--- title: "Annals · Annales" author: "Tacitus" translator: "Alfred John Church" languages: [la, en] shelf: "Classical Latin" section: 28 of 35 url: https://scriptura.si/works/tacitus-annals/28/ cite: "Tacitus, tr. Alfred John Church, Annals · Annales, section 28. Scriptura (scriptura.si), https://scriptura.si/works/tacitus-annals/28/" --- # Annals · Annales *Tacitus, tr. Alfred John Church* Rome from Tiberius to Nero: the emperors, the senate and the slow death of liberty, chapter by chapter. > Latin: ed. Charles Dennis Fisher, from the Perseus Digital Library (canonical-latinLit, phi1351.phi005, CC BY-SA 4.0). > English: Alfred John Church, from the Perseus Digital Library (phi1351.phi005.perseus-eng1). Notes are not included. > Rows follow the references the two texts share (chapters and sections), cut where both reach the end of a sentence. ## 28. Book XIV · chapters 1–21 Source: https://scriptura.si/works/tacitus-annals/28/ · cite a paragraph as https://scriptura.si/works/tacitus-annals/28/#p-N [¶0] 1. IN the year of the consulship of Caius Vipstanus and Caius Fonteius, Nero deferred no more a long meditated crime. Length of power had matured his daring, and his passion for Poppæa daily grew more ardent. As the woman had no hope of marriage for herself or of Octavia's divorce while Agrippina lived, she would reproach the emperor with incessant vituperation and sometimes call him in jest a mere ward who was under the rule of others, and was so far from having empire that he had not even his liberty. "Why," she asked, "was her marriage put off? Was it, forsooth, her beauty and her ancestors, with their triumphal honours, that failed to please, or her being a mother, and her sincere heart? No; the fear was that as a wife at least she would divulge the wrongs of the Senate, and the wrath of the people at the arrogance and rapacity of his mother. If the only daughter-in-law Agrippina could bear was one who wished evil to her son, let her be restored to her union with Otho. She would go anywhere in the world, where she might hear of the insults heaped on the emperor, rather than witness them, and be also involved in his perils." These and the like complaints, rendered impressive by tears and by the cunning of an adulteress, no one checked, as all longed to see the mother's power broken, while not a person believed that the son's hatred would steel his heart to her murder. > Latin: 1. Gaio Vipstano ⟨C.⟩ Fonteio consulibus diu meditatum scelus non ultra Nero distulit, vetustate imperii coalita audacia et flagrantior in dies amore Poppaeae, quae sibi matrimonium et discidium Octaviae incolumi Agrippina haud sperans crebris criminationibus, aliquando per facetias incusaret principem et pupillum vocaret, qui iussis alienis obnoxius non modo imperii sed libertatis etiam indigeret. cur enim differri nuptias suas? formam scilicet displicere et triumphalis avos. an fecunditatem et verum animum? timeri ne uxor saltem iniurias patrum, iram populi adversus superbiam avaritiamque matris aperiat. quod si nurum Agrippina non nisi filio infestam ferre posset, redderetur ipsa Othonis coniugio: ituram quoquo terrarum, ubi audiret potius contumelias imperatoris quam viseret periculis eius immixta. haec atque talia lacrimis et arte adulterae penetrantia nemo prohibebat, cupientibus cunctis infringi potentiam matris et credente nullo usque ad caedem eius duratura filii odia. [¶1] 2. Cluvius relates that Agrippina in her eagerness to retain her influence went so far that more than once at midday, when Nero, even at that hour, was flushed with wine and feasting, she presented herself attractively attired to her half intoxicated son and offered him her person, and that when kinsfolk observed wanton kisses and caresses, por- tending infamy, it was Seneca who sought a female's aid against a woman's fascinations, and hurried in Acte, the freed girl, who alarmed at her own peril and at Nero's disgrace, told him that the incest was notorious, as his mother boasted of it, and that the soldiers would never endure the rule of an impious sovereign. Fabius Rusticus tells us that it was not Agrippina, but Nero, who lusted for the crime, and that it was frustrated by the adroitness of that same freed girl. Cluvius's account, however, is also that of all other authors, and popular belief inclines to it, whether it was that Agrippina really conceived such a monstrous wickedness in her heart, or perhaps because the thought of a strange passion seemed comparatively credible in a woman, who in her girlish years had allowed herself to be seduced by Lepidus in the hope of winning power, had stooped with a like ambition to the lust of Pallas, and had trained herself for every infamy by her marriage with her uncle. > Latin: 2. Tradit Cluvius ardore retinendae Agrippinam potentiae eo usque provectam ut medio diei, cum id temporis Nero per vinum et epulas incalesceret, offerret se saepius temulento comptam et incesto paratam; iamque lasciva oscula et praenuntias flagitii blanditias adnotantibus proximis, Senecam contra muliebris inlecebras subsidium a femina petivisse, immissamque Acten libertam quae simul suo periculo et infamia Neronis anxia deferret pervulgatum esse incestum gloriante matre, nec toleraturos milites profani principis imperium. Fabius Rusticus non Agrippinae sed Neroni cupitum id memorat eiusdemque libertae astu disiectum. sed quae Cluvius eadem ceteri quoque auctores prodidere, et fama huc inclinat, seu concepit animo tantum immanitatis Agrippina, seu credibilior novae libidinis meditatio in ea visa est quae puellaribus annis stuprum cum Lepido spe dominationis admiserat, pari cupidine usque ad libita Pallantis provoluta et exercita ad omne flagitium patrui nuptiis. [¶2] 3. Nero accordingly avoided secret interviews with her, and when she withdrew to her gardens or to her estates at Tusculum and Antium, he praised her for courting repose. At last, convinced that she would be too formidable, wherever she might dwell, he resolved to destroy her, merely deliberating whether it was to be accomplished by poison, or by the sword, or by any other violent means. Poison at first seemed best, but, were it to be administered at the imperial table, the result could not be referred to chance after the recent circumstances of the death of Britannicus. Again, to tamper with the servants