16.11. She lays the blame on the scourgers, and says that it is their fault that she is being weighed down. So the image ever since the sacrifices in the Tauric land keeps its fondness for human blood. They call it not only Orthia, but also Lygodesma (Willow-bound), because it was found in a thicket of willows, and the encircling willow made the image stand upright.
16.11. οὕτω τῷ ἀγάλματι ἀπὸ τῶν ἐν τῇ Ταυρικῇ θυσιῶν ἐμμεμένηκεν ἀνθρώπων αἵματι ἥδεσθαι· καλοῦσι δὲ οὐκ Ὀρθίαν μόνον ἀλλὰ καὶ Λυγοδέσμαν τὴν αὐτήν, ὅτι ἐν θάμνῳ λύγων εὑρέθη, περιειληθεῖσα δὲ ἡ λύγος ἐποίησε τὸ ἄγαλμα ὀρθόν.
17.1. Not far from the Orthia is a sanctuary of Eileithyia. They say that they built it, and came to worship Eileithyia as a goddess, because of an oracle from Delphi. The Lacedaemonians have no citadel rising to a conspicuous height like the Cadmea at Thebes and the Larisa at Argos. There are, however, hills in the city, and the highest of them they call the citadel.
17.1. οὐ πόρρω δὲ τῆς Ὀρθίας ἐστὶν Εἰλειθυίας ἱερόν· οἰκοδομῆσαι δέ φασιν αὐτὸ καὶ Εἰλείθυιαν νομίσαι θεὸν γενομένου σφίσιν ἐκ Δελφῶν μαντεύματος. Λακεδαιμονίοις δὲ [ἡ] ἀκρόπολις μὲν ἐς ὕψος περιφανὲς ἐξίσχουσα οὐκ ἔστι, καθὰ δὴ Θηβαίοις τε ἡ Καδμεία καὶ ἡ Λάρισα Ἀργείοις· ὄντων δὲ ἐν τῇ πόλει λόφων καὶ ἄλλων, τὸ μάλιστα ἐς μετέωρον ἀνῆκον ὀνομάζουσιν ἀκρόπολιν.
17.2. Here is built a sanctuary of Athena, who is called both City-protecting and Lady of the Bronze House. The building of the sanctuary was begun, they say, by Tyndareus. On his death his children were desirous of making a second attempt to complete the building, and the resources they intended to use were the spoils of Aphidna. They too left it unfinished, and it was many years afterwards that the Lacedaemonians made of bronze both the temple and the image of Athena. The builder was Gitiadas, a native of Sparta, who also composed Dorian lyrics, including a hymn to the goddess.
17.2. ἐνταῦθα Ἀθηνᾶς ἱερὸν πεποίηται Πολιούχου καλουμένης καὶ Χαλκιοίκου τῆς αὐτῆς. τοῦ δὲ ἱεροῦ τῆς κατασκευῆς Τυνδάρεως καθὰ λέγουσιν ἤρξατο· ἀποθανόντος δὲ ἐκείνου δεύτερα οἱ παῖδες ἐξεργάσασθαι τὸ οἰκοδόμημα ἤθελον, ἀφορμὴ δέ σφισιν ἔμελλε τὰ ἐξ Ἀφιδναίων ἔσεσθαι λάφυρα. προαπολιπόντων δὲ καὶ τούτων, Λακεδαιμόνιοι πολλοῖς ἔτεσιν ὕστερον τόν τε ναὸν ὁμοίως καὶ ⟨τὸ⟩ ἄγαλμα ἐποιήσαντο Ἀθηνᾶς χαλκοῦν· Γιτιάδας δὲ εἰργάσατο ἀνὴρ ἐπιχώριος. ἐποίησε δὲ καὶ ᾄσματα Δώρια ὁ Γιτιάδας ἄλλα τε καὶ ὕμνον ἐς τὴν θεόν.
17.3. On the bronze are wrought in relief many of the labours of Heracles and many of the voluntary exploits he successfully carried out, besides the rape of the daughters of Leucippus and other achievements of the sons of Tyndareus. There is also Hephaestus releasing his mother from the fetters. The legend about this I have already related in my history of Attica. There are also represented nymphs bestowing upon Perseus, who is starting on his enterprise against Medusa in Libya, a cap and the shoes by which he was to be carried through the air. There are also wrought the birth of Athena, Amphitrite, and Poseidon, the largest figures, and those which I thought the best worth seeing.
17.3. ἐπείργασται δὲ τῷ χαλκῷ πολλὰ μὲν τῶν ἄθλων Ἡρακλέους, πολλὰ δὲ καὶ ὧν ἐθελοντὴς κατώρθωσε, Τυνδάρεω δὲ τῶν παίδων ἄλλα τε καὶ ἡ τῶν Λευκίππου θυγατέρων ἁρπαγή· καὶ Ἥφαιστος τὴν μητέρα ἐστὶν ἀπολύων τῶν δεσμῶν. ἐδήλωσα δὲ καὶ ταῦτα, ὁποῖα λέγεται, πρότερον ἔτι ἐν τῇ Ἀτθίδι συγγραφῇ. Περσεῖ δʼ ἐς Λιβύην καὶ ἐπὶ Μέδουσαν ὡρμημένῳ διδοῦσαι νύμφαι δῶρά εἰσι κυνῆν καὶ τὰ ὑποδήματα, ὑφʼ ὧν οἰσθήσεσθαι διὰ τοῦ ἀέρος ἔμελλεν. ἐπείργασται δὲ καὶ τὰ ἐς τὴν Ἀθηνᾶς γένεσιν καὶ Ἀμφιτρίτη καὶ Ποσειδῶν, ἃ δὴ μέγιστα καὶ μάλιστα ἦν ἐμοὶ δοκεῖν θέας ἄξια.
17.4. There is here another sanctuary of Athena; her surname is the Worker. As you go to the south portico there is a temple of Zeus surnamed Cosmetas (Orderer), and before it is the tomb of Tyndareus. The west portico has two eagles, and upon them are two Victories. Lysander dedicated them to commemorate both his exploits; the one was off Ephesus, when he conquered Antiochus, the captain of Alcibiades, and the Athenian warships and the second occurred later, when he destroyed the Athenian fleet at Aegospotami.
