ἐκ Λιλαίας τῆς Φωκέων καὶ διαπλεύσαντί εἰσι Κῶπαι. κεῖνται δὲ αἱ Κῶπαι πόλισμα ἐπὶ τῇ λίμνῃ, τούτου δὲ καὶ Ὅμηρος ἐποιήσατο ἐν καταλόγῳ μνήμην· ἐνταῦθα Δήμητρος καὶ Διονύσου καὶ Σαράπιδός ἐστιν ἱερά.

[¶5] 24.2. According to the Boeotians there were once other inhabited towns near the lake, Athens and Eleusis, but there occurred a flood one winter which destroyed them. The fish of the Cephisian Lake are in general no different from those of other lakes, but the eels there are of great size and very pleasant to the palate.

> Greek: 24.2. λέγουσι δὲ οἱ Βοιωτοὶ καὶ πολίσματα ἄλλα πρὸς τῇ λίμνῃ ποτὲ Ἀθήνας καὶ Ἐλευσῖνα οἰκεῖσθαι, καὶ ὡς ὥρᾳ χειμῶνος ἐπικλύσασα ἠφάνισεν αὐτὰ ἡ λίμνη. οἱ μὲν δὴ ἰχθῦς οἱ ἐν τῇ Κηφισίδι οὐδέν τι διάφορον ἐς ἄλλους ἰχθῦς τοὺς λιμναίους ἔχουσιν· αἱ δὲ ἐγχέλεις αὐτόθι καὶ μεγέθει μέγισται καὶ ἐσθίειν εἰσὶν ἥδισται.

[¶6] 24.3. On the left of Copae about twelve stades from it is Olmones, and some seven stades distant from Olmones is Hyettus both right from their foundation to the present day have been villages. In my view Hyettus, as well as the Athamantian plain, belongs to the district of Orchomenus. All the stories I heard about Hyettus the Argive and Olmus, the son of Sisyphus, I shall include in my history of Orchomenus. In Olmones they did not show me anything that was in the least worth seeing, but in Hyettus is a temple of Heracles, from whom the sick may get cures. There is an image not carefully carved, but of unwrought stone after the ancient fashion.

> Greek: 24.3. Κωπῶν δὲ ἐν ἀριστερᾷ σταδίους προελθόντι ὡς δώδεκα εἰσὶν Ὄλμωνες, Ὀλμωνέων δὲ ἑπτά που στάδια Ὕηττος ἀφέστηκε κῶμαι νῦν τε οὖσαι καὶ εὐθὺς ἐξ ἀρχῆς· μοίρας δὲ ἐμοὶ δοκεῖν τῆς Ὀρχομενίας εἰσὶ καὶ αὗται καὶ πεδίον τὸ Ἀθαμάντιον. καὶ ὅσα μὲν ἐς Ὕηττον ἄνδρα Ἀργεῖον καὶ Ὄλμον τὸν Σισύφου λεγόμενα ἤκουον, προσέσται καὶ αὐτὰ τῇ Ὀρχομενίᾳ συγγραφῇ· θέας δὲ ἄξιον ἐν μὲν Ὄλμωσιν οὐδʼ ἐπὶ βραχύτατον παρεῖχον οὐδέν, ἐν Ὑήττῳ δὲ ναός ἐστιν Ἡρακλέους καὶ ἰάματα εὕρασθαι παρὰ τούτου τοῖς κάμνουσιν ἔστιν, ὄντος οὐχὶ ἀγάλματος σὺν τέχνῃ, λίθου δὲ ἀργοῦ κατὰ τὸ ἀρχαῖον.

[¶7] 24.4. About twenty stades away from Hyettus is Cyrtones. The ancient name of the town was, they say, Cyrtone. It is built on a high mountain, and here are a temple and grove of Apollo. There are also standing images of Apollo and Artemis. There is here too a cool stream of water rising from a rock. By the spring is a sanctuary of the nymphs, and a small grove, in which all the trees alike are cultivated.

> Greek: 24.4. Ὑήττου δὲ στάδια ὡς εἴκοσιν ἀπέχουσι Κύρτωνες· τὸ δὲ ἀρχαῖον ὄνομα τῷ πολίσματί φασιν εἶναι Κυρτώνην. ᾤκισται δὲ ἐπὶ ὄρους ὑψηλοῦ, καὶ Ἀπόλλωνός ἐστιν ἐνταῦθα ναός τε καὶ ἄλσος· ἀγάλματα δὲ ὀρθὰ Ἀπόλλωνος καὶ Ἀρτέμιδός ἐστιν. ἔστι δὲ αὐτόθι καὶ ὕδωρ ψυχρὸν ἐκ πέτρας ἀνερχόμενον· νυμφῶν δὲ ἱερὸν ἐπὶ τῇ πηγῇ καὶ ἄλσος οὐ μέγα ἐστίν, ἥμερα δὲ ὁμοίως πάντα ἐν τῷ ἄλσει δένδρα.

[¶8] 24.5. Going out of Cyrtones, as you cross the mountain you come to Corseia, under which is a grove of trees that are not cultivated, being mostly evergreen oaks. A small image of Hermes stands in the open part of the grove. This is distant from Corseia about half a stade. On descending to the level you reach a river called the Platanius, which flows into the sea. On the right of the river the last of the Boeotians in this part dwell in Halae-on-Sea, which separates the Locrian mainland from Euboea.

> Greek: 24.5. ἐκ δὲ Κυρτώνων ὑπερβάλλοντι τὸ ὄρος πόλισμά ἐστι Κορσεία, ὑπὸ δὲ αὐτῷ δένδρων ἄλσος οὐχ ἡμέρων· πρῖνοι τὸ πολύ εἰσιν. Ἑρμοῦ δὲ ἄγαλμα οὐ μέγα ἐν ὑπαίθρῳ τοῦ ἄλσους ἕστηκε. τοῦτο ἀπέχει Κορσείας ὅσον τε ἥμισυ σταδίου. καταβάντων δὲ ἐς τὸ χθαμαλὸν ποταμὸς Πλατάνιος καλούμενος ἐκδίδωσιν ἐς θάλασσαν· ἐν δεξιᾷ δὲ τοῦ ποταμοῦ Βοιωτῶν ἔσχατοι ταύτῃ πόλισμα οἰκοῦσιν Ἁλὰς ἐπὶ θαλάσσῃ, ἣ τὴν Λοκρίδα ἤπειρον ἀπὸ τῆς Εὐβοίας διείργει.

[¶9] 25.1. Very near to the Neistan gate at Thebes is the tomb of Menoeceus, the son of Creon. He committed suicide in obedience to the oracle from Delphi, at the time when Polyneices and the host with him arrived from Argos. On the tomb of Menoeceus grows a pomegranate-tree. If you break through the outer part of the ripe fruit, you will then find the inside like blood. This pomegranate-tree is still flourishing. The Thebans assert that they were the first men among whom the vine grew, but they have now no memorial of it to show.

> Greek: 25.1. Θηβαίοις δὲ τῶν πυλῶν ἐστιν ἐγγύτατα τῶν Νηιστῶν Μενοικέως μνῆμα τοῦ Κρέοντος· ἀπέκτεινε δὲ ἑκουσίως αὑτὸν κατὰ τὸ μάντευμα τὸ ἐκ Δελφῶν, ἡνίκα Πολυνείκης καὶ ὁ σὺν αὐτῷ στρατὸς ἀφίκοντο ἐξ Ἄργους. τοῦ δὲ Μενοικέως ἐπιπέφυκε ῥοιὰ τῷ μνήματι· τοῦ καρποῦ δὲ ὄντος πεπείρου διαρρήξαντί σοι τὸ ἐκτὸς λοιπόν ἐστιν εὑρεῖν τὸ ἔνδον αἵματι ἐμφερές. αὕτη μὲν δὴ τεθηλὸς δένδρον ἐστὶν ἡ ῥοιά· ἄμπελον δὲ φῦναι μὲν οἱ Θηβαῖοι παρὰ σφίσι πρώτοις φασὶν ἀνθρώπων, ἀποφῆναι δὲ οὐδὲν ἔτι ἐς αὐτὴν ὑπόμνημα εἶχον.

[¶10] 25.2. Not far from the grave of Menoeceus is the place where they say the sons of Oedipus killed each other in a duel. The scene of their fight is marked by a pillar, upon which is a stone shield. There is shown a place where according to the Thebans Hera was deceived by Zeus into giving the breast to Heracles when he was a baby. The whole of this place is called the Dragging of Antigone. For when she found that she had not the strength to lift the body of Polyneices, in spite of her eager efforts, a second plan occurred to her, to drag him. So she dragged him right up to the burning pyre of Eteocles and threw him on it.