of a woman who, from her familiarity with crime, was on her guard against treachery, appeared to be extremely difficult, and then, too, she had fortified her constitution by the use of antidotes. How again the dagger and its work were to be kept secret, no one could suggest, and it was feared too that whoever might be chosen to execute such a crime would spurn the order. An ingenious suggestion was offered by Anicetus, a freedman, commander of the fleet at Misenum, who had been tutor to Nero in boyhood and had a hatred of Agrippina which she reciprocated. He explained that a vessel could be constructed, from which a part might by a contrivance be detached, when out at sea, so as to plunge her unawares into the water. "Nothing, he said, "allowed of accidents so much as the sea, and should she be overtaken by shipwreck, who would be so unfair as to impute to crime an offence committed by the winds and waves? The emperor would add the honour of a temple and of shrines to the deceased lady, with every other display of filial affection." > Latin: 3. Igitur Nero vitare secretos eius congressus, abscedentem in hortos aut Tusculanum vel Antiatem in agrum laudare quod otium capesseret. postremo, ubicumque haberetur, praegravem ratus interficere constituit, hactenus consultans, veneno an ferro vel qua alia vi. placuitque primo venenum. sed inter epulas principis si daretur, referri ad casum non poterat tali iam Britannici exitio; et ministros temptare arduum videbatur mulieris usu scelerum adversus insidias intentae; atque ipsa praesumendo remedia munierat corpus. ferrum et caedes quonam modo occultaretur nemo reperiebat; et ne quis illi tanto facinori delectus iussa sperneret metuebat. obtulit ingenium Anicetus libertus, classi apud Misenum praefectus et pueritiae Neronis educator ac mutuis odiis Agrippinae invisus. ergo navem posse componi docet cuius pars ipso in mari per artem soluta effunderet ignaram: nihil tam capax fortuitorum quam mare; et si naufragio intercepta sit, quem adeo iniquum ut sceleri adsignet quod venti et fluctus deliquerint? additurum principem defunctae templum et aras et cetera ostentandae pietati. [¶3] 4. Nero liked the device, favoured as it also was by the particular time, for he was celebrating Minerva's five days' festival at Baiæ. Thither he enticed his mother by repeated assurances that children ought to bear with the irritability of parents and to soothe their tempers, wishing thus to spread a rumour of reconciliation and to secure Agrippina's acceptance through the feminine credulity, which easily believes what gives joy. As she approached, he went to the shore to meet her (she was coming from Antium), welcomed her with outstretched hand and embrace, and conducted her to Bauli. This was the name of a country house, washed by a bay of the sea, between the promontory of Misenum and the lake of Baiæ. Here was a vessel distinguished from others by its equipment, seemingly meant, among other things, to do honour to his mother; for she had been accustomed to sail in a trireme, with a crew of marines. And now she was invited to a banquet, that night might serve to conceal the crime. It was well known that somebody had been found to betray it, that Agrippina had heard of the plot, and in doubt whether she was to believe it, was conveyed to Baiæ in her litter. There some soothing words allayed her fear; she was graciously received, and seated at table above the emperor. Nero prolonged the banquet with various conversation, passing from a youth's playful familiarity to an air of constraint, which seemed to indicate serious thought, and then, after protracted festivity, escorted her on her departure, clinging with kisses to her eyes and bosom, either to crown his hypocrisy or because the last sight of a mother on the even of destruction caused a lingering even in that brutal heart. > Latin: 4. Placuit sollertia, tempore etiam iuta, quando Quinquatruum festos dies apud Baias frequentabat. illuc matrem elicit, ferendas parentium iracundias et placandum animum dictitans quo rumorem reconciliationis efficeret acciperetque Agrippina facili feminarum credulitate ad gaudia. venientem dehinc obvius in litora (nam Antio adventabat) excepit manu et complexu ducitque Baulos. id villae nomen est quae promunturium Misenum inter et Baianum lacum flexo mari adluitur. stabat inter alias navis ornatior, tamquam id quoque honori matris daretur: quippe sueverat triremi et classiariorum remigio vehi. ac tum invitata ad epulas erat ut occultando facinori nox adhiberetur. satis constitit extitisse proditorem et Agrippinam auditis insidiis, an crederet ambiguam, gestamine sellae Baias pervectam. ibi blandimentum sublevavit metum: comiter excepta superque ipsum conlocata. iam pluribus sermonibus modo familiaritate iuvenili Nero et rursus adductus, quasi seria consociaret, tracto in longum convictu, prosequitur abeuntem, artius oculis et pectori haerens, sive explenda simulatione, seu periturae matris supremus aspectus quamvis ferum animum retinebat. [¶4] 5. A night of brilliant starlight with the calm of a tranquil sea was granted by heaven, seemingly, to convict the crime. The vessel had not gone far, Agrippina having with her two of her intimate attendants, one of whom, Crepereius Gallus, stood near the helm, while Acerronia, reclining at Agrippina's feet as she reposed herself, spoke joyfully of her son's repentance and of the recovery of the mother's influence, when at a given signal the ceiling of the place, which was loaded with a quantity of lead, fell in, and Crepereius was crushed and instantly killed. Agrippina and Acerronia were protected by the projecting sides of the couch, which happened to be too strong to yield under the weight. But this was not followed by the breaking up of the vessel; for all were bewildered, and those too, who were in the plot, were hindered by the unconscious majority. The crew then thought it best to throw the vessel on one side and so sink it, but they could not themselves promptly unite to face the emergency, and others, by counteracting the attempt, gave an opportunity of a gentler fall into the sea. Acerronia, however, thoughtlessly exclaiming that she was Agrippina, and imploring help for the emperor's mother, was despatched with poles and oars, and such naval implements as chance offered. Agrippina was silent