17.4. ἔστι δὲ καὶ ἕτερον αὐτόθι Ἀθηνᾶς Ἐργάνης ἱερόν. ἐς δὲ τὴν πρὸς μεσημβρίαν ⟨ἰόντι⟩ στοὰν Κοσμητᾶ τε ἐπίκλησιν Διὸς ναὸς καὶ Τυνδάρεω πρὸ αὐτοῦ μνῆμά ἐστιν· ἡ δὲ πρὸς δυσμὰς ἔχει τῶν στοῶν ἀετούς τε δύο τοὺς ὄρνιθας καὶ ἴσας ἐπʼ αὐτοῖς Νίκας, Λυσάνδρου μὲν ἀνάθημα, τῶν δὲ ἔργων ὑπόμνημα [τῶν] ἀμφοτέρων, τοῦ τε περὶ Ἔφεσον, ὅτε Ἀντίοχον τὸν Ἀλκιβιάδου κυβερνήτην καὶ Ἀθηναίων τριήρεις ἐνίκησε, καὶ ὕστερον ἐν Αἰγὸς ποταμοῖς καθεῖλεν Ἀθηναίων τὸ ναυτικόν.
17.5. On the left of the Lady of the Bronze House they have set up a sanctuary of the Muses, because the Lacedaemonians used to go out to fight, not to the sound of the trumpet, but to the music of the flute and the accompaniment of lyre and harp. Behind the Lady of the Bronze House is a temple of Aphrodite Areia (Warlike). The wooden images are as old as any in Greece.
17.5. ἐν ἀριστερᾷ δὲ τῆς Χαλκιοίκου Μουσῶν ἱδρύσαντο ἱερόν, ὅτι οἱ Λακεδαιμόνιοι τὰς ἐξόδους ἐπὶ τὰς μάχας οὐ μετὰ σαλπίγγων ἐποιοῦντο ἀλλὰ πρός τε αὐλῶν μέλη καὶ ὑπὸ λύρας καὶ κιθάρας κρούσμασιν. ὄπισθεν δὲ τῆς Χαλκιοίκου ναός ἐστιν Ἀφροδίτης Ἀρείας· τὰ δὲ ξόανα ἀρχαῖα εἴπερ τι ἄλλο ἐν Ἕλλησιν.
17.6. On the right of the Lady of the Bronze House has been set up an image of Zeus Most High, the oldest image that is made of bronze. It is not wrought in one piece. Each of the limbs has been hammered separately; these are fitted together, being prevented from coming apart by nails. They say that the artist was Clearchus of Rhegium, who is said by some to have been a pupil of Dipoenus and Scyllis, by others of Daedalus himself. By what is called the Scenoma (Tent) there is a statue of a woman, whom the Lacedaemonians say is Euryleonis. She won a victory at Olympia with a two-horse chariot.
17.6. τῆς Χαλκιοίκου δὲ ἐν δεξιᾷ Διὸς ἄγαλμα Ὑπάτου πεποίηται, παλαιότατον πάντων ὁπόσα ἐστὶ χαλκοῦ· διʼ ὅλου γὰρ οὐκ ἔστιν εἰργασμένον, ἐληλασμένου δὲ ἰδίᾳ τῶν μερῶν καθʼ αὑτὸ ἑκάστου συνήρμοσταί τε πρὸς ἄλληλα καὶ ἧλοι συνέχουσιν αὐτὰ μὴ διαλυθῆναι. [καὶ] Κλέαρχον δὲ ἄνδρα Ῥηγῖνον τὸ ἄγαλμα ποιῆσαι λέγουσιν, ὃν Διποίνου καὶ Σκύλλιδος, οἱ δὲ αὐτοῦ Δαιδάλου φασὶν εἶναι μαθητήν. πρὸς δὲ τῷ Σκηνώματι ὀνομαζομένῳ γυναικός ἐστιν εἰκών, Λακεδαιμόνιοι δὲ Εὐρυλεωνίδα λέγουσιν εἶναι· νίκην δὲ ἵππων συνωρίδι ἀνείλετο Ὀλυμπικήν.
17.7. By the side of the altar of the Lady of the Bronze House stand two statues of Pausanias, the general at Plataea. His history, as it is known, I will not relate. The accurate accounts of my predecessors suffice; I shall content myself with adding to them what I heard from a man of Byzantium. Pausanias was detected in his treachery, and was the only suppliant of the Lady of the Bronze House who failed to win security, solely because he had been unable to wipe away a defilement of bloodshed.
17.7. παρὰ δὲ τῆς Χαλκιοίκου τὸν βωμὸν ἑστήκασι δύο εἰκόνες Παυσανίου τοῦ περὶ Πλάταιαν ἡγησαμένου. τὰ δὲ ἐς αὐτὸν ὁποῖα ἐγένετο εἰδόσιν οὐ διηγήσομαι· τὰ γὰρ τοῖς πρότερον συγγραφέντα ἐπʼ ἀκριβὲς ἀποχρῶντα ἦν· ἐπεξελθεῖν ⟨δέ⟩ σφισιν ἀρκέσομαι. ἤκουσα δὲ ἀνδρὸς Βυζαντίου Παυσανίαν φωραθῆναί τε ἐφʼ οἷς ἐβουλεύετο καὶ μόνον τῶν ἱκετευσάντων τὴν Χαλκίοικον ἁμαρτεῖν ἀδείας κατʼ ἄλλο μὲν οὐδέν, φόνου δὲ ἄγος ἐκνίψασθαι μὴ δυνηθέντα.
17.8. When he was cruising about the Hellespont with the Lacedaemonian and allied fleets, he fell in love with a Byzantine maiden. And straightway at the beginning of night Cleonice —that was the girl's name—was brought by those who had been ordered to do so. But Pausanias was asleep at the time and the noise awoke him. For as she came to him she unintentionally dropped her lighted lamp. And Pausanias, conscious of his treason to Greece, and therefore always nervous and fearful, jumped up then and struck the girl with his sword.