> Greek: 25.2. τοῦ δὲ Μενοικέως οὐ πόρρω τάφου τοὺς παῖδας λέγουσιν Οἰδίποδος μονομαχήσαντας ἀποθανεῖν ὑπὸ ἀλλήλων· σημεῖον δὲ τῆς μάχης αὐτῶν κίων, καὶ ἀσπὶς ἔπεστιν ἐπʼ αὐτῷ λίθου. δείκνυται δέ τι χωρίον ἔνθα Ἥραν Θηβαῖοί φασιν Ἡρακλεῖ παιδὶ ἔτι ἐπισχεῖν γάλα κατὰ δή τινα ἀπάτην ἐκ Διός· καλεῖται δὲ ὁ σύμπας οὗτος ⟨τόπος⟩ Σῦρμα Ἀντιγόνης· ὡς γὰρ τὸν τοῦ Πολυνείκους ἄρασθαί οἱ προθυμουμένῃ νεκρὸν οὐδεμία ἐφαίνετο ῥᾳστώνη, δεύτερα ἐπενόησεν ἕλκειν αὐτόν, ἐς ὃ εἵλκυσέ τε καὶ ἐπέβαλεν ἐπὶ τοῦ Ἐτεοκλέους ἐξημμένην τὴν πυράν.

[¶11] 25.3. There is a river called Dirce after the wife of Lycus. The story goes that Antiope was ill-treated by this Dirce, and therefore the children of Antiope put Dirce to death. Crossing the river you reach the ruins of the house of Pindar, and a sanctuary of the Mother Dindymene. Pindar dedicated the image, and Aristomedes and Socrates, sculptors of Thebes, made it. Their custom is to open the sanctuary on one day in each year, and no more. It was my fortune to arrive on that day, and I saw the image, which, like the throne, is of Pentelic marble.

> Greek: 25.3. διαβάντων δὲ ποταμὸν καλούμενον ἀπὸ γυναικὸς τῆς Λύκου Δίρκην—ὑπὸ ταύτης δὲ ἔχει λόγος Ἀντιόπην κακοῦσθαι καὶ διʼ αὐτὸ ὑπὸ τῶν Ἀντιόπης παίδων συμβῆναι τῇ Δίρκῃ τὴν τελευτήν—, διαβᾶσιν οὖν τὴν Δίρκην οἰκίας τε ἐρείπια τῆς Πινδάρου καὶ μητρὸς Δινδυμήνης ἱερόν, Πινδάρου μὲν ἀνάθημα, τέχνη δὲ τὸ ἄγαλμα Ἀριστομήδους τε καὶ Σωκράτους Θηβαίων. μιᾷ δὲ ἐφʼ ἑκάστων ἐτῶν ἡμέρᾳ καὶ οὐ πέρα τὸ ἱερὸν ἀνοίγειν νομίζουσιν· ἐμοὶ δὲ ἀφικέσθαι τε ἐξεγεγόνει τὴν ἡμέραν ταύτην καὶ τὸ ἄγαλμα εἶδον λίθου τοῦ Πεντελῆσι καὶ αὐτὸ καὶ τὸν θρόνον.

[¶12] 25.4. Along the road from the Neistan gate are three sanctuaries. There is a sanctuary of Themis, with an image of white marble; adjoining it is a sanctuary of the Fates, while the third is of Zeus of the Market. Zeus is made of stone; the Fates have no images. A little farther off in the open stands Heracles, surnamed Nose-docker; the reason for the name is, as the Thebans say, that Heracles cut off the noses, as an insult, of the heralds who came from Orchomenus to demand the tribute.

> Greek: 25.4. κατὰ δὲ τὴν ὁδὸν ⟨τὴν⟩ ἀπὸ τῶν πυλῶν τῶν Νηιστῶν τὸ μὲν Θέμιδός ἐστιν ἱερὸν καὶ ἄγαλμα λευκοῦ λίθου, τὸ δὲ ἐφεξῆς Μοιρῶν, τὸ δὲ Ἀγοραίου Διός· οὗτος μὲν δὴ λίθου πεποίηται, ταῖς Μοίραις δὲ οὐκ ἔστιν ἀγάλματα. καὶ ἀπωτέρω μικρὸν Ἡρακλῆς ἕστηκεν ἐν ὑπαίθρῳ Ῥινοκολούστης ἐπωνυμίαν ἔχων, ὅτι τῶν κηρύκων, ὡς οἱ Θηβαῖοι λέγουσιν, ἀπέτεμεν ἐπὶ λώβῃ τὰς ῥῖνας, οἳ παρὰ Ὀρχομενίων ἀφίκοντο ἐπὶ τοῦ δασμοῦ τὴν ἀπαίτησιν.

[¶13] 25.5. Advancing from here twenty-five stades you come to a grove of Cabeirean Demeter and the Maid. The initiated are permitted to enter it. The sanctuary of the Cabeiri is some seven stades distant from this grove. I must ask the curious to forgive me if I keep silence as to who the Cabeiri are, and what is the nature of the ritual performed in honor of them and of the Mother.

> Greek: 25.5. σταδίους δὲ αὐτόθεν πέντε προελθόντι καὶ εἴκοσι Δήμητρος Καβειραίας καὶ Κόρης ἐστὶν ἄλσος· ἐσελθεῖν δὲ τοῖς τελεσθεῖσιν ἔστι. τούτου δὲ τοῦ ἄλσους ἑπτά που σταδίους τῶν Καβείρων τὸ ἱερὸν ἀφέστηκεν. οἵτινες δέ εἰσιν οἱ Κάβειροι καὶ ὁποῖά ἐστιν αὐτοῖς καὶ τῇ Μητρὶ τὰ δρώμενα, σιωπὴν ἄγοντι ὑπὲρ αὐτῶν συγγνώμη παρὰ ἀνδρῶν φιληκόων ἔστω μοι.

[¶14] 25.6. But there is nothing to prevent my declaring to all what the Thebans say was the origin of the ritual. They say that once there was in this place a city, with inhabitants called Cabeiri; and that Demeter came to know Prometheus, one of the Cabeiri, and Aetnaelis his son, and entrusted something to their keeping. What was entrusted to them, and what happened to it, seemed to me a sin to put into writing, but at any rate the rites are a gift of Demeter to the Cabeiri.

> Greek: 25.6. τοσοῦτο δὲ δηλῶσαί με καὶ ἐς ἅπαντας ἐκώλυσεν οὐδέν, ἥντινα λέγουσιν ἀρχὴν οἱ Θηβαῖοι γενέσθαι τοῖς δρωμένοις. πόλιν γάρ ποτε ἐν τούτῳ φασὶν εἶναι τῷ χωρίῳ καὶ ἄνδρας ὀνομαζομένους Καβείρους, Προμηθεῖ δὲ ἑνὶ τῶν Καβείρων καὶ Αἰτναίῳ τῷ Προμηθέως ἀφικομένην Δήμητρα ἐς γνῶσιν παρακαταθέσθαι σφίσιν· ἥτις μὲν δὴ ἦν ἡ παρακαταθήκη καὶ τὰ ἐς αὐτὴν γινόμενα, οὐκ ἐφαίνετο ὅσιόν μοι γράφειν, Δήμητρος δʼ οὖν Καβειραίοις δῶρόν ἐστιν ἡ τελετή.

[¶15] 25.7. At the time of the invasion of the Epigoni and the taking of Thebes, the Cabeiri were expelled from their homes by the Argives and the rites for a while ceased to be performed. But they go on to say that afterwards Pelarge, the daughter of Potnieus, and Isthmiades her husband established the mysteries here to begin with, but transferred them to the place called Alexiarus.

> Greek: 25.7. κατὰ δὲ τὴν Ἐπιγόνων στρατείαν καὶ ἅλωσιν τῶν Θηβῶν ἀνέστησαν μὲν ὑπὸ τῶν Ἀργείων οἱ Καβειραῖοι, ἐξελείφθη δὲ ἐπὶ χρόνον τινὰ καὶ ἡ τελετή. Πελαργὴν δὲ ὕστερον τὴν Ποτνιέως καὶ Ἰσθμιάδην Πελαργῇ συνοικοῦντα καταστήσασθαι μὲν τὰ ὄργια αὐτοῦ λέγουσιν ἐξ ἀρχῆς, μετενεγκεῖν δὲ αὐτὰ ἐπὶ τὸν Ἀλεξιάρουν καλούμενον·

[¶16] 25.8. But because Pelarge conducted the initiation outside the ancient borders, Telondes and those who were left of the clan of the Cabeiri returned again to Cabeiraea. Various honors were to be established for Pelarge by Telondes in accordance with an oracle from Dodona, one being the sacrifice of a pregnant victim. The wrath of the Cabeiri no man may placate, as has been proved on many occasions.