and was thus the less recognized; still, she received a wound in her shoulder. She swam, then met with some small boats which conveyed her to the Lucrine lake, and so entered her house. > Latin: 5. Noctem sideribus inlustrem et placido mari quietam quasi convincendum ad scelus dii praebuere. nec multum erat progressa navis, duobus e numero familiarium Agrippinam comitantibus, ex quis Crepereius Gallus haud procul gubernaculis adstabat, Acerronia super pedes cubitantis reclinis paenitentiam filii et reciperatam matris gratiam per gaudium memorabat, cum dato signo ruere tectum loci multo plumbo grave, pressusque Crepereius et statim exanimatus est: Agrippina et Acerronia eminentibus lecti parietibus ac forte validioribus quam ut oneri cederent protectae sunt. nec dissolutio navigii sequebatur, turbatis omnibus et quod plerique ignari etiam conscios impediebant. visum dehinc remigibus unum in latus inclinare atque ita navem submergere: sed neque ipsis promptus in rem subitam consensus, et alii contra nitentes dedere facultatem lenioris in mare iactus. verum Acerronia, imprudentia dum se Agrippinam esse utque subveniretur matri principis clamitat, contis et remis et quae fors obtulerat navalibus telis conficitur: Agrippina silens eoque minus adgnita (unum tamen vulnus umero excepit) nando, deinde occursu lenunculorum Lucrinum in lacum vecta villae suae infertur. [¶5] 6. There she reflected how for this very purpose she had been invited by a lying letter and treated with conspicuous honour, how also it was near the shore, not from being driven by winds or dashed on rocks, that the vessel had in its upper part collapsed, like a mechanism anything but nautical. She pondered too the death of Acerronia; she looked at her own wound, and saw that her only safeguard against treachery was to ignore it. Then she sent her freedman Agerinus to tell her son how by heaven's favour and his good fortune she had escaped a terrible disaster; that she begged him, alarmed, as he might be, by his mother's peril, to put off the duty of a visit, as for the present she needed repose. Meanwhile, pretending that she felt secure, she applied remedies to her wound, and fomentations to her person. She then ordered search to be made for the will of Acerronia, and her property to be sealed, in this alone throwing off disguise. > Latin: 6. Illic reputans ideo se fallacibus litteris accitam et honore praecipuo habitam, quodque litus iuxta non ventis acta, non saxis impulsa navis summa sui parte veluti terrestre machinamentum concidisset; observans etiam Acerroniae necem, simul suum vulnus aspiciens, solum insidiarum remedium esse, si non intellegerentur; misitque libertum Agerinum qui nuntiaret filio benignitate deum et fortuna eius evasisse gravem casum; orare ut quamvis periculo matris exterritus visendi curam differret; sibi ad praesens quiete opus. atque interim securitate simulata medicamina vulneri et fomenta corpori adhibet; testamentum Acerroniae requiri bonaque obsignari iubet, id tantum non per simulationem. [¶6] 7. Nero, meantime, as he waited for tidings of the consummation of the deed, received information that she had escaped with the injury of a slight wound, after having so far encountered the peril that there could be no question as to its author. Then, paralysed with terror and protesting that she would show herself the next moment eager for vengeance, either arming the slaves or stirring up the soldiery, or hastening to the Senate and the people, to charge him with the wreck, with her wound, and with the destruction of her friends, he asked what resource he had against all this, unless something could be at once devised by Burrus and Seneca. He had instantly summoned both of them, and possibly they were already in the secret. There was a long silence on their part; they feared they might remonstrate in vain, or believed the crisis to be such that Nero must perish, unless Agrippina were at once crushed. Thereupon Seneca was so far the more prompt as to glance back on Burrus, as if to ask him whether the bloody deed must be required of the soldiers. Burrus replied "that the prætorians were attached to the whole family of the Cæsars, and remembering Germanicus would not dare a savage deed on his offspring. It was for Anicetus to accomplish his promise." Anicetus, without a pause, claimed for himself the consummation of the crime. At those words, Nero declared that that day gave him empire, and that a freedman was the author of this mighty boon. "Go," he said, "with all speed and take with you the men readiest to execute your orders." He himself, when he had heard of the arrival of Agrippina's messenger, Agerinus, contrived a theatrical mode of accusation, and, while the man was repeating his message, threw down a sword at his feet, then ordered him to be put in irons, as a detected criminal, so that he might invent a story how his mother had plotted the emperor's destruction and in the shame of discovered guilt had by her own choice sought death. > Latin: 7. At Neroni nuntios patrati facinoris opperienti adfertur evasisse ictu levi sauciam et hactenus adito discrimine ne auctor dubitaretur. tum pavore exanimis et iam iamque adfore obtestans vindictae properam, sive servitia armaret vel militem accenderet, sive ad senatum et populum pervaderet, naufragium et vulnus et interfectos amicos obiciendo: quod contra subsidium sibi? nisi quid Burrus et Seneca; quos expergens statim acciverat, incertum an et ante gnaros. igitur longum utriusque silentium, ne inriti dissuaderent, an eo descensum credebant ⟨ut⟩, nisi praeveniretur Agrippina, pereundum Neroni esset. post Seneca hactenus promptius ⟨ut⟩ respiceret Burrum ac sciscitaretur an militi imperanda caedes esset. ille praetorianos toti Caesarum domui obstrictos memoresque Germanici nihil adversus progeniem eius atrox ausuros respondit: perpetraret Anicetus promissa. qui nihil cunctatus poscit summam sceleris. ad eam vocem Nero illo sibi die dari imperium auctoremque tanti muneris libertum profitetur: iret propere duceretque promptissimos ad iussa. ipse audito venisse missu Agrippinae nuntium Agerinum, scaenam ultro criminis parat gladiumque, dum mandata perfert, abicit inter pedes eius, tum quasi deprehenso vincla inici iubet, ut exitium principis molitam matrem et pudore deprehensi sceleris sponte mortem sumpsisse