17.8. ὡς γὰρ δὴ διέτριβε περὶ Ἑλλήσποντον ναυσὶ τῶν τε ἄλλων Ἑλλήνων καὶ αὐτῶν Λακεδαιμονίων, παρθένου Βυζαντίας ἐπεθύμησε· καὶ αὐτίκα νυκτὸς ἀρχομένης τὴν Κλεονίκην—τοῦτο γὰρ ὄνομα ἦν τῇ κόρῃ—κομίζουσιν οἷς ἐπετέτακτο. ἐν τούτῳ δὲ ὑπνωμένον τὸν Παυσανίαν ἐπήγειρεν ὁ ψόφος· ἰοῦσα γὰρ παρʼ αὐτὸν τὸν καιόμενον λύχνον κατέβαλεν ἄκουσα. ἅτε δὲ ὁ Παυσανίας συνειδὼς αὑτῷ προδιδόντι τὴν Ἑλλάδα καὶ διʼ αὐτὸ ἐχόμενος ταραχῇ τε ἀεὶ καὶ δείματι, ἐξέστη καὶ τότε καὶ τὴν παῖδα τῷ ἀκινάκῃ παίει.
17.9. From this defilement Pausanias could not escape, although he underwent all sorts of purifications and became a suppliant of Zeus Phyxius (God of Flight), and finally went to the wizards at Phigalia in Arcadia but he paid a fitting penalty to Cleonice and to the god. The Lacedaemonians, in fulfillment of a command from Delphi, had the bronze images made and honor the spirit Bountiful, saying that it was this Bountiful that turns aside the wrath that the God of Suppliants shows because of Pausanias.
17.9. τοῦτο τὸ ἄγος οὐκ ἐξεγένετο ἀποφυγεῖν Παυσανίᾳ, καθάρσια παντοῖα καὶ ἱκεσίας δεξαμένῳ Διὸς Φυξίου καὶ δὴ ἐς Φιγαλίαν ἐλθόντι τὴν Ἀρκάδων παρὰ τοὺς ψυχαγωγούς· δίκην δὲ ἣν εἰκὸς ἦν Κλεονίκῃ τε ἀπέδωκε καὶ τῷ θεῷ. Λακεδαιμόνιοι δὲ ἐκτελοῦντες πρόσταγμα ἐκ Δελφῶν τάς τε εἰκόνας ἐποιήσαντο τὰς χαλκᾶς καὶ δαίμονα τιμῶσιν Ἐπιδώτην, τὸ ἐπὶ Παυσανίᾳ τοῦ Ἱκεσίου μήνιμα ἀποτρέπειν τὸν Ἐπιδώτην λέγοντες τοῦτον.
18.1. Near the statues of Pausanias is an image of Aphrodite Ambologera (Postponer of Old Age), which was set up in accordance with an oracle; there are also images of Sleep and of Death. They think them brothers, in accordance with the verses in the Iliad.
18.1. τῶν δὲ ἀνδριάντων τοῦ Παυσανίου πλησίον ἐστὶν Ἀμβολογήρας Ἀφροδίτης ἄγαλμα ἱδρυμένον κατὰ μαντείαν, ἄλλα δὲ Ὕπνου καὶ Θανάτου· καὶ σφᾶς ἀδελφοὺς εἶναι κατὰ τὰ ἔπη τὰ ἐν Ἰλιάδι ἥγηνται.
18.2. As you go towards what is called the Alpium is a temple of Athena Ophthalmitis (Goddess of the Eye). They say that Lycurgus dedicated it when one of his eyes had been struck out by Alcander, because the laws he had made happened not to find favour with Alcander. Having fled to this place he was saved by the Lacedaemonians from losing his remaining eye, and so he made this temple of Athena Ophthalmitis.
18.2. ἰόντι δὲ ὡς ἐπὶ τὸ Ἀλπίον καλούμενον ναός ἐστιν Ἀθηνᾶς Ὀφθαλμίτιδος· ἀναθεῖναι δὲ Λυκοῦργον λέγουσιν ἐκκοπέντα τῶν ὀφθαλμῶν τὸν ἕτερον ὑπὸ Ἀλκάνδρου, διότι οὓς ἔθηκε νόμους οὐκ ἀρεστοὺς συνέβαινεν εἶναι τῷ Ἀλκάνδρῳ. διαφυγὼν δὲ ἐς τοῦτο τὸ χωρίον Λακεδαιμονίων ἀμυνάντων μὴ προσαπολέσθαι οἱ καὶ τὸν λειπόμενον ὀφθαλμόν, οὕτω ναὸν Ὀφθαλμίτιδος Ἀθηνᾶς ἐποίησε.
18.3. Farther on from here is a sanctuary of Ammon. From the first the Lacedaemonians are known to have used the oracle in Libya more than any other Greeks. It is said also that when Lysander was besieging Aphytis in Pallene Ammon appeared by night and declared that it would be better for him and for Lacedaemon if they ceased from warring against Aphytis. And so Lysander raised the siege, and induced the Lacedaemonians to worship the god still more. The people of Aphytis honor Ammon no less than the Ammonian Libyans.
18.3. προελθόντι δὲ ἐντεῦθεν ἱερόν ἐστιν Ἄμμωνος· φαίνονται δὲ ἀπʼ ἀρχῆς Λακεδαιμόνιοι μάλιστα Ἑλλήνων χρώμενοι τῷ ἐν Λιβύῃ μαντείῳ. λέγεται δὲ καὶ Λυσάνδρῳ πολιορκοῦντι Ἄφυτιν τὴν ἐν τῇ Παλλήνῃ νύκτωρ ἐπιφανέντα Ἄμμωνα προαγορεύειν ὡς ἄμεινον ἐκείνῳ τε ἔσοιτο καὶ τῇ Λακεδαίμονι πολέμου πρὸς Ἀφυταίους παυσαμένοις· καὶ οὕτω τὴν πολιορκίαν διέλυσεν ὁ Λύσανδρος καὶ Λακεδαιμονίους τὸν θεὸν σέβειν προήγαγεν ἐς πλέον, Ἀφυταῖοι δὲ τιμῶσιν Ἄμμωνα οὐδὲν ἧσσον ἢ οἱ Ἀμμώνιοι Λιβύων.