> Greek: 25.8. ὅτι δὲ τῶν ὅρων ἐκτὸς ἐμύησεν ἡ Πελαργὴ τῶν ἀρχαίων, Τηλώνδης καὶ ὅσοι γένους τοῦ Καβειριτῶν ἐλείποντο κατῆλθον αὖθις ἐς τὴν Καβειραίαν. Πελαργῇ μὲν δὴ κατὰ μάντευμα ἐκ Δωδώνης καὶ ἄλλα ἔμελλεν ἐς τιμὴν καταστήσασθαι καὶ ἡ θυσία, φέρον ἐν τῇ γαστρὶ ἱερεῖον· τὸ δὲ μήνιμα τὸ ἐκ τῶν Καβείρων ἀπαραίτητόν ἐστιν ἀνθρώποις, ὡς ἐπέδειξε δὴ πολλαχῇ.

[¶17] 25.9. For certain private people dared to perform in Naupactus the ritual just as it was done in Thebes, and soon afterwards justice overtook them. Then, again, certain men of the army of Xerxes left behind with Mardonius in Boeotia entered the sanctuary of the Cabeiri, perhaps in the hope of great wealth, but rather, I suspect, to show their contempt of its gods; all these immediately were struck with madness, and flung themselves to their deaths into the sea or from the tops of precipices.

> Greek: 25.9. τὰ γὰρ δὴ δρώμενα ἐν Θήβαις ἐτόλμησαν ἐν Ναυπάκτῳ κατὰ ταὐτὰ ἰδιῶται δρᾶσαι, καὶ σφᾶς οὐ μετὰ πολὺ ἐπέλαβεν ἡ δίκη. ὅσοι δὲ ὁμοῦ Μαρδονίῳ τῆς στρατιᾶς τῆς Ξέρξου περὶ Βοιωτίαν ἐλείφθησαν, τοῖς παρελθοῦσιν αὐτῶν ἐς τὸ ἱερὸν τῶν Καβείρων τάχα μέν που καὶ χρημάτων μεγάλων ἐλπίδι, τὸ πλέον δὲ ἐμοὶ δοκεῖν τῇ ἐς τὸ θεῖον ὀλιγωρίᾳ, τούτοις παραφρονῆσαί τε συνέπεσεν αὐτίκα καὶ ἀπώλοντο ἐς θάλασσάν τε καὶ ἀπὸ τῶν κρημνῶν ἑαυτοὺς ῥίπτοντες.

[¶18] 25.10. Again, when Alexander after his victory wasted with fire all the Thebaid, including Thebes itself, some men from Macedonia entered the sanctuary of the Cabeiri, as it was in enemy territory, and were destroyed by thunder and lightning from heaven.

> Greek: 25.10. Ἀλεξάνδρου δέ, ὡς ἐνίκησε τῇ μάχῃ, Θήβας τε αὐτὰς καὶ σύμπασαν τὴν Θηβαΐδα διδόντος πυρί, ἄνδρες τῶν ἐκ Μακεδονίας ἐλθόντες ἐς τῶν Καβείρων τὸ ἱερὸν ἅτε ἐν γῇ τῇ πολεμίᾳ κεραυνοῖς τε ἐξ οὐρανοῦ καὶ ἀστραπαῖς ἐφθάρησαν.

[¶19] 26.1. So sacred this sanctuary has been from the beginning. On the right of the sanctuary is a plain named after Tenerus the seer, whom they hold to be a son of Apollo by Melia; there is also a large sanctuary of Heracles surnamed Hippodetus (Binder of Horses). For they say that the Orchomenians came to this place with an army, and that Heracles by night took their chariot-horses and bound them tight.

> Greek: 26.1. οὕτω μὲν τὸ ἱερὸν τοῦτό ἐστιν ἐξ ἀρχῆς ἅγιον· τοῦ Καβειρίου δὲ ἐν δεξιᾷ πεδίον ἐστὶν ἐπώνυμον Τηνέρου μάντεως, ὃν Ἀπόλλωνος παῖδα εἶναι καὶ Μελίας νομίζουσι, καὶ Ἡρακλέους ἱερὸν μέγα ἐπίκλησιν Ἱπποδέτου· τούς τε γὰρ Ὀρχομενίους φασὶν ἐς τοῦτο ἀφῖχθαι στρατιᾷ καὶ τὸν Ἡρακλέα νύκτωρ τοὺς ἵππους λαβόντα συνδῆσαί σφισι τοὺς ὑπὸ τοῖς ἅρμασι.

[¶20] 26.2. Farther on we come to the mountain from which they say the Sphinx, chanting a riddle, sallied to bring death upon those she caught. Others say that roving with a force of ships on a piratical expedition she put in at Anthedon, seized the mountain I mentioned, and used it for plundering raids until Oedipus overwhelmed her by the superior numbers of the army he had with him on his arrival from Corinth.

> Greek: 26.2. προελθόντων δὲ τὸ ὄρος ἐστὶν ὅθεν τὴν Σφίγγα λέγουσιν ὁρμᾶσθαι ἐπʼ ὀλέθρῳ τῶν ἁρπαζομένων αἴνιγμα ᾄδουσαν· οἱ δὲ κατὰ λῃστείαν σὺν δυνάμει ναυτικῇ πλανωμένην φασὶν αὐτὴν ἐς τὴν πρὸς Ἀνθηδόνι σχεῖν θάλασσαν, καταλαβοῦσαν δὲ τὸ ὄρος τοῦτο ἁρπαγαῖς χρῆσθαι, πρὶν ἐξεῖλεν Οἰδίπους αὐτὴν ὑπερβαλόμενος πλήθει στρατιᾶς ἣν ἀφίκετο ἔχων ἐκ Κορίνθου.

[¶21] 26.3. There is another version of the story which makes her the natural daughter of Laius, who, because he was fond of her, told her the oracle delivered to Cadmus from Delphi. No one, they say, except the kings knew the oracle. Now Laius (the story goes on to say) had sons by concubines, and the oracle delivered from Delphi applied only to Epicaste and her sons. So when any of her brothers came in order to claim the throne from the Sphinx, she resorted to trickery in dealing with them, saying that if they were sons of Laius they should know the oracle that came to Cadmus.

> Greek: 26.3. λέγεται δὲ καὶ ὡς νόθη Λαΐου θυγάτηρ εἴη, καὶ ὡς τὸν χρησμὸν τὸν Κάδμῳ δοθέντα ἐκ Δελφῶν διδάξειεν αὐτὴν κατὰ εὔνοιαν ὁ Λάιος· ἐπίστασθαι δὲ πλὴν τοὺς βασιλέας οὐδένα ἄλλον τὸ μάντευμα. ὁπότε οὖν τῇ Σφιγγὶ ἀμφισβητήσων τις ἀφίκοιτο τῆς ἀρχῆς—γενέσθαι γὰρ τῷ Λαΐῳ ἐκ παλλακῶν υἱοὺς καὶ τὰ χρησθέντα ἐκ Δελφῶν ἐς Ἐπικάστην μόνην καὶ τοὺς ἐξ ἐκείνης ἔχειν παῖδας—, τὴν οὖν Σφίγγα χρῆσθαι σοφίσμασιν ἐς τοὺς ἀδελφούς, ὡς τὸν Κάδμῳ γενόμενον χρησμὸν εἰδεῖεν ἂν Λαΐου γε ὄντες·

[¶22] 26.4. When they could not answer she would punish them with death, on the ground that they had no valid claim to the kingdom or to relationship. But Oedipus came because it appears he had been told the oracle in a dream.

> Greek: 26.4. οὐκ ἔχοντας δὲ αὐτοὺς ἀποκρίνασθαι θανάτῳ ζημιοῦν, ἅτε οὐ προσηκόντως ἀμφισβητοῦντας γένους τε καὶ ἀρχῆς. Οἰδίπους δὲ ἄρα ἀφίκετο ὑπὸ ὀνείρατος δεδιδαγμένος τὸν χρησμόν.