confingeret. [¶7] 8. Meantime, Agrippina's peril being universally known and taken to be an accidental occurrence, everybody, the moment he heard of it, hurried down to the beach. Some climbed projecting piers; some the nearest vessels; others, as far as their stature allowed, went into the sea; some, again, stood with outstretched arms, while the whole shore rung with wailings, with prayers and cries, as different questions were asked and uncertain answers given. A vast multi- tude streamed to the spot with torches, and as soon as all knew that she was safe, they at once prepared to wish her joy, till the sight of an armed and threatening force scared them away. Anicetus then surrounded the house with a guard, and having burst open the gates, dragged off the slaves who met him, till he came to the door of her chamber, where a few still stood, after the rest had fled in terror at the attack. A small lamp was in the room, and one slave-girl with Agrippina, who grew more and more anxious, as no messenger came from her son, not even Agerinus, while the appearance of the shore was changed, a solitude one moment, then sudden bustle and tokens of the worst catastrophe. As the girl rose to depart, she exclaimed, "Do you too forsake me?" and looking round saw Anicetus, who had with him the captain of the trireme, Herculeius, and Obaritus, a centurion of marines. "If," said she, "you have come to see me, take back word that I have recovered, but if you are here to do a crime, I believe nothing about my son; he has not ordered his mother's murder." The assassins closed in round her couch, and the captain of the trireme first struck her head violently with a club. Then, as the centurion bared his sword for the fatal deed presenting her person, she exclaimed, "Smite my womb," and with many wounds she was slain. > Latin: 8. Interim vulgato Agrippinae periculo, quasi casu evenisset, ut quisque acceperat, decurrere ad litus. hi molium obiectus, hi proximas scaphas scandere; alii quantum corpus sinebat vadere in mare; quidam manus protendere; questibus, votis, clamore diversa rogitantium aut incerta respondentium omnis ora compleri; adfluere ingens multitudo cum luminibus, atque ubi incolumem esse pernotuit, ut ad gratandum sese expedire, donec aspectu armati et minitantis agminis disiecti sunt. Anicetus villam statione circumdat refractaque ianua obvios servorum abripit, donec ad foris cubiculi veniret; cui pauci adstabant, ceteris terrore inrumpentium exterritis. cubiculo modicum lumen inerat et ancillarum una, magis ac magis anxia Agrippina quod nemo a filio ac ne Agerinus quidem: aliam fore laetae rei faciem; nunc solitudinem ac repentinos strepitus et extremi mali indicia. abeunte dehinc ancilla 'tu quoque me deseris' prolocuta respicit Anicetum trierarcho Herculeio et Obarito centurione classiario comitatum: ac, si ad visendum venisset, refotam nuntiaret, sin facinus patraturus, nihil se de filio credere; non imperatum parricidium. circumsistunt lectum percussores et prior trierarchus fusti caput eius adflixit. iam in mortem centurioni ferrum destringenti protendens uterum 'ventrem feri' exclamavit multisque vulneribus confecta est. [¶8] 9. So far our accounts agree. That Nero gazed on his mother after her death and praised her beauty, some have related, while others deny it. Her body was burnt that same night on a dining couch, with a mean funeral; nor, as long as Nero was in power, was the earth raised into a mound, or even decently closed. Subsequently, she received from the solicitude of her domestics, a humble sepulchre on the road to Misenum, near the country house of Cæsar the Dictator, which from a great height commands a view of the bay beneath. As soon as the funeral pile was lighted, one of her freedmen, surnamed Mnester, ran himself through with a sword, either from love of his mistress or from the fear of destruction. Many years before Agrippina had anticipated this end for herself and had spurned the thought. For when she consulted the astrologers about Nero, they replied that he would be emperor and kill his mother. "Let him kill her," she said, "provided he is emperor." > Latin: 9. Haec consensu produntur. aspexeritne matrem exanimem Nero et formam corporis eius laudaverit, sunt qui tradiderint, sunt qui abnuant. cremata est nocte eadem convivali lecto et exequiis vilibus; neque, dum Nero rerum potiebatur, congesta aut clausa humus. mox domesticorum cura levem tumulum accepit, viam Miseni propter et villam Caesaris dictatoris quae subiectos sinus editissima prospectat. accenso rogo libertus eius cognomento Mnester ⟨se⟩ ipse ferro transegit, incertum caritate in patronam an metu exitii. hunc sui finem multos ante annos crediderat Agrippina contempseratque. nam consulenti super Nerone responderunt Chaldaei fore ut imperaret matremque occideret; atque illa 'occidat' inquit, 'dum imperet.' [¶9] 10. But the emperor, when the crime was at last accomplished, realised its portentous guilt. The rest of the night, now silent and stupified, now and still oftener starting up in terror, bereft of reason, he awaited the dawn as if it would bring with it his doom. He was first encouraged to hope by the flattery addressed to him, at the prompting of Burrus, by the centurions and tribunes, who again and again pressed his hand and congratulated him on his having escaped an unforeseen danger and his mother's daring crime. Then his friends went to the temples, and, an example having once been set, the neighbouring towns of Campania testified their joy with sacrifices and deputations. He himself, with an opposite phase of hypocrisy, seemed sad, and almost angry at his own deliverance, and shed tears over his mother's death. But as the aspects of places change not, as do the looks of men, and as he had ever before his eyes the dreadful sight of that sea with its shores (some too believed that the notes of a funereal trumpet were heard from the surrounding heights, and wailings from the mother's grave), he retired to Neapolis and sent a letter to the Senate, the drift of which was that Agerinus, one of Agrippina's confidential freedmen, had been detected with the dagger of an assassin, and that in the consciousness of having planned the crime she had paid its penalty. > Latin: 10. Sed a Caesare perfecto demum scelere magnitudo eius intellecta est. reliquo noctis modo