18.4. The story of Artemis Cnagia is as follows. Cnageus, they say, was a native who joined the Dioscuri in their expedition against Aphidna. Being taken prisoner in the battle and sold into Crete, he lived as a slave where the Cretans had a sanctuary of Artemis; but in course of time he ran away in the company of the maiden priestess, who took the image with her. It is for this reason that they name Artemis Cnagia.
18.4. τὰ δὲ ἐς τὴν Κναγίαν Ἄρτεμίν ἐστιν οὕτω λεγόμενα· Κναγέα ἄνδρα ἐπιχώριον στρατεῦσαί φασιν ἐς Ἄφιδναν ὁμοῦ τοῖς Διοσκούροις, ληφθέντα δὲ αἰχμάλωτον ἐν τῇ μάχῃ καὶ πραθέντα ἐς Κρήτην δουλεύειν ἔνθα ἦν Ἀρτέμιδος τοῖς Κρησὶν ἱερόν, ἀνὰ χρόνον δὲ αὐτόν τε ἀποδρᾶναι καὶ παρθένον τὴν ἱερωμένην ἔχοντα οἴχεσθαι τὸ ἄγαλμα ἀγομένην. ἐπὶ τούτῳ δὲ λέγουσιν ὀνομάζειν Κναγίαν Ἄρτεμιν·
18.5. But I am of opinion that Cnageus came to Crete in some other way, and not in the manner the Lacedaemonians state; for I do not think there was a battle at Aphidna at all, Theseus being detained among the Thesprotians and the Athenians not being unanimous, their sympathies inclining towards Menestheus. Moreover, even if a fight occurred, nobody would believe that prisoners were taken from the conquerors, especially as the victory was overwhelming, so that Aphidna itself was captured.
18.5. ἐμοὶ δὲ οὗτος ὁ Κναγεὺς ἄλλως ἀφικέσθαι πως ἐς Κρήτην φαίνεται καὶ οὐχ ὡς οἱ Λακεδαιμόνιοί φασιν, ἐπεὶ μηδὲ γενέσθαι δοκῶ πρὸς Ἀφίδνῃ μάχην Θησέως τε ἐν Θεσπρώτοις ἐχομένου καὶ Ἀθηναίων οὐχ ὁμονοούντων ἀλλὰ ἐς Μενεσθέα ῥεπόντων μᾶλλον ταῖς εὐνοίαις. οὐ μὴν οὐδὲ ἀγῶνος συμβάντος πείθοιτο ἄν τις αἰχμαλώτους ληφθῆναι παρὰ τῶν κρατησάντων, ἄλλως τε καὶ παρὰ πολὺ γενομένης τῆς νίκης, ὥστε ἁλῶναι καὶ αὐτὴν Ἄφιδναν.
18.6. I must now end my criticisms. As you go down to Amyclae from Sparta you come to a river called Tiasa. They hold that Tiasa was a daughter of Eurotas, and by it is a sanctuary of Graces, Phaenna and Cleta, as Alcman calls them in a poem. They believe that Lacedaemon founded the sanctuary for the Graces here, and gave them their names.
18.6. τάδε μὲν ἐς τοσοῦτον ἐξητάσθω· ἐς Ἀμύκλας δὲ κατιοῦσιν ἐκ Σπάρτης ποταμός ἐστι Τίασα· θυγατέρα δὲ νομίζουσιν εἶναι τοῦ Εὐρώτα τὴν Τίασαν, καὶ πρὸς αὐτῇ Χαρίτων ἐστὶν ἱερὸν Φαέννας καὶ Κλητᾶς, καθὰ δὴ καὶ Ἀλκμὰν ἐποίησεν. ἱδρύσασθαι δὲ Λακεδαίμονα Χάρισιν ἐνταῦθα ⟨τὸ⟩ ἱερὸν καὶ θέσθαι τὰ ὀνόματα ἥγηνται.
18.7. The things worth seeing in Amyclae include a victor in the pentathlon, named Aenetus, on a slab. The story is that he won a victory at Olympia, but died while the crown was being placed on his head. So there is the statue of this man; there are also bronze tripods. The older ones are said to be a tithe of the Messenian war.
18.7. τὰ δὲ ἐν Ἀμύκλαις θέας ἄξια ἀνὴρ [γὰρ] πένταθλός ἐστιν ἐπὶ στήλης ὄνομα Αἴνητος· τούτῳ νικήσαντι Ὀλυμπίασι καὶ ἔτι στεφανουμένῳ γενέσθαι τοῦ βίου τὴν τελευτὴν λέγουσι. τούτου τε οὖν ἐστιν εἰκὼν καὶ τρίποδες χαλκοῖ· τοὺς δὲ ἀρχαιοτέρους δεκάτην τοῦ πρὸς Μεσσηνίους πολέμου φασὶν εἶναι.
18.8. Under the first tripod stood an image of Aphrodite, and under the second an Artemis. The two tripods themselves and the reliefs are the work of Gitiadas. The third was made by Gallon of Aegina, and under it stands an image of the Maid, daughter of Demeter. Aristander of Paros and Polycleitus of Argos have statues here; the former a woman with a lyre, supposed to be Sparta, the latter an Aphrodite called “beside the Amyclaean.” These tripods are larger than the others, and were dedicated from the spoils of the victory at Aegospotami.
18.8. ὑπὸ μὲν δὴ τῷ πρώτῳ τρίποδι Ἀφροδίτης ἄγαλμα ἑστήκει, Ἄρτεμις δὲ ὑπὸ τῷ δευτέρῳ, Γιτιάδα καὶ αὐτοὶ τέχνη καὶ τὰ ἐπειργασμένα, ὁ τρίτος δέ ἐστιν Αἰγινήτου Κάλλωνος· ὑπὸ τούτῳ δὲ ἄγαλμα Κόρης τῆς Δήμητρος ἕστηκεν. Ἀρίστανδρος δὲ Πάριος καὶ Πολύκλειτος Ἀργεῖος ὁ μὲν γυναῖκα ἐποίησεν ἔχουσαν λύραν, Σπάρτην δῆθεν, Πολύκλειτος δὲ Ἀφροδίτην παρὰ Ἀμυκλαίῳ καλουμένην. οὗτοι δὲ οἱ τρίποδες μεγέθει τε ὑπὲρ τοὺς ἄλλους εἰσὶ καὶ ἀπὸ τῆς νίκης τῆς ἐν Αἰγὸς ποταμοῖς ἀνετέθησαν.