[¶23] 26.5. Distant from this mountain fifteen stades are the ruins of the city Onchestus. They say that here dwelt Onchestus, a son of Poseidon. In my day there remained a temple and image of Onchestian Poseidon, and the grove which Homer too praised.

> Greek: 26.5. ἀπὸ δὲ τοῦ ὄρους τούτου πέντε ἀπέχει καὶ δέκα σταδίους πόλεως ἐρείπια Ὀγχηστοῦ· φασὶ δὲ ἐνταῦθα οἰκῆσαι Ποσειδῶνος παῖδα Ὀγχηστόν. ἐπʼ ἐμοῦ δὲ ναός τε καὶ ἄγαλμα Ποσειδῶνος ἐλείπετο Ὀγχηστίου καὶ τὸ ἄλσος, ὃ δὴ καὶ Ὅμηρος ἐπῄνεσε.

[¶24] 26.6. Taking a turn left from the Cabeirian sanctuary, and advancing about fifty stades, you come to Thespiae, built at the foot of Mount Helicon. They say that Thespia was a daughter of Asopus, who gave her name to the city, while others say that Thespius, who was descended from Erechtheus, came from Athens and was the man after whom the city was called.

> Greek: 26.6. τραπομένῳ δὲ ἀπὸ τοῦ Καβειρίου τὴν ἐν ἀριστερᾷ καὶ προελθόντι ὡς πεντήκοντα σταδίους Θέσπια ὑπὸ τὸ ὄρος τὸν Ἑλικῶνα ᾤκισται. θυγατέρα δὲ εἶναι Θέσπιαν λέγουσιν Ἀσωποῦ καὶ ἀπὸ ταύτης κληθῆναι τὴν πόλιν, οἱ δὲ Θέσπιόν φασιν ἐξ Ἀθηνῶν ἐλθόντα τὸ ὄνομα τῇ πόλει δοῦναι·

[¶25] 26.7. In Thespiae is a bronze image of Zeus Saviour. They say about it that when a dragon once was devastating their city, the god commanded that every year one of their youths, upon whom the lot fell, should be offered to the monster. Now the names of those who perished they say that they do not remember. But when the lot fell on Cleostratus, his lover Menestratus, they say, devised a trick.

> Greek: 26.7. γεγονέναι δὲ ἀπὸ Ἐρεχθέως αὐτόν. Θεσπιεῦσι δὲ ἐν τῇ πόλει Σαώτου Διός ἐστι χαλκοῦν ἄγαλμα· ἐπιλέγουσι δὲ ὡς λυμαινομένου τὴν πόλιν ποτὲ αὐτοῖς δράκοντος προστάξειεν ὁ θεὸς τὸν κλήρῳ τῶν ἐφήβων κατὰ ἔτος ἕκαστον λαχόντα δίδοσθαι τῷ θηρίῳ. τῶν μὲν δὴ διαφθαρέντων μνημονεύειν τὰ ὀνόματα οὔ φασιν· ἐπὶ δὲ Κλεοστράτῳ λαχόντι τὸν ἐραστὴν αὐτοῦ Μενέστρατον λέγουσιν ἐπιτεχνήσασθαι.

[¶26] 26.8. He had made a bronze breastplate, with a fish-hook, the point turned outwards, upon each of its plates. Clad in this breastplate he gave himself up, of his own free will, to the dragon, convinced that having done so he would, though destroyed himself, prove the destroyer of the monster. This is why the Zeus has been surnamed Saviour. The image of Dionysus, and also that of Fortune, and in another place that of Health... But the Athena Worker, as well as Wealth, who stands beside her, was made by....

> Greek: 26.8. χαλκοῦν θώρακα ἐποιήσατο ἔχοντα ἐπὶ ἑκάστῃ τῶν φολίδων ἄγκιστρον ἐς τὸ ἄνω νεῦον· τοῦτον τὸν θώρακα ἐνδὺς παρέδωκε τῷ δράκοντι ἑκουσίως αὑτόν, παραδοὺς δὲ ἀπολεῖσθαί τε καὶ αὐτὸς ἀπολεῖν ἔμελλε τὸ θηρίον. ἀντὶ τούτου μὲν τῷ Διὶ γέγονεν ἐπίκλησις Σαώτης· τὸ δὲ ἄγαλμα τὸ Διονύσου καὶ αὖθις Τύχης, ἑτέρωθι δὲ Ὑγείας, τὴν δὲ Ἀθηνᾶν τὴν Ἐργάνην καὶ αὐτὴν καὶ Πλοῦτόν οἱ παρεστηκότα ἐποίησε.

[¶27] 27.1. Of the gods the Thespians have from the beginning honored Love most, and they have a very ancient image of him, an unwrought stone. Who established among the Thespians the custom of worshipping Love more than any other god I do not know. He is worshipped equally by the people of Parium on the Hellespont, who were originally colonists from Erythrae in Ionia, but to-day are subject to the Romans.

> Greek: 27.1. θεῶν δὲ οἱ Θεσπιεῖς τιμῶσιν Ἔρωτα μάλιστα ἐξ ἀρχῆς, καί σφισιν ἄγαλμα παλαιότατόν ἐστιν ἀργὸς λίθος. ὅστις δὲ ὁ καταστησάμενος Θεσπιεῦσιν Ἔρωτα θεῶν σέβεσθαι μάλιστα, οὐκ οἶδα. σέβονται δὲ οὐδέν τι ἧσσον καὶ Ἑλλησποντίων Παριανοί, τὸ μὲν ἀνέκαθεν ἐξ Ἰωνίας καὶ Ἐρυθρῶν ἀπῳκισμένοι, τὰ δὲ ἐφʼ ἡμῶν τελοῦντες ἐς Ῥωμαίους.

[¶28] 27.2. Most men consider Love to be the youngest of the gods and the son of Aphrodite. But Olen the Lycian, who composed the oldest Greek hymns, says in a hymn to Eileithyia that she was the mother of Love. Later than Olen, both Pamphos and Orpheus wrote hexameter verse, and composed poems on Love, in order that they might be among those sung by the Lycomidae to accompany the ritual. I read them after conversation with a Torchbearer. Of these things I will make no further mention. Hesiod, or he who wrote the Theogony fathered on Hesiod, writes, I know, that Chaos was born first, and after Chaos, Earth, Tartarus and Love.

> Greek: 27.2. Ἔρωτα δὲ ἄνθρωποι μὲν οἱ πολλοὶ νεώτατον θεῶν εἶναι καὶ Ἀφροδίτης παῖδα ἥγηνται· Λύκιος δὲ Ὠλήν, ὃς καὶ τοὺς ὕμνους τοὺς ἀρχαιοτάτους ἐποίησεν Ἕλλησιν, οὗτος ὁ Ὠλὴν ἐν Εἰλειθυίας ὕμνῳ μητέρα Ἔρωτος τὴν Εἰλείθυιάν φησιν εἶναι. Ὠλῆνος δὲ ὕστερον Πάμφως τε ἔπη καὶ Ὀρφεὺς ἐποίησαν· καί σφισιν ἀμφοτέροις πεποιημένα ἐστὶν ἐς Ἔρωτα, ἵνα ἐπὶ τοῖς δρωμένοις Λυκομίδαι καὶ ταῦτα ᾄδωσιν· ἐγὼ δὲ ἐπελεξάμην ἀνδρὶ ἐς λόγους ⟨ἐλθὼν⟩ δᾳδουχοῦντι. καὶ τῶν μὲν οὐ πρόσω ποιήσομαι μνήμην· Ἡσίοδον δὲ ἢ τὸν Ἡσιόδῳ Θεογονίαν ἐσποιήσαντα οἶδα γράψαντα ὡς Χάος πρῶτον, ἐπὶ δὲ αὐτῷ Γῆ τε καὶ Τάρταρος καὶ Ἔρως γένοιτο·

[¶29] 27.3. Sappho of Lesbos wrote many poems about Love, but they are not consistent. Later on Lysippus made a bronze Love for the Thespians, and previously Praxiteles one of Pentelic marble. The story of Phryne and the trick she played on Praxiteles I have related in another place. The first to remove the image of Love, it is said, was Gaius the Roman Emperor; Claudius, they say, sent it back to Thespiae, but Nero carried it away a second time.