per silentium defixus, saepius pavore exsurgens et mentis inops lucem opperiebatur tamquam exitium adlaturam. atque eum auctore Burro prima centurionum tribunorumque adulatio ad spem firmavit, prensantium manum gratantiumque quod discrimen improvisum et matris facinus evasisset. amici dehinc adire templa et coepto exemplo proxima Campaniae municipia victimis et legationibus laetitiam testari: ipse diversa simulatione maestus et quasi incolumitati suae infensus ac morti parentis inlacrimans. quia tamen non, ut hominum vultus, ita locorum facies mutantur, obversabaturque maris illius et litorum gravis aspectus (et erant qui crederent sonitum tubae collibus circum editis planctusque tumulo matris audiri), Neapolim concessit litterasque ad senatum misit quarum summa erat repertum cum ferro percussorem Agerinum, ex intimis Agrippinae libertis, et luisse eam poenas conscientia quasi scelus paravisset. [¶10] 11. He even revived the charges of a period long past, how she had aimed at a share of empire, and at inducing the prætorian cohorts to swear obedience to a woman, to the disgrace of the Senate and people; how, when she was disappointed, in her fury with the soldiers, the Senate, and the populace, she opposed the usual donative and largess, and organised perilous prosecutions against distinguished citizens. What efforts had it cost him to hinder her from bursting into the Senate-house and giving answers to foreign nations! He glanced too with indirect censure at the days of Claudius, and ascribed all the abominations of that reign to his mother, thus seeking to show that it was the State's good fortune which had destroyed her. For he actually told the story of the shipwreck; but who could be so stupid as to believe that it was accidental, or that a shipwrecked woman had sent one man with a weapon to break through an emperor's guards and fleets? So now it was not Nero, whose brutality was far beyond any remonstrance, but Seneca who was in ill repute, for having written a confession in such a style. > Latin: 11. Adiciebat crimina longius repetita, quod consortium imperii iuraturasque in feminae verba praetorias cohortis idemque dedecus senatus et populi speravisset, ac postquam frustra habita sit, infensa militi patribusque et plebi dissuasisset donativum et congiarium periculaque viris inlustribus struxisset. quanto suo labore perpetratum ne inrumperet curiam, ne gentibus externis responsa daret. temporum quoque Claudianorum obliqua insectatione cuncta eius dominationis flagitia in matrem transtulit, publica fortuna extinctam referens. namque et naufragium narrabat: quod fortuitum fuisse quis adeo hebes inveniretur ut crederet? aut a muliere naufraga missum cum telo unum qui cohortis et classis imperatoris perfringeret? ergo non iam Nero, cuius immanitas omnium questus antibat, sed Seneca adverso rumore erat quod oratione tali confessionem scripsisset. [¶11] 12. Still there was a marvellous rivalry among the nobles in decreeing thanksgivings at all the shrines, and the celebration with annual games of Minerva's festival, as the day on which the plot had been discovered; also, that a golden image of Minerva with a statue of the emperor by its side should be set up in the Senate-house, and that Agrippina's birthday should be classed among the inauspicious days. Thrasea Pætus, who had been used to pass over previous flatteries in silence or with brief assent, then walked out of the Senate, thereby imperilling himself, without communicating to the other senators any impulse towards freedom. There occurred too a thick succession of portents, which meant nothing. A woman gave birth to a snake, and another was killed by a thunderbolt in her husband's embrace. Then the sun was suddenly darkened and the fourteen districts of the city were struck by lightning. All this happened quite without any providential design; so much so, that for many subsequent years Nero prolonged his reign and his crimes. Still, to deepen the popular hatred towards his mother, and prove that since her removal, his clemency had increased, he restored to their ancestral homes two distinguished ladies, Junia and Calpurnia, with two ex-prætors, Valerius Capito and Licinius Gabolus, whom Agrippina had formerly banished. He also allowed the ashes of Lollia Paulina to be brought back and a tomb to be built over them. Iturius and Calvisius, whom he had himself temporarily exiled, he now released from their penalty. Silana indeed had died a natural death at Tarentum, whither she had returned from her distant exile, when the power of Agrippina, to whose enmity she owed her fall, began to totter, or her wrath was at last appeased. > Latin: 12. Miro tamen certamine procerum decernuntur supplicationes apud omnia pulvinaria, utque Quinquatrus quibus apertae insidiae essent ludis annuis celebrarentur; aureum Minervae simulacrum in curia et iuxta principis imago statuerentur; dies natalis Agrippinae inter nefastos esset. Thrasea Paetus silentio vel brevi adsensu priores adulationes transmittere solitus exiit tum senatu ac sibi causam periculi fecit, ceteris libertatis initium non praebuit. prodigia quoque crebra et inrita intercessere: anguem enixa mulier et alia in concubitu mariti fulmine exanimata; iam sol repente obscu- ratus et tactae de caelo quattuordecim urbis regiones. quae adeo sine cura deum eveniebant ut multos post annos Nero imperium et scelera continuaverit. ceterum quo gravaret invidiam matris eaque demota auctam lenitatem suam testificaretur, feminas inlustris Iuniam et Calpurniam, praetura functos Valerium Capitonem et Licinium Gabolum sedibus patriis reddidit, ab Agrippina olim pulsos. etiam Lolliae Paulinae cineres reportari sepulcrumque extrui permisit; quosque ipse nuper relegaverat, Iturium et Calvisium poena exolvit. nam Silana fato functa erat, longinquo ab exilio Tarentum regressa labante iam Agrippina, cuius inimicitiis conciderat, vel mitigata. [¶12] 13. While Nero was lingering in the towns of Campania, doubting how he should enter Rome, whether he would find the Senate submissive and the populace enthusiastic, all the vilest courtiers, and of these never had a court a more abundant crop, argued against his hesitation by assuring him that Agrippina's name was hated and that her death had heightened his popularity. "He might go without a fear," they said, "and experience