18.9. Bathycles of Magnesia, who made the throne of the Amyclaean, dedicated, on the completion of the throne, Graces and an image of Artemis Leucophryene. Whose pupil this Bathycles was, and who was king of Lacedaemon when he made the throne, I pass over; but I saw the throne and will describe its details.
18.9. Βαθυκλέους δὲ Μάγνητος, ὃς τὸν θρόνον ἐποίησε τοῦ Ἀμυκλαίου, ἀναθήματα ἐπʼ ἐξειργασμένῳ τῷ θρόνῳ Χάριτες καὶ ἄγαλμα δὲ Λευκοφρυήνης ἐστὶν Ἀρτέμιδος. ὅτου δὲ οὗτος ὁ Βαθυκλῆς μαθητὴς ἐγεγόνει καὶ τὸν θρόνον ἐφʼ ὅτου βασιλεύοντος Λακεδαιμονίων ἐποίησε, τάδε μὲν παρίημι, τὸν θρόνον δὲ εἶδόν τε καὶ τὰ ἐς αὐτὸν ὁποῖα ἦν γράψω.
18.10. It is supported in front, and similarly behind, by two Graces and two Seasons. On the left stand Echidna and Typhos, on the right Tritons. To describe the reliefs one by one in detail would have merely bored my readers; but to be brief and concise (for the greater number of them are not unknown either) Poseidon and Zeus are carrying Taygete, daughter of Atlas, and her sister Alcyone. There are also reliefs of Atlas, the single combat of Heracles and Cycnus, and the battle of the Centaurs at the cave of Pholus.
18.10. ἀνέχουσιν ἔμπροσθεν αὐτόν, κατὰ ταὐτὰ δὲ καὶ ὀπίσω, Χάριτές τε δύο καὶ Ὧραι δύο· ἐν ἀριστερᾷ δὲ Ἔχιδνα ἕστηκε καὶ Τυφώς, ἐν δεξιᾷ δὲ Τρίτωνες. τὰ δὲ ἐπειργασμένα καθʼ ἕκαστον ἐπʼ ἀκριβὲς διελθεῖν ὄχλον τοῖς ἐπιλεξομένοις παρέξειν ἔμελλεν· ὡς δὲ δηλῶσαι συλλαβόντι, ἐπεὶ μηδὲ ἄγνωστα τὰ πολλὰ ἦν, Ταϋγέτην θυγατέρα Ἄτλαντος καὶ ἀδελφὴν αὐτῆς Ἀλκυόνην φέρουσι Ποσειδῶν καὶ Ζεύς. ἐπείργασται δὲ καὶ Ἄτλας καὶ Ἡρακλέους μονομαχία πρὸς Κύκνον καὶ ἡ παρὰ Φόλῳ τῶν Κενταύρων μάχη.
18.11. I cannot say why Bathycles has represented the so-called Bull of Minos bound, and being led along alive by Theseus. There is also on the throne a band of Phaeacian dancers, and Demodocus singing. Perseus, too, is represented killing Medusa. Passing over the fight of Heracles with the giant Thurius and that of Tyndareus with Eurytus, we have next the rape of the daughters of Leucippus. Here are Dionysus, too, and Heracles; Hermes is bearing the infant Dionysus to heaven, and Athena is taking Heracles to dwell henceforth with the gods.
18.11. τὸν δὲ Μίνω καλούμενον Ταῦρον οὐκ οἶδα ἀνθʼ ὅτου πεποίηκε Βαθυκλῆς δεδεμένον τε καὶ ἀγόμενον ὑπὸ Θησέως ζῶντα· καὶ Φαιάκων χορός ἐστιν ἐπὶ τῷ θρόνῳ καὶ ᾄδων ὁ Δημόδοκος· Περσέως τε τὸ ἔργον πεποίηται τὸ ἐς Μέδουσαν. παρέντι δὲ Ἡρακλέους μάχην πρὸς Θούριον τῶν γιγάντων καὶ Τυνδάρεω πρὸς Εὔρυτον, ἔστιν ἁρπαγὴ τῶν Λευκίππου θυγατέρων· Διόνυσον δὲ καὶ Ἡρακλέα, τὸν μὲν παῖδα ἔτι ὄντα ἐς οὐρανόν ἐστιν Ἑρμῆς φέρων, Ἀθηνᾶ δὲ ἄγουσα Ἡρακλέα συνοικήσοντα ἀπὸ τούτου θεοῖς.
18.12. There is Peleus handing over Achilles to be reared by Cheiron, who is also said to have been his teacher. There is Cephalus, too, carried off by Day because of his beauty. The gods are bringing gifts to the marriage of Harmonia. There is wrought also the single combat of Achilles and Memnon, and Heracles avenging himself upon Diomedes the Thracian, and upon Nessus at the river Euenus. Hermes is bringing the goddesses to Alexander to be judged. Adrastus and Tydeus are staying the fight between Amphiaraus and Lycurgus the son of Pronax.
18.12. παραδίδωσι δὲ καὶ Πηλεὺς Ἀχιλλέα τραφησόμενον παρὰ Χίρωνι, ὃς καὶ διδάξαι λέγεται· Κέφαλος δὲ τοῦ κάλλους ἕνεκα ὑπὸ Ἡμέρας ἐστὶν ἡρπασμένος, καὶ ἐς τὸν γάμον τὸν Ἁρμονίας δῶρα κομίζουσιν οἱ θεοί. καὶ Ἀχιλλέως μονομαχία πρὸς Μέμνονα ἐπείργασται, Διομήδην τε Ἡρακλῆς τὸν Θρᾷκα καὶ ἐπʼ Εὐήνῳ τῷ ποταμῷ Νέσσον τιμωρούμενος. Ἑρμῆς δὲ παρʼ Ἀλέξανδρον κριθησομένας ἄγει τὰς θεάς, Ἄδραστος δὲ καὶ Τυδεὺς Ἀμφιάραον καὶ Λυκοῦργον τὸν Πρώνακτος μάχης καταπαύουσιν.