> Greek: 27.3. Σαπφὼ δὲ ἡ Λεσβία πολλά τε καὶ οὐχ ὁμολογοῦντα ἀλλήλοις ἐς Ἔρωτα ᾖσε. Θεσπιεῦσι δὲ ὕστερον χαλκοῦν εἰργάσατο Ἔρωτα Λύσιππος, καὶ ἔτι πρότερον τούτου Πραξιτέλης λίθου τοῦ Πεντελῆσι. καὶ ὅσα μὲν εἶχεν ἐς Φρύνην καὶ τὸ ἐπὶ Πραξιτέλει τῆς γυναικὸς σόφισμα, ἑτέρωθι ἤδη μοι δεδήλωται· πρῶτον δὲ τὸ ἄγαλμα κινῆσαι τοῦ Ἔρωτος λέγουσι Γάιον δυναστεύσαντα ἐν Ῥώμῃ, Κλαυδίου δὲ ὀπίσω Θεσπιεῦσιν ἀποπέμψαντος Νέρωνα αὖθις δεύτερα ἀνάσπαστον ποιῆσαι.

[¶30] 27.4. At Rome the image perished by fire. Of the pair who sinned against the god, Gaius was killed by a private soldier, just as he was giving the password; he had made the soldier very angry by always giving the same password with a covert sneer. The other, Nero, in addition to his violence to his mother, committed accursed and hateful crimes against his wedded wives. The modern Love at Thespiae was made by the Athenian Menodorus, who copied the work of Praxiteles.

> Greek: 27.4. καὶ τὸν μὲν φλὸξ αὐτόθι διέφθειρε· τῶν δὲ ἀσεβησάντων ἐς τὸν θεὸν ὁ μὲν ἀνθρώπῳ στρατιώτῃ διδοὺς ἀεὶ τὸ αὐτὸ σύνθημα μετὰ ὑπούλου χλευασίας ἐς τοσοῦτο προήγαγε θυμοῦ τὸν ἄνθρωπον ὥστε σύνθημα διδόντα αὐτὸν διεργάζεται, Νέρωνι δὲ παρὲξ ⟨ἢ⟩ τὰ ἐς τὴν μητέρα ἐστὶ καὶ ἐς γυναῖκας γαμετὰς ἐναγῆ τε καὶ ἀνέραστα τολμήματα. τὸν δὲ ἐφʼ ἡμῶν Ἔρωτα ἐν Θεσπιαῖς ἐποίησεν Ἀθηναῖος Μηνόδωρος, τὸ ἔργον τὸ Πραξιτέλους μιμούμενος.

[¶31] 27.5. Here too are statues made by Praxiteles himself, one of Aphrodite and one of Phryne, both Phryne and the goddess being of stone. Elsewhere too is a sanctuary of Black Aphrodite, with a theater and a market-place, well worth seeing. Here is set up Hesiod in bronze. Not far from the market-place is a Victory of bronze and a small temple of the Muses. In it are small images made of stone.

> Greek: 27.5. ἐνταῦθα καὶ αὐτοῦ Πραξιτέλους Ἀφροδίτη καὶ Φρύνης ἐστὶν εἰκών, λίθου καὶ ἡ Φρύνη καὶ ἡ θεός. ἔστι δὲ καὶ ἑτέρωθι Ἀφροδίτης Μελαινίδος ἱερὸν καὶ θέατρόν τε καὶ ἀγορὰ θέας ἄξια· ἐνταῦθα Ἡσίοδος ἀνάκειται χαλκοῦς. τῆς ἀγορᾶς [τε] οὐ πόρρω Νίκη τε χαλκοῦ καὶ ναὸς Μουσῶν ἐστιν οὐ μέγας· ἀγάλματα δὲ ἐν αὐτῷ μικρὰ λίθου πεποιημένα.

[¶32] 27.6. At Thespiae is also a sanctuary of Heracles. The priestess there is a virgin, who acts as such until she dies. The reason of this is said to be as follows. Heracles, they say, had intercourse with the fifty daughters of Thestius, except one, in a single night. She was the only one who refused to have connection with him. Heracles, thinking that he had been insulted, condemned her to remain a virgin all her life, serving him as his priest.

> Greek: 27.6. καὶ Ἡρακλέους Θεσπιεῦσίν ἐστιν ἱερόν· ἱερᾶται δὲ αὐτοῦ παρθένος, ἔστʼ ἂν ἐπιλάβῃ τὸ χρεὼν αὐτήν. αἴτιον δὲ τούτου φασὶν εἶναι τοιόνδε, Ἡρακλέα ταῖς θυγατράσι πεντήκοντα οὔσαις ταῖς Θεστίου συγγενέσθαι πάσαις πλὴν μιᾶς ἐν τῇ αὐτῇ νυκτί· ταύτην δὲ οὐκ ἐθελῆσαί οἱ τὴν μίαν μιχθῆναι· ⟨τὸν δὲ ὑβρισθῆναι⟩ νομίζοντα δικάσαι μένειν παρθένον πάντα αὐτὴν τὸν βίον ἱερωμένην αὐτῷ.

[¶33] 27.7. I have heard another story, how Heracles had connection with all the virgin daughters of Thestius in one and the same night, and how they all bore him sons, the youngest and the eldest bearing twins. But I cannot think it credible that Heracles would rise to such a pitch of wrath against a daughter of a friend. Moreover, while he was still among men, punishing them for insolence, and especially such as were impious towards the gods, he would not himself have set up a temple and appointed a priestess to himself, just as though he were a god.

> Greek: 27.7. ἐγὼ δὲ ἤκουσα μὲν καὶ ἄλλον λόγον, ὡς διὰ πασῶν ὁ Ἡρακλῆς τῶν Θεστίου παρθένων διεξέλθοι τῇ αὐτῇ νυκτὶ καὶ ὡς ἄρσενας παῖδας αὐτῷ πᾶσαι τέκοιεν, διδύμους δὲ ἥ τε νεωτάτη καὶ ἡ πρεσβυτάτη· ἐκεῖνο δὲ οὐκ ἔστιν ὅπως ἡγήσομαι πιστόν, Ἡρακλέα ἐπὶ τοσοῦτο ὀργῆς ἀνδρὸς φίλου θυγατρὶ ἀφικέσθαι· πρὸς δὲ καὶ ἡνίκα ἔτι ἦν μετʼ ἀνθρώπων, τιμωρούμενός τε ἄλλους ὑβρίζοντας καὶ μάλιστα ὅσοι θεῶν ἀσεβεῖς ἦσαν, οὐκ ἂν αὐτός γε κατεστήσατο αὑτῷ ναόν τε καὶ ἱέρειαν ὥσπερ δὴ θεός.

[¶34] 27.8. As a matter of fact this sanctuary seemed to me too old to be of the time of Heracles the son of Amphitryon, and to belong to Heracles called one of the Idaean Dactyls, to whom I found the people of Erythrae in Ionia and of Tyre possessed sanctuaries. Nevertheless, the Boeotians were not unacquainted with this name of Heracles, seeing that they themselves say that the sanctuary of Demeter of Mycalessus has been entrusted to Idaean Heracles.

> Greek: 27.8. ἀλλὰ γὰρ ἐφαίνετό μοι τὸ ἱερὸν τοῦτο ἀρχαιότερον ἢ κατὰ Ἡρακλέα εἶναι τὸν Ἀμφιτρύωνος, καὶ Ἡρακλέους τοῦ καλουμένου τῶν Ἰδαίων Δακτύλων, οὗ δὴ καὶ Ἐρυθραίους τοὺς ἐν Ἰωνίᾳ καὶ Τυρίους ἱερὰ ἔχοντας εὕρισκον. οὐ μὴν οὐδὲ οἱ Βοιωτοὶ τοῦ Ἡρακλέους ἠγνόουν τοῦτο τὸ ὄνομα, ὅπου γε αὐτοὶ τῆς Μυκαλησσίας Δήμητρος Ἡρακλεῖ τῷ Ἰδαίῳ τὸ ἱερὸν ἐπιτετράφθαι λέγουσιν.

[¶35] 28.1. Helicon is one of the mountains of Greece with the most fertile soil and the greatest number of cultivated trees. The wild-strawberry bushes supply to the goats sweeter fruit than that growing anywhere else. The dwellers around Helicon say that all the grasses too and roots growing on the mountain are not at all poisonous to men. Moreover, the food makes the poison of the snakes too less deadly, so that most of those bitten escape with their lives, should they fall in with a Libyan of the race of the Psyllians, or with any suitable remedies.