in his person men's veneration for him." They insisted at the same time on preceding him. They found greater enthusiasm than they had promised, the tribes coming forth to meet him, the Senate in holiday attire, troops of their children and wives arranged according to sex and age, tiers of seats raised for the spectacle, where he was to pass, as a triumph is witnessed. Thus elated and exulting over his people's slavery, he proceeded to the Capitol, performed the thanksgiving, and then plunged into all the excesses, which, though ill-restrained, some sort of respect for his mother had for a while delayed. > Latin: 13. Tamen cunctari in oppidis Campaniae, quonam modo urbem ingrederetur, an obsequium senatus, an studia plebis reperiret anxius: contra deterrimus quisque, quorum non alia regia fecundior extitit, invisum Agrippinae nomen et morte eius accensum populi favorem disserunt: iret intrepidus et venerationem sui coram experiretur; simul praegredi exposcunt. et promptiora quam promiserant inveniunt, obvias tribus, festo cultu senatum, coniugum ac liberorum agmina per sexum et aetatem disposita, extructos, qua incederet, spectaculorum gradus, quo modo triumphi visuntur. hinc superbus ac publici servitii victor Capitolium adiit, grates exolvit seque in omnis libidines effudit quas male coercitas qualiscumque matris reverentia tardaverat. [¶13] 14. He had long had a fancy for driving a four-horse chariot, and a no less degrading taste for singing to the harp, in a theatrical fashion, when he was at dinner. This he would remind people was a royal custom, and had been the practice of ancient chiefs; it was celebrated too in the praises of poets and was meant to show honour to the gods. Songs indeed, he said, were sacred to Apollo, and it was in the dress of a singer that that great and prophetic deity was seen in Roman temples as well as in Greek cities. He could no longer be restrained, when Seneca and Burrus thought it best to concede one point that he might not persist in both. A space was enclosed in the Vatican valley where he might manage his horses, without the spectacle being public. Soon he actually invited all the people of Rome, who extolled him in their praises, like a mob which craves for amusements and rejoices when a prince draws them the same way. However, the public exposure of his shame acted on him as an incentive instead of sickening him, as men expected. Imagining that he mitigated the scandal by disgracing many others, he brought on the stage descendants of noble families, who sold themselves because they were paupers. As they have ended their days, I think it due to their ancestors not to hand down their names. And indeed the infamy is his who gave them wealth to reward their degradation rather than to deter them from degrading themselves. He prevailed too on some well- known Roman knights, by immense presents, to offer their services in the amphitheatre; only pay from one who is able to command, carries with it the force of compulsion. > Latin: 14. Vetus illi cupido erat curriculo quadrigarum insistere nec minus foedum studium cithara ludicrum in modum canere. concertare equis regium et antiquis ducibus factitatum memorabat idque vatum laudibus celebre et deorum honori datum. enimvero cantus Apollini sacros, talique ornatu adstare non modo Graecis in urbibus sed Romana apud templa numen praecipuum et praescium. nec iam sisti poterat, cum Senecae ac Burro visum ne utraque pervinceret alterum concedere. clausumque valle Vaticana spatium in quo equos regeret haud promisco spectaculo: mox ultro vocari populus Romanus laudibusque extollere, ut est vulgus cupiens voluptatum et, si eodem princeps trahat, laetum. ceterum evulgatus pudor non satietatem, ut rebantur, sed incitamentum attulit. ratusque dedecus molliri, si pluris foedasset, nobilium familiarum posteros egestate venalis in scaenam deduxit; quos fato perfunctos ne nominatim tradam, maioribus eorum tribuendum puto. nam et eius flagitium est qui pecuniam ob delicta potius dedit quam ne delinquerent. notos quoque equites Romanos operas arenae promittere subegit donis ingentibus, nisi quod merces ab eo qui iubere potest vim necessitatis adfert. [¶14] 15. Still, not yet wishing to disgrace himself on a public stage, he instituted some games under the title of "juvenile sports," for which people of every class gave in their names. Neither rank nor age nor previous high promotion hindered any one from practising the art of a Greek or Latin actor and even stooping to gestures and songs unfit for a man. Noble ladies too actually played disgusting parts, and in the grove, with which Augustus had surrounded the lake for the naval fight, there were erected places for meeting and refreshment, and every incentive to excess was offered for sale. Money too was distributed, which the respectable had to spend under sheer compulsion and which the profligate gloried in squandering. Hence a rank growth of abominations and of all infamy. Never did a more filthy rabble add a worse licentiousness to our long corrupted morals. Even, with virtuous training, purity is not easily upheld; far less amid rivalries in vice could modesty or propriety or any trace of good manners be preserved. Last of all, the emperor himself came on the stage, tuning his lute with elaborate care and trying his voice with his attendants. There were also present, to complete the show, a guard of soldiers with centurions and tribunes, and Burrus, who grieved and yet applauded. Then it was that Roman knights were first enrolled under the title of Augustani, men in their prime and remarkable for their strength, some, from a natural frivolity, others from the hope of promotion. Day and night they kept up a thunder of applause, and applied to the emperor's person and voice the epithets of deities. Thus they lived in fame and honour, as if on the strength of their merits. > Latin: 15. Ne tamen adhuc publico theatro dehonestaretur, instituit ludos Iuvenalium vocabulo, in quos passim nomina data. non nobilitas cuiquam, non aetas aut acti honores impedimento, quo minus Graeci Latinive histrionis artem exercerent usque ad gestus modosque haud virilis. quin et feminae inlustres deformia meditari; extructaque apud nemus, quod navali stagno circumposuit Augustus, conventicula et cauponae et posita veno inritamenta luxui. dabanturque