18.13. Hera is gazing at Io, the daughter of Inachus, who is already a cow, and Athena is running away from Hephaestus, who chases her. Next to these have been wrought two of the exploits of Heracles—his slaying the hydra, and his bringing up the Hound of Hell. Anaxias and Mnasinous are each seated on horseback, but there is one horse only carrying Megapenthes, the son of Menelaus, and Nicostratus. Bellerophontes is destroying the beast in Lycia, and Heracles is driving off the cows of Geryones.
18.13. Ἥρα δὲ ἀφορᾷ πρὸς Ἰὼ τὴν Ἰνάχου βοῦν οὖσαν ἤδη, καὶ Ἀθηνᾶ διώκοντα ἀποφεύγουσά ἐστιν Ἥφαιστον. ἐπὶ δὲ τούτοις Ἡρακλέους πεποίηται [τάξις] τῶν ἔργων [τῶν] ⟨τὸ⟩ ἐς τὴν ὕδραν καὶ ὡς ἀνήγαγε τοῦ Ἅιδου τὸν κύνα. Ἀναξίας δὲ καὶ Μνασίνους, τούτων μὲν ἐφʼ ἵππου καθήμενός ἐστιν ἑκάτερος, Μεγαπένθην δὲ τὸν Μενελάου καὶ Νικόστρατον ἵππος εἷς φέρων ἐστίν. ἀναιρεῖ δὲ καὶ Βελλεροφόντης τὸ ἐν Λυκίᾳ θηρίον, καὶ Ἡρακλῆς τὰς Γηρυόνου βοῦς ἐλαύνει.
18.14. At the upper edge of the throne are wrought, one on each side, the sons of Tyndareus on horses. There are sphinxes under the horses, and beasts running upwards, on the one side a leopard, by Polydeuces a lioness. On the very top of the throne has been wrought a band of dancers, the Magnesians who helped Bathycles to make the throne.
18.14. τοῦ θρόνου δὲ πρὸς τοῖς ἄνω πέρασιν ἐφʼ ἵππων ἑκατέρωθέν εἰσιν οἱ Τυνδάρεω παῖδες· καὶ σφίγγες τέ εἰσιν ὑπὸ τοῖς ἵπποις καὶ θηρία ἄνω θέοντα, τῇ μὲν πάρδαλις, κατὰ δὲ τὸν Πολυδεύκην λέαινα. ἀνωτάτω δὲ χορὸς ἐπὶ τῷ θρόνῳ πεποίηται, Μάγνητες οἱ συνειργασμένοι Βαθυκλεῖ τὸν θρόνον.
18.15. Underneath the throne, the inner part away from the Tritons contains the hunting of the Calydonian boar and Heracles killing the children of Actor. Calais and Zetes are driving the Harpies away from Phineus. Peirithous and Theseus have seized Helen, and Heracles is strangling the lion. Apollo and Artemis are shooting Tityus.
18.15. ὑπελθόντι δὲ ὑπὸ τὸν θρόνον τὰ ἔνδον ἀπὸ τῶν Τριτώνων ὑός ἐστι θήρα τοῦ Καλυδωνίου καὶ Ἡρακλῆς ἀποκτείνων τοὺς παῖδας τοὺς Ἄκτορος, Κάλαϊς δὲ καὶ Ζήτης τὰς Ἁρπυίας Φινέως ἀπελαύνουσιν· Πειρίθους τε καὶ Θησεὺς ἡρπακότες εἰσὶν Ἑλένην καὶ ἄγχων Ἡρακλῆς τὸν λέοντα, Τιτυὸν δὲ Ἀπόλλων τοξεύει καὶ Ἄρτεμις·
18.16. There is represented the fight between Heracles and Oreius the Centaur, and also that between Theseus and the Bull of Minos. There are also represented the wrestling of Heracles with Achelous, the fabled binding of Hera by Hephaestus, the games Acastus held in honor of his father, and the story of Menelaus and the Egyptian Proteus from the Odyssey. Lastly there is Admetus yoking a boar and a lion to his chariot, and the Trojans are bringing libations to Hector.
18.16. Ἡρακλέους τε πρὸς Ὄρειον Κένταυρον μάχη πεποίηται καὶ Θησέως πρὸς Ταῦρον τὸν Μίνω. πεποίηται δὲ καὶ ἡ πρὸς Ἀχελῷον Ἡρακλέους πάλη καὶ τὰ λεγόμενα ἐς Ἥραν, ὡς ὑπὸ Ἡφαίστου δεθείη, καὶ ὃν Ἄκαστος ἔθηκεν ἀγῶνα ἐπὶ πατρὶ καὶ τὰ ἐς Μενέλαον καὶ τὸν Αἰγύπτιον Πρωτέα ἐν Ὀδυσσείᾳ. τελευταῖα Ἄδμητός τε ζευγνύων ἐστὶν ὑπὸ τὸ ἅρμα κάπρον καὶ λέοντα καὶ οἱ Τρῶες ἐπιφέροντες χοὰς Ἕκτορι.
19.1. The part of the throne where the god would sit is not continuous; there are several seats, and by the side of each seat is left a wide empty space, the middle, whereon the image stands, being the widest of them.
19.1. τοῦ θρόνου δὲ ᾗ καθίζοιτο ἂν ὁ θεός, οὐ διὰ παντὸς κατὰ τοῦτο συνεχοῦς ὄντος ἀλλὰ καθέδρας παρεχομένου πλείονας, παρὰ δὲ καθέδραν ἑκάστην ὑπολειπομένης καὶ εὐρυχωρίας, τὸ μέσον ἐστὶν εὐρυχωρὲς μάλιστα καὶ τὸ ἄγαλμα ἐνταῦθα ἐνέστηκε.