> Greek: 28.1. ὁ δὲ Ἑλικὼν ὀρῶν τῶν ἐν τῇ Ἑλλάδι ἐν τοῖς μάλιστά ἐστιν εὔγεως καὶ δένδρων ἡμέρων ἀνάπλεως· καὶ οἱ τῆς ἀνδράχνου θάμνοι παρέχονται τῶν πανταχοῦ καρπὸν αἰξὶν ἥδιστον. λέγουσι δὲ οἱ περὶ τὸν Ἑλικῶνα οἰκοῦντες καὶ ἁπάσας ἐν τῷ ὄρει τὰς πόας καὶ τὰς ῥίζας ἥκιστα ἐπὶ ἀνθρώπου θανάτῳ φύεσθαι. καὶ δὴ καὶ τοῖς ὄφεσι τὸν ἰὸν ποιοῦσιν ἐνταῦθα ἀσθενέστερον αἱ νομαί, ὥστε καὶ διαφεύγουσι τὰ πολλὰ οἱ δηχθέντες, ἢν ἀνδρὶ Λίβυι γένους τοῦ Ψύλλων ἢ καὶ ἄλλως προσφόροις ἐπιτύχωσι τοῖς φαρμάκοις.

[¶36] 28.2. Now the poison of the most venomous snakes is of itself deadly to men and all animals alike, but what they feed on contributes very much to the strength of their poison; for instance, I learnt from a Phoenician that the roots they eat make more venomous the vipers in the highland of Phoenicia. He said that he had himself seen a man trying to escape from the rush of a viper; the man, he said, ran up a tree, but the viper, coming up too late, puffed some of its poison towards the tree, and the man died instantaneously.

> Greek: 28.2. ἔστι μὲν δὴ ὁ ἰὸς τοῖς ἀγριωτάτοις τῶν ὄφεων καὶ ἄλλως ὀλέθριος ἔς τε ἀνθρώπους καὶ ζῷα ὁμοίως τὰ πάντα, συντελοῦσι δὲ οὐχ ἥκιστα ἐς ἰσχύν σφισι τοῦ ἰοῦ καὶ αἱ νομαί, ἐπεί τοι καὶ ἀνδρὸς ἀκούσας οἶδα Φοίνικος ὡς ἐν τῇ ὀρεινῇ τῇ Φοινίκης ἀγριωτέρους τοὺς ἔχεις ποιοῦσιν αἱ ῥίζαι. ἔφη δὲ ἄνθρωπον ἰδεῖν αὐτὸς ἀποφεύγοντα ὁρμὴν ἔχεως, καὶ τὸν μὲν ἐπί τι ἀναδραμεῖν δένδρον, τὸν δὲ ἔχιν, ὡς ἦλθεν ὕστερος, ἀποπνεῦσαι πρὸς τὸ δένδρον τοῦ ἰοῦ καὶ οὐ ζῆν ἔτι τὸν ἄνθρωπον.

[¶37] 28.3. Such was the story I heard from him. Those vipers in Arabia that nest around the balsam trees have, I know, the following peculiarities. The balsams are about as big as a myrtle bush, and their leaves are like those of the herb marjoram. The vipers of Arabia lodge in certain numbers, larger or smaller, under each tree. For the balsam-juice is the food they like most, and moreover they are fond of the shade of the bushes.

> Greek: 28.3. τούτου μὲν τοιαῦτα ἤκουσα· ἐν δὲ τῇ χώρᾳ τῇ Ἀράβων ὅσοι τῶν ἔχεων περὶ τὰ δένδρα τὰ πάλσαμα οἰκοῦσι, τοιάδε ἄλλα ἐς αὐτοὺς συμβαίνοντα οἶδα. μέγεθος μὲν κατὰ μυρσίνης θάμνον τὰ πάλσαμά ἐστι, φύλλα δὲ αὐτοῖς κατὰ τὴν πόαν τὸ σάμψουχον· ἔχεων δὲ τῶν ἐν τῇ Ἀραβίᾳ κατὰ ποσοὺς καὶ πλείονες καὶ ἐλάσσονες ὑπὸ ἕκαστον αὐλίζονται δένδρον· τροφὴ γὰρ αὐτοῖς ὁ τῶν παλσάμων ἐστὶν ὀπὸς ἡδίστη, καὶ ἔτι καὶ ἄλλως τῇ σκιᾷ τῶν φυτῶν χαίρουσιν.

[¶38] 28.4. So when the time has come for the Arabians to collect the juice of the balsam, each man takes two sticks to the vipers, and by striking them together they drive the vipers away. Kill them they will not, considering them sacred to the balsam. And even if a man should have the misfortune to be bitten by the vipers, though the wound is like the cut of a knife, nevertheless there is no fear from the poison. For as the vipers feed on the most fragrant of perfumes, their poison is mitigated and less deadly.

> Greek: 28.4. ἐπὰν οὖν συλλέγειν τοῦ παλσάμου τὸν ὀπὸν ἀφίκηται τοῖς Ἄραψιν ὥρα, ξύλων δύο ἕκαστος σκυτάλας ἐπὶ τοὺς ἔχεις ἐσφέρει, κροτοῦντες δὲ τὰ ξύλα ἀπελαύνουσι τοὺς ἔχεις· ἀποκτείνειν δὲ αὐτοὺς οὐκ ἐθέλουσιν ἱεροὺς τῶν παλσάμων νομίζοντες. ἢν δὲ καὶ ὑπὸ ἔχεων δηχθῆναί τῳ συμβῇ, τὸ μὲν τραῦμά ἐστιν ὁποῖον καὶ ὑπὸ σιδήρου, δεῖμα δὲ ἄπεστι τὸ ἀπὸ τοῦ ἰοῦ· ἅτε γὰρ σιτουμένοις τοῖς ἔχεσι μύρων τὸ εὐοσμότατον, μετακεράννυταί σφισιν ἐκ τοῦ θανατώδους ἐς τὸ ἠπιώτερον ὁ ἰός.

[¶39] 29.1. Such is the truth about these things. The first to sacrifice on Helicon to the Muses and to call the mountain sacred to the Muses were, they say, Ephialtes and Otus, who also founded Ascra. To this also Hegesinus alludes in his poem Atthis:—
And again with Ascra lay Poseidon Earth-shaker,
Who when the year revolved bore him a son
Oeoclus, who first with the children of Aloeus founded
Ascra, which lies at the foot of Helicon, rich in springs.

> Greek: 29.1. ταῦτα μὲν δὴ ἔχοντά ἐστιν οὕτω, θῦσαι δὲ ἐν Ἑλικῶνι Μούσαις πρώτους καὶ ἐπονομάσαι τὸ ὄρος ἱερὸν εἶναι Μουσῶν Ἐφιάλτην καὶ Ὦτον λέγουσιν, οἰκίσαι δὲ αὐτοὺς καὶ Ἄσκρην· καὶ δὴ καὶ Ἡγησίνους ἐπὶ τῷδε ἐν τῇ Ἀτθίδι ἐποίησεν,
Ἄσκρῃ δʼ αὖ παρέλεκτο Ποσειδάων ἐνοσίχθων,
ἣ δή οἱ τέκε παῖδα περιπλομένων ἐνιαυτῶν
Οἴοκλον, ὃς πρῶτος μετʼ Ἀλωέος ἔκτισε παίδων
Ἄσκρην, ἥ θʼ Ἑλικῶνος ἔχει πόδα πιδακόεντα.

[¶40] 29.2. This poem of Hegesinus I have not read, for it was no longer extant when I was born. But Callippus of Corinth in his history of Orchomenus uses the verses of Hegesinus as evidence in support of his own views, and I too have done likewise, using the quotation of Callippus himself. Of Ascra in my day nothing memorable was left except one tower. The sons of Aloeus held that the Muses were three in number, and gave them the names of Melete (Practice), Mneme (Memory) and Aoede (Song).

> Greek: 29.2. ταύτην τοῦ Ἡγησίνου τὴν ποίησιν οὐκ ἐπελεξάμην, ἀλλὰ πρότερον ἄρα ἐκλελοιπυῖα ἦν πρὶν ἢ ἐμέ γενέσθαι· Κάλλιππος δὲ Κορίνθιος ἐν τῇ ἐς Ὀρχομενίους συγγραφῇ μαρτύρια ποιεῖται τῷ λόγῳ τὰ Ἡγησίνου ἔπη, ὡσαύτως δὲ καὶ ἡμεῖς πεποιήμεθα παρʼ αὐτοῦ Καλλίππου διδαχθέντες. Ἄσκρης μὲν δὴ πύργος εἷς ἐπʼ ἐμοῦ καὶ ἄλλο οὐδὲν ἐλείπετο ἐς μνήμην, οἱ δὲ τοῦ Ἀλωέως παῖδες ἀριθμόν τε Μούσας ἐνόμισαν εἶναι τρεῖς καὶ ὀνόματα αὐταῖς ἔθεντο Μελέτην καὶ Μνήμην καὶ Ἀοιδήν.

[¶41] 29.3. But they say that afterwards Pierus, a Macedonian, after whom the mountain in Macedonia was named, came to Thespiae and established nine Muses, changing their names to the present ones. Pierus was of this opinion either because it seemed to him wiser, or because an oracle so ordered, or having so learned from one of the Thracians. For the Thracians had the reputation of old of being more clever than the Macedonians, and in particular of being not so careless in religious matters.

> Greek: 29.3. χρόνῳ δὲ ὕστερόν φασι Πίερον Μακεδόνα, ἀφʼ οὗ καὶ Μακεδόσιν ὠνόμασται τὸ ὄρος, τοῦτον ἐλθόντα ἐς Θεσπιὰς ἐννέα τε Μούσας καταστήσασθαι καὶ τὰ ὀνόματα τὰ νῦν μεταθέσθαι σφίσι. ταῦτα δὲ ἐνόμιζεν οὕτως ὁ Πίερος ἢ σοφώτερά οἱ εἶναι φανέντα ἢ κατά τι μάντευμα ἢ παρά του διδαχθεὶς τῶν Θρᾳκῶν· δεξιώτερον γὰρ τά τε ἄλλα ἐδόκει τοῦ Μακεδονικοῦ τὸ ἔθνος εἶναι πάλαι τὸ Θρᾴκιον καὶ οὐχ ὁμοίως ἐς τὰ θεῖα ὀλίγωρον.

[¶42] 29.4. There are some who say that Pierus himself had nine daughters, that their names were the same as those of the goddesses, and that those whom the Greeks called the children of the Muses were sons of the daughters of Pierus. Mimnermus, who composed elegiac verses about the battle between the Smyrnaeans and the Lydians under Gyges, says in the preface that the elder Muses are daughters of Uranus, and that there are other and younger Muses, children of Zeus.

> Greek: 29.4. εἰσὶ δʼ οἳ καὶ αὐτῷ θυγατέρας ἐννέα Πιέρῳ γενέσθαι λέγουσι καὶ τὰ ὀνόματα ἅπερ ταῖς θεαῖς τεθῆναι καὶ ταύταις, καὶ ὅσοι Μουσῶν παῖδες ἐκλήθησαν ὑπὸ Ἑλλήνων, θυγατριδοῦς εἶναι σφᾶς Πιέρου· Μίμνερμος δέ, ἐλεγεῖα ἐς τὴν μάχην ποιήσας τὴν Σμυρναίων πρὸς Γύγην τε καὶ Λυδούς, φησὶν ἐν τῷ προοιμίῳ θυγατέρας Οὐρανοῦ τὰς ἀρχαιοτέρας Μούσας, τούτων δὲ ἄλλας νεωτέρας εἶναι Διὸς παῖδας.

[¶43] 29.5. On Helicon, on the left as you go to the grove of the Muses, is the spring Aganippe; they say that Aganippe was a daughter of the Termessus, which flows round Helicon. As you go along the straight road to the grove is a portrait of Eupheme carved in relief on a stone. She was, they say, the nurse of the Muses.

> Greek: 29.5. ἐν Ἑλικῶνι δὲ πρὸς τὸ ἄλσος ἰόντι τῶν Μουσῶν ἐν ἀριστερᾷ μὲν ἡ Ἀγανίππη πηγή —θυγατέρα δὲ εἶναι τὴν Ἀγανίππην τοῦ Τερμησσοῦ λέγουσι, ῥεῖ δὲ καὶ οὗτος ὁ Τερμησσὸς περὶ τὸν Ἑλικῶνα—, τὴν δὲ εὐθεῖαν ἐρχομένῳ πρὸς τὸ ἄλσος ἔστιν εἰκὼν Εὐφήμης ἐπειργασμένη λίθῳ· τροφὸν δὲ εἶναι τὴν Εὐφήμην λέγουσι τῶν Μουσῶν.

[¶44] 29.6. So her portrait is here, and after it is Linus on a small rock worked into the shape of a cave. To Linus every year they sacrifice as to a hero before they sacrifice to the Muses. It is said that this Linus was a son of Urania and Amphimarus, a son of Poseidon, that he won a reputation for music greater than that of any contemporary or predecessor, and that Apollo killed him for being his rival in singing.

> Greek: 29.6. ταύτης τε οὖν εἰκὼν καὶ μετʼ αὐτὴν Λίνος ἐστὶν ἐν πέτρᾳ μικρᾷ σπηλαίου τρόπον εἰργασμένῃ· τούτῳ κατὰ ἔτος ἕκαστον πρὸ τῆς θυσίας τῶν Μουσῶν ἐναγίζουσι. λέγεται δὲ ὡς ὁ Λίνος οὗτος παῖς μὲν Οὐρανίας εἴη καὶ Ἀμφιμάρου τοῦ Ποσειδῶνος, μεγίστην δὲ τῶν τε ἐφʼ αὑτοῦ καὶ ὅσοι πρότερον ἐγένοντο λάβοι δόξαν ἐπὶ μουσικῇ, καὶ ὡς Ἀπόλλων ἀποκτείνειεν αὐτὸν ἐξισούμενον κατὰ τὴν ᾠδήν.

[¶45] 29.7. On the death of Linus, mourning for him spread, it seems, to all the foreign world, so that even among the Egyptians there came to be a Linus song, in the Egyptian language called Maneros. Of the Greek poets, Homer shows that he knew that the sufferings of Linus were the theme of a Greek song when he says that Hephaestus, among the other scenes he worked upon the shield of Achilles, represented a boy harpist singing the Linus song:—
In the midst of them a boy on a clear-toned lyre
Played with great charm, and to his playing sang of beautiful Linus.

> Greek: 29.7. ἀποθανόντος δὲ τοῦ Λίνου τὸ ἐπʼ αὐτῷ πένθος διῆλθεν ἄρα καὶ ἄχρι τῆς βαρβάρου πάσης, ὡς καὶ Αἰγυπτίοις ᾆσμα γενέσθαι Λίνον· καλοῦσι δὲ τὸ ᾆσμα Αἰγύπτιοι τῇ ἐπιχωρίῳ φωνῇ Μανέρων. οἱ δὲ Ἕλλησιν ἔπη ποιήσαντες, Ὅμηρος μέν, ἅτε ᾆσμα Ἕλλησιν ὂν ἐπιστάμενος τοῦ Λίνου τὰ παθήματα, ἐπὶ τοῦ Ἀχιλλέως ἔφη τῇ ἀσπίδι ἄλλα τε ἐργάσασθαι τὸν Ἥφαιστον καὶ κιθαρῳδὸν παῖδα ᾄδοντα τὰ ἐς Λίνον·
τοῖσι δʼ ἐνὶ μέσσοισι πάις φόρμιγγι λιγείῃ
ἱμερόεν κιθάριζε, Λίνον δʼ ὑπὸ καλὸν ἄειδεν·

[¶46] 29.8. Pamphos, who composed the oldest Athenian hymns, called him Oetolinus (Linus doomed) at the time when the mourning for Linus was at its height. Sappho of Lesbos, who learnt the name of Oetolinus from the epic poetry of Pamphos, sang of both Adonis and Oetolinus together. The Thebans assert that Linus was buried among them, and that after the Greek defeat at Chaeroneia, Philip the son of Amyntas, in obedience to a vision in a dream, took up the bones of Linus and conveyed them to Macedonia;

> Greek: 29.8. Πάμφως δέ, ὃς Ἀθηναίοις τῶν ὕμνων ἐποίησε τοὺς ἀρχαιοτάτους, οὗτος ἀκμάζοντος ἐπὶ τῷ Λίνῳ τοῦ πένθους Οἰτόλινον ἐκάλεσεν αὐτόν. Σαπφὼ δὲ ἡ Λεσβία τοῦ Οἰτολίνου τὸ ὄνομα ἐκ τῶν ἐπῶν τῶν Πάμφω μαθοῦσα Ἄδωνιν ὁμοῦ καὶ Οἰτόλινον ᾖσεν. Θηβαῖοι δὲ λέγουσι παρὰ σφίσι ταφῆναι τὸν Λίνον, καὶ ὡς μετὰ τὸ πταῖσμα τὸ ἐν Χαιρωνείᾳ τὸ Ἑλληνικὸν Φίλιππος ὁ Ἀμύντου κατὰ δή τινα ὄψιν ὀνείρατος τὰ ὀστᾶ ἀνελόμενος τοῦ Λίνου κομίσειεν ἐς Μακεδονίαν·

[¶47] 29.9. other visions induced him to send the bones of Linus back to Thebes. But all that was over the grave, and whatever marks were on it, vanished, they say, with the lapse of time. Other tales are told by the Thebans, how that later than this Linus there was born another, called the son of Ismenius, a teacher of music, and how Heracles, while still a child, killed him. But hexameter poetry was written neither by Linus the son of Amphimarus nor by the later Linus; or if it was, it has not survived for posterity.

> Greek: 29.9. ἐκεῖνον μὲν δὴ αὖθις ἐξ ἐνυπνίων ἄλλων ὀπίσω τοῦ Λίνου τὰ ὀστᾶ ἐς Θήβας ἀποστεῖλαι, τὰ δὲ ἐπιθήματα τοῦ τάφου, καὶ ὅσα σημεῖα ἄλλα ἦν, ἀνὰ χρόνον φασὶν ἀφανισθῆναι. λέγεται δὲ καὶ ἄλλα τοιάδε ὑπὸ Θηβαίων, ὡς τοῦ Λίνου τούτου γένοιτο ὕστερον ἕτερος Λίνος καλούμενος Ἰσμηνίου καὶ ὡς Ἡρακλῆς ἔτι παῖς ὢν ἀποκτείνειεν αὐτὸν διδάσκαλον μουσικῆς ὄντα. ἔπη δὲ οὔτε ὁ Ἀμφιμάρου Λίνος οὔτε ὁ τούτου γενόμενος ὕστερον ἐποίησαν· ἢ καὶ ποιηθέντα ἐς τοὺς ἔπειτα οὐκ ἦλθεν.

[¶48] 30.1. The first images of the Muses are of them all, from the hand of Cephisodotus, while a little farther on are three, also from the hand of Cephisodotus, and three more by Strongylion, an excellent artist of oxen and horses. The remaining three were made by Olympiosthenes. There is also on Helicon a bronze Apollo fighting with Hermes for the lyre. There is also a Dionysus by Lysippus; the standing image, however, of Dionysus, that Sulla dedicated, is the most noteworthy of the works of Myron after the Erectheus at Athens. What he dedicated was not his own; he took it away from the Minyae of Orchomenus. This is an illustration of the Greek proverb, “to worship the gods with other people's incense.”

> Greek: 30.1. ταῖς Μούσαις δὲ ἀγάλματα ⟨τὰ⟩ μὲν πρῶτά ἐστι Κηφισοδότου τέχνη πάσαις, προελθόντι δὲ οὐ πολὺ τρεῖς μέν εἰσιν αὖθις Κηφισοδότου, Στρογγυλίωνος δὲ ἕτερα τοσαῦτα, ἀνδρὸς βοῦς καὶ ἵππους ἄριστα εἰργασμένου· τὰς δὲ ὑπολοίπους τρεῖς ἐποίησεν Ὀλυμπιοσθένης. καὶ Ἀπόλλων χαλκοῦς ἐστιν ἐν Ἑλικῶνι καὶ Ἑρμῆς μαχόμενοι περὶ τῆς λύρας, καὶ Διόνυσος ὁ μὲν Λυσίππου, τὸ δὲ ἄγαλμα ἀνέθηκε Σύλλας τοῦ Διονύσου τὸ ὀρθόν, ἔργον τῶν Μύρωνος θέας μάλιστα ἄξιον μετά γε τὸν Ἀθήνῃσιν Ἐρεχθέα· ἀνέθηκε δὲ οὐκ οἴκοθεν, Ὀρχομενίους δὲ ἀφελόμενος τοὺς Μινύας. τοῦτό ἐστι τὸ ὑπὸ Ἑλλήνων λεγόμενον θυμιάμασιν ἀλλοτρίοις τὸ θεῖον σέβεσθαι.

[¶49] 30.2. Of poets or famous musicians they have set up likenesses of the following. There is Thamyris himself, when already blind, with a broken lyre in his hand, and Arion of Methymna upon a dolphin. The sculptor who made the statue of Sacadas of Argos, not understanding the prelude of Pindar about him, has made the flute-player with a body no bigger than his flute.

> Greek: 30.2. ποιητὰς δὲ ἤ καὶ ἄλλως ἐπιφανεῖς ἐπὶ μουσικῇ, τοσῶνδε εἰκόνας ἀνέθεσαν· Θάμυριν μὲν αὐτόν τε ἤδη τυφλὸν καὶ λύρας κατεαγυίας ἐφαπτόμενον, Ἀρίων δὲ ὁ Μηθυμναῖός ἐστιν ἐπὶ δελφῖνος. ὁ δὲ Σακάδα τοῦ Ἀργείου τὸν ἀνδριάντα πλάσας, οὐ συνεὶς Πινδάρου τὸ ἐς αὐτὸν προοίμιον, ἐποίησεν οὐδὲν ἐς τὸ μῆκος τοῦ σώματος εἶναι τῶν αὐλῶν μείζονα τὸν αὐλητήν.

[¶50] 30.3. Hesiod too sits holding a harp upon his knees, a thing not at all appropriate for Hesiod to carry, for his own verses make it clear that he sang holding a laurel wand. As to the age of Hesiod and Homer, I have conducted very careful researches into this matter, but I do not like to write on the subject, as I know the quarrelsome nature of those especially who constitute the modern school of epic criticism.

> Greek: 30.3. κάθηται δὲ καὶ Ἡσίοδος κιθάραν ἐπὶ τοῖς γόνασιν ἔχων, οὐδέν τι οἰκεῖον Ἡσιόδῳ φόρημα· δῆλα γὰρ δὴ καὶ ἐξ αὐτῶν τῶν ἐπῶν ὅτι ἐπὶ ῥάβδου δάφνης ᾖδε. περὶ δὲ Ἡσιόδου τε ἡλικίας καὶ Ὁμήρου πολυπραγμονήσαντι ἐς τὸ ἀκριβέστατον οὔ μοι γράφειν ἡδὺ ἦν, ἐπισταμένῳ τὸ φιλαίτιον ἄλλων τε καὶ οὐχ ἥκιστα ὅσοι κατʼ ἐμὲ ἐπὶ ποιήσει τῶν ἐπῶν καθεστήκεσαν.

[¶51] 30.4. By the side of Orpheus the Thracian stands a statue of Telete, and around him are beasts of stone and bronze listening to his singing. There are many untruths believed by the Greeks, one of which is that Orpheus was a son of the Muse Calliope, and not of the daughter of Pierus, that the beasts followed him fascinated by his songs, and that he went down alive to Hades to ask for his wife from the gods below. In my opinion Orpheus excelled his predecessors in the beauty of his verse, and reached a high degree of power because he was believed to have discovered mysteries, purification from sins, cures of diseases and means of averting divine wrath.

> Greek: 30.4. Ὀρφεῖ δὲ τῷ Θρᾳκὶ πεποίηται μὲν παρεστῶσα αὐτῷ Τελετή, πεποίηται δὲ περὶ αὐτὸν λίθου τε καὶ χαλκοῦ θηρία ἀκούοντα ᾄδοντος. πολλὰ μὲν δὴ καὶ ἄλλα πιστεύουσιν οὐκ ὄντα Ἕλληνες καὶ δὴ καὶ Ὀρφέα Καλλιόπης τε εἶναι Μούσης καὶ οὐ τῆς Πιέρου καί οἱ τὰ θηρία ἰέναι πρὸς τὸ μέλος ψυχαγωγούμενα, ἐλθεῖν δὲ καὶ ἐς τὸν Ἅιδην ζῶντα αὐτὸν παρὰ τῶν κάτω θεῶν τὴν γυναῖκα αἰτοῦντα. ὁ δὲ Ὀρφεὺς ἐμοὶ δοκεῖν ὑπερεβάλετο ἐπῶν κόσμῳ τοὺς πρὸ αὐτοῦ καὶ ἐπὶ μέγα ἦλθεν ἰσχύος οἷα πιστευόμενος εὑρηκέναι τελετὰς θεῶν καὶ ἔργων ἀνοσίων καθαρμοὺς νόσων τε ἰάματα καὶ τροπὰς μηνιμάτων θείων.