stipes quas boni necessitate, intemperantes gloria consumerent. inde gliscere flagitia et infamia, nec ulla moribus olim corruptis plus libidinum circumdedit quam illa conluvies. vix artibus honestis pudor retinetur, nedum inter certamina vitiorum pudicitia aut modestia aut quicquam probi moris reservaretur. postremus ipse scaenam incedit, multa cura temptans citharam et praemeditans adsistentibus phonascis. accesserat cohors militum, centuriones tribunique et maerens Burrus ac laudans. tuncque primum conscripti sunt equites Romani cognomento Augustianorum, aetate ac robore conspicui et pars ingenio procaces, alii in spem potentiae. ii dies ac noctes plausibus personare, formam principis vocemque deum vocabulis appellantes; quasi per virtutem clari honoratique agere. [¶15] 16. Nero however, that he might not be known only for his accomplishments as an actor, also affected a taste for poetry, and drew round him persons who had some skill in such compositions, but not yet generally recognised. They used to sit with him, stringing together verses prepared at home, or extemporised on the spot, and fill up his own expressions, such as they were, just as he threw them off. This is mainly shown by the very character of the poems, which have no vigour or inspiration, or unity in their flow. He would also bestow some leisure after his banquets on the teachers of philosophy, for he enjoyed the wrangles of opposing dogmatists. And some there were who liked to exhibit their gloomy faces and looks, as one of the amusements of the court. > Latin: 16. Ne tamen ludicrae tantum imperatoris artes notescerent, carminum quoque studium adfectavit, contractis quibus aliqua pangendi facultas necdum insignis erat. hi cenati considere simul et adlatos vel ibidem repertos versus conectere atque ipsius verba quoquo modo prolata supplere, quod species ipsa carminum docet, non impetu et instinctu nec ore uno fluens. etiam sapientiae doctoribus tempus impertiebat post epulas, utque contraria adseverantium discordia frueretur. nec deerant qui ore vultuque tristi inter oblectamenta regia spectari cuperent. [¶16] 17. About the same time a trifling beginning led to frightful bloodshed between the inhabitants of Nuceria and Pompeii, at a gladiatorial show exhibited by Livineius Regulus, who had been, as I have related, expelled from the Senate. With the unruly spirit of townsfolk, they began with abusive language of each other; then they took up stones and at last weapons, the advantage resting with the populace of Pompeii, where the show was being exhibited. And so there were brought to Rome a number of the people of Nuceria, with their bodies mutilated by wounds, and many lamented the deaths of children or of parents. The emperor entrusted the trial of the case to the Senate, and the Senate to the consuls, and then again the matter being referred back to the Senators, the inhabitants of Pompeii were forbidden to have any such public gathering for ten years, and all associations they had formed in defiance of the laws were dissolved. Livineius and the others who had excited the disturbance, were punished with exile. > Latin: 17. Sub idem tempus levi initio atrox caedes orta inter colonos Nucerinos Pompeianosque gladiatorio spectaculo quod Livineius Regulus, quem motum senatu rettuli, edebat. quippe oppidana lascivia in vicem incessentes probra, dein saxa, postremo ferrum sumpsere, validiore Pompeianorum plebe, apud quos spectaculum edebatur. ergo deportati sunt in urbem multi e Nucerinis trunco per vulnera corpore, ac plerique liberorum aut parentum mortis deflebant. cuius rei iudicium princeps senatui, senatus consulibus permisit. et rursus re ad patres relata, prohibiti publice in decem annos eius modi coetu Pompeiani collegiaque quae contra leges instituerant dissoluta; Livineius et qui alii seditionem conciverant exilio multati sunt. [¶17] 18. Pedius Blæsus was also expelled from the Senate on the accusation of the people of Cyrene, that he had violated the treasury of Æsculapius and had tampered with a military levy by bribery and corruption. This same people prosecuted Acilius Strabo who had held the office of prætor, and had been sent by Claudius to adjudicate on some lands which were bequeathed by king Apion, their former possessor, together with his kingdom to the Roman people, and which had since been seized by the neighbouring proprietors, who trusted to a long continued licence in wrong, as if it constituted right and justice. Consequently, when the adjudication was against them, there arose a bitter feeling towards the judge, but the Senate replied that they knew nothing of the instructions given by Claudius, and that the emperor music be consulted. Nero, though he approved Strabo's decision, wrote word that nevertheless he was for relieving the allies, and that he waived all claim to what had been taken into possession. > Latin: 18. Motus senatu et Pedius Blaesus, accusantibus Cyrenensibus violatum ab eo thesaurum Aesculapii dilectumque militarem pretio et ambitione corruptum. idem Cyrenenses reum agebant Acilium Strabonem, praetoria potestate usum et missum disceptatorem a Claudio agrorum, quos regis Apionis quondam avitos et populo Romano cum regno relictos proximus quisque possessor invaserant, diutinaque licentia et iniuria quasi iure et aequo nitebantur. igitur abiudicatis agris orta adversus iudicem invidia; et senatus ignota sibi esse mandata Claudii et consulendum principem respondit. Nero probata Strabonis sententia se nihilo minus subvenire sociis et usurpata concedere scripsit. [¶18] 19. Then followed the deaths of two illustrious men, Domitius Afer and Marcus Servilius, who had flourished through a career of the highest honours and great eloquence. The first was a pleader; Servilius, after long practice in the courts, distinguished himself by his history of Rome and by the refinement of his life, which the contrast of his character to that of Afer, whom he equalled in genius, rendered the more conspicuous. > Latin: 19. Sequuntur virorum inlustrium mortes, Domitii Afri et M. Servilii, qui summis honoribus et multa eloquentia viguerant, ille orando causas, Servilius diu foro, mox tradendis rebus Romanis celebris et elegantia vitae quam clariorem effecit, ut par ingenio, ita morum diversus. [¶19] 20. In Nero's fourth consulship with Cornelius Cossus for his colleague, a theatrical entertainment to be repeated every five years was established at Rome in imitation of the Greek festival. Like all novelties, it was variously canvassed. There were some who declared that even Cnius Pompeius was censured by the older men of the day for having set up a fixed and permanent theatre. "Formerly," they said, "the games were usually exhibited with hastily erected tiers of benches and a temporary stage, and the people stood to witness them, that they might not, by having the chance of sitting down, spend a succession of entire days in idleness. Let the ancient character of these shows be retained, whenever the prætors exhibited them, and let no citizen be under the necessity of competing. As it was, the morality of their fathers, which had by degrees been forgotten, was utterly subverted by the introduction of a lax tone, so that all which could suffer or produce corruption was to be seen at Rome, and a degeneracy bred by foreign tastes was infecting the youth who devoted themselves to athletic sports, to idle loungings and low intrigues, with the encouragement of the emperor and Senate, who not only granted licence to vice, but even applied a compulsion to drive Roman nobles into disgracing themselves on the stage, under the pretence of being orators and poets. What remained for them but to strip themselves naked, put on the boxing-glove, and practise such battles instead of the arms of legitimate warfare? Would justice be promoted, or would they serve on the knights' commissions for the honourable office of a judge, because they had listened with critical sagacity to effeminate strains of music and sweet voices? Night too was given up to infamy, so that virtue had not a moment left to her, but all the vilest of that promiscuous throng dared to do in the darkness anything they had lusted for in the day." > Latin: 20. Nerone quartum Cornelio Cosso consulibus quinquennale ludicrum Romae institutum est ad morem Graeci certaminis, varia fama, ut cuncta ferme nova. quippe erant qui Gn. quoque Pompeium incusatum a senioribus ferrent quod mansuram theatri sedem posuisset. nam antea subitariis gradibus et scaena in tempus structa ludos edi solitos, vel si vetustiora repetas, stantem populum spectavisse, ne, si consideret theatro, dies totos ignavia continuaret. spectaculorum quidem antiquitas servaretur, quoties praetores ederent, nulla cuiquam civium necessitate certandi. ceterum abolitos paulatim patrios mores funditus everti per accitam lasciviam, ut quod usquam corrumpi et corrumpere queat in urbe visatur, degeneretque studiis externis iuventus, gymnasia et otia et turpis amores exercendo, principe et senatu auctoribus, qui non modo licentiam vitiis permiserint, sed vim adhibeant ⟨ut⟩ proceres Romani specie orationum et carminum scaena polluantur. quid superesse nisi ut corpora quoque nudent et caestus adsumant easque pugnas pro militia et armis meditentur? an iustitiam auctum iri et decurias equitum egregium iudicandi munus expleturos, si fractos sonos et dulcedinem vocum perite audissent? noctes quoque dedecori adiectas ne quod tempus pudori relinquatur, sed coetu promisco, quod perditissimus quisque per diem concupiverit, per tenebras audeat. [¶20] 21. Many people liked this very licence, but they screened it under respectable names. "Our ancestors," they said, "were not averse to the attractions of shows on a scale suited to the wealth of their day, and so they introduced actors from the Etruscans and horse-races from Thurii. When we had possessed ourselves of Achaia and Asia, games were exhibited with greater elaboration, and yet no one at Rome of good family had stooped to the theatrical profession during the 200 years following the triumph of Lucius Mummius, who first displayed this kind of show in the capital. Besides, even economy had been consulted, when a permanent edifice was erected for a theatre, in preference to a structure raised and fitted up yearly at vast expense. Nor would the magistrates, as hitherto, exhaust their substance, or would the populace have the same motive for demanding of them the Greek contests, when once the State undertakes the expenditure. The victories won by orators and poets would furnish a stimulus to genius, and it could not be a burden for any judge to bestow his attention on graceful pursuits or on legitimate recreations. It was to mirth rather than to profligacy that a few nights every five years were devoted, and in these amid such a blaze of illumination no lawless conduct could be concealed." This entertainment, it is true, passed off without any notorious scandal. The enthusiasm too of the populace was not even slightly kindled, for the pantomimic actors, though permitted to return to the stage, were excluded from the sacred contests. No one gained the first prize for eloquence, but it was publicly announced that the emperor was victorious. Greek dresses, in which most people showed themselves during this festival, had then gone out of fashion. > Latin: 21. Pluribus ipsa licentia placebat, ac tamen honesta nomina praetendebant. maiores quoque non abhorruisse spectaculorum oblectamentis pro fortuna quae tum erat, eoque a Tuscis accitos histriones, a Thuriis equorum certamina; et possessa Achaia Asiaque ludos curatius editos, nec quemquam Romae honesto loco ortum ad theatralis artes degeneravisse, ducentis iam annis a L. Mummii triumpho qui primus id genus spectaculi in urbe praebuerit. sed et consultum parsimoniae quod perpetua sedes theatro locata sit potius quam immenso sumptu singulos per annos consurgeret ac destrueretur. nec perinde magistratus rem familiarem exhausturos aut populo efflagitandi Graeca certamina ⟨a⟩ magistratibus causam fore, cum eo sumptu res publica fungatur. oratorum ac vatum victorias incitamentum ingeniis adlaturas; nec cuiquam iudici grave auris studiis honestis et voluptatibus concessis impertire. laetitiae magis quam lasciviae dari paucas totius quinquennii noctes, quibus tanta luce ignium nihil inlicitum occultari queat. sane nullo insigni dehonestamento id spectaculum transiit; ac ne modica quidem studia plebis exarsere, quia redditi quamquam scaenae pantomimi certaminibus sacris prohibebantur. eloquentiae primas nemo tulit, sed victorem esse Caesarem pronuntiatum. Graeci amictus quis per eos dies plerique incesserant tum exoleverunt.