19.2. I know of nobody who has measured the height of the image, but at a guess one would estimate it to be as much as thirty cubits. It is not the work of Bathycles, being old and uncouth; for though it has face, feet, and hands, the rest resembles a bronze pillar. On its head it has a helmet, in its hands a spear and a bow.
19.2. μέγεθος δὲ αὐτοῦ μέτρῳ μὲν οὐδένα ἀνευρόντα οἶδα, εἰκάζοντι δὲ καὶ τριάκοντα εἶναι φαίνοιντο ἂν πήχεις. ἔργον δὲ οὐ Βαθυκλέους ἐστίν, ἀλλὰ ἀρχαῖον καὶ οὐ σὺν τέχνῃ πεποιημένον· ὅτι γὰρ μὴ πρόσωπον αὐτῷ καὶ πόδες εἰσὶν ἄκροι καὶ χεῖρες, τὸ λοιπὸν χαλκῷ κίονί ἐστιν εἰκασμένον. ἔχει δὲ ἐπὶ τῇ κεφαλῇ κράνος, λόγχην δὲ ἐν ταῖς χερσὶ καὶ τόξον.
19.3. The pedestal of the statue is fashioned into the shape of an altar and they say that Hyacinthus is buried in it, and at the Hyacinthia, before the sacrifice to Apollo, they devote offerings to Hyacinthus as to a hero into this altar through a bronze door, which is on the left of the altar. On the altar are wrought in relief, here an image of Biris, there Amphitrite and Poseidon. Zeus and Hermes are conversing; near stand Dionysus and Semele, with Ino by her side.
19.3. τοῦ δὲ ἀγάλματος τὸ βάθρον παρέχεται μὲν βωμοῦ σχῆμα, τεθάφθαι δὲ τὸν Ὑάκινθον λέγουσιν ἐν αὐτῷ, καὶ Ὑακινθίοις πρὸ τῆς τοῦ Ἀπόλλωνος θυσίας ἐς τοῦτον Ὑακίνθῳ τὸν βωμὸν διὰ θύρας χαλκῆς ἐναγίζουσιν· ἐν ἀριστερᾷ δέ ἐστιν ἡ θύρα τοῦ βωμοῦ. ἐπείργασται δὲ τῷ βωμῷ τοῦτο μὲν ἄγαλμα Βίριδος, τοῦτο δὲ Ἀμφιτρίτης καὶ Ποσειδῶνος· Διὸς δὲ καὶ Ἑρμοῦ διαλεγομένων ἀλλήλοις πλησίον Διόνυσος ἑστήκασι καὶ Σεμέλη, παρὰ δὲ αὐτὴν Ἰνώ.
19.4. On the altar are also Demeter, the Maid, Pluto, next to them Fates and Seasons, and with them Aphrodite, Athena and Artemis. They are carrying to heaven Hyacinthus and Polyboea, the sister, they say, of Hyacinthus, who died a maid. Now this statue of Hyacinthus represents him as bearded, but Nicias, son of Nicomedes, has painted him in the very prime of youthful beauty, hinting at the love of Apollo for Hyacinthus of which legend tells.
19.4. πεποίηται δὲ ἐπὶ τοῦ βωμοῦ καὶ ἡ Δημήτηρ καὶ Κόρη καὶ Πλούτων, ἐπὶ δὲ αὐτοῖς Μοῖραί τε καὶ Ὧραι, σὺν δέ σφισιν Ἀφροδίτη καὶ Ἀθηνᾶ τε καὶ Ἄρτεμις· κομίζουσι δʼ ἐς οὐρανὸν Ὑάκινθον καὶ Πολύβοιαν, Ὑακίνθου καθὰ λέγουσιν ἀδελφὴν ἀποθανοῦσαν ἔτι παρθένον. τοῦτο μὲν οὖν τοῦ Ὑακίνθου τὸ ἄγαλμα ἔχον ἐστὶν ἤδη γένεια, Νικίας δὲ ὁ Νικομήδους περισσῶς δή τι ἔγραψεν αὐτὸν ὡραῖον, τὸν ἐπὶ Ὑακίνθῳ λεγόμενον Ἀπόλλωνος ἔρωτα ὑποσημαίνων.
19.5. Wrought on the altar is also Heracles; he too is being led to heaven by Athena and the other gods. On the altar are also the daughters of Thestius, Muses and Seasons. As for the West Wind, how Apollo unintentionally killed Hyacinthus, and the story of the flower, we must be content with the legends, although perhaps they are not true history.
19.5. πεποίηται δὲ ἐπὶ τοῦ βωμοῦ καὶ Ἡρακλῆς ὑπὸ Ἀθηνᾶς καὶ θεῶν τῶν ἄλλων καὶ οὗτος ἀγόμενος ἐς οὐρανόν. εἰσὶ δὲ καὶ αἱ Θεστίου θυγατέρες ἐπὶ τῷ βωμῷ, καὶ Μοῦσαί τε καὶ Ὧραι. περὶ δὲ ἀνέμου Ζεφύρου, καὶ ὡς ὑπὸ τοῦ Ἀπόλλωνος Ὑάκινθος ἀπέθανεν ἄκοντος, καὶ τὰ ἐς τὸ ἄνθος εἰρημένα τάχα μὲν ἂν ἔχοι καὶ ἄλλως, δοκείτω δὲ ᾗ λέγεται.
19.6. Amyclae was laid waste by the Dorians, and since that time has remained a village; I found there a sanctuary and image of Alexandra worth seeing. Alexandra is said by the Amyclaeans to be Cassandra, the daughter of Priam. Here is also a statue of Clytaemnestra, together with what is supposed to be the tomb of Agamemnon. The natives worship the Amyclaean god and Dionysus, surnaming the latter, quite correctly I think, Psilax. For psila is Doric for wings, and wine uplifts men and lightens their spirit no less than wings do birds. Such I found were the things worth mentioning about Amyclae. Another road from the city leads to Therapne, and on this road is a wooden image of Athena Alea.
19.6. Ἀμύκλαι δὲ ἀνάστατος ὑπὸ Δωριέων γενομένη καὶ ἀπʼ ἐκείνου κώμη διαμένουσα θέας παρείχετο ἄξιον ἱερὸν Ἀλεξάνδρας καὶ ἄγαλμα· τὴν δὲ Ἀλεξάνδραν οἱ Ἀμυκλαιεῖς Κασσάνδραν τὴν Πριάμου φασὶν εἶναι. καὶ Κλυταιμνήστρας ἐστὶν ἐνταῦθα εἰκὼν καὶ [ἄγαλμα] Ἀγαμέμνονος νομιζόμενον μνῆμα. θεῶν δὲ σέβουσιν οἱ ταύτῃ τόν τε Ἀμυκλαῖον καὶ Διόνυσον, ὀρθότατα ἐμοὶ δοκεῖν Ψίλακα ἐπονομάζοντες· ψίλα γὰρ καλοῦσιν οἱ Δωριεῖς τὰ πτερά, ἀνθρώπους δὲ οἶνος ἐπαίρει τε καὶ ἀνακουφίζει γνώμην οὐδέν τι ἧσσον ἢ ὄρνιθας πτερά. καὶ Ἀμύκλαι μὲν παρείχοντο τοσαῦτα ἐς μνήμην, ἑτέρα δὲ ἐκ τῆς πόλεως ὁδὸς ἐς Θεράπνην ἄγει·
19.7. Before the Eurotas is crossed, a little above the bank is shown a sanctuary of Zeus Wealthy. Across the river is a temple of Asclepius Cotyleus (of the Hip-joint); it was made by Heracles, who named Asclepius Cotyleus, because he was cured of the wound in the hip-joint that he received in the former fight with Hippocoon and his sons. Of all the objects along this road the oldest is a sanctuary of Ares. This is on the left of the road, and the image is said to have been brought from Colchis by the Dioscuri.
19.7. κατὰ δὲ τὴν ὁδὸν Ἀθηνᾶς ξόανόν ἐστιν Ἀλέας. πρὶν δὲ ἢ διαβῆναι τὸν Εὐρώταν, ὀλίγον ὑπὲρ τῆς ὄχθης ἱερὸν δείκνυται Διὸς Πλουσίου. διαβᾶσι δὲ Κοτυλέως ἐστὶν Ἀσκληπιοῦ ναός, ὃν ἐποίησεν Ἡρακλῆς· καὶ Ἀσκληπιὸν Κοτυλέα ὠνόμασεν ἀκεσθεὶς τὸ τραῦμα τὸ ἐς τὴν κοτύλην οἱ γενόμενον ἐν τῇ πρὸς Ἱπποκόωντα καὶ τοὺς παῖδας προτέρᾳ μάχῃ. ὁπόσα δὲ πεποίηται κατὰ τὴν ὁδὸν ταύτην, ἐστὶν ἀρχαιότατον αὐτῶν Ἄρεως ἱερόν. τοῦτό ἐστιν ἐν ἀριστερᾷ τῆς ὁδοῦ, ⟨καὶ⟩ τὸ ἄγαλμα [καὶ] τοὺς Διοσκούρους φασὶ κομίσαι ἐκ Κόλχων·
19.8. They surname him Theritas after Thero, who is said to have been the nurse of Ares. Perhaps it was from the Colchians that they heard the name Theritas, since the Greeks know of no Thero, nurse of Ares. My own belief is that the surname Theritas was not given to Ares because of his nurse, but because when a man meets an enemy in battle he must cast aside all gentleness, as Homer says of Achilles:And he is fierce as a lion.
19.8. Θηρίταν δὲ ἐπονομάζουσιν ἀπὸ Θηροῦς, ταύτην γὰρ τροφὸν εἶναι τοῦ Ἄρεως λέγουσι. τάχα δʼ ἂν ἀκηκοότες παρὰ Κόλχων Θηρίταν λέγοιεν, ἐπεὶ Ἔλληνές γε οὐκ ἴσασιν Ἄρεως τροφὸν Θηρώ· δοκεῖν δέ μοι Θηρίτας οὐ διὰ τὴν τροφὸν ἡ ἐπωνυμία τῷ Ἄρει γέγονεν, ὅτι δὲ ἀνδρὶ χρὴ πολεμίῳ καταστάντα ἐς μάχην οὐδὲν ἔτι ἔχειν ἤπιον, καθὰ δὴ καὶ Ὁμήρῳ περὶ Ἀχιλλέως πεποίηταιλέων δʼ ὣς ἄγρια οἶδεν.
19.9. The name of Therapne is derived from the daughter of Lelex, and in it is a temple of Menelaus; they say that Menelaus and Helen were buried here. The account of the Rhodians is different. They say that when Menelaus was dead, and Orestes still a wanderer, Helen was driven out by Nicostratus and Megapenthes and came to Rhodes, where she had a friend in Polyxo, the wife of Tlepolemus.
19.9. Θεράπνη δὲ ὄνομα μὲν τῷ χωρίῳ γέγονεν ἀπὸ τῆς Λέλεγος θυγατρός, Μενελάου δέ ἐστιν ἐν αὐτῇ ναός, καὶ Μενέλαον καὶ Ἑλένην ἐνταῦθα ταφῆναι λέγουσιν. Ῥόδιοι δὲ οὐχ ὁμολογοῦντες Λακεδαιμονίοις φασὶν Ἑλένην Μενελάου τελευτήσαντος, Ὀρέστου δὲ ἔτι πλανωμένου, τηνικαῦτα ὑπὸ Νικοστράτου καὶ Μεγαπένθους διωχθεῖσαν ἐς Ῥόδον ἀφικέσθαι Πολυξοῖ τῇ Τληπολέμου γυναικὶ ἔχουσαν ἐπιτηδείως·
19.10. For Polyxo, they say, was an Argive by descent, and when she was already married to Tlepolemus shared his flight to Rhodes. At the time she was queen of the island, having been left with an orphan boy. They say that this Polyxo desired to avenge the death of Tlepolemus on Helen, now that she had her in her power. So she sent against her when she was bathing handmaidens dressed up as Furies, who seized Helen and hanged her on a tree, and for this reason the Rhodians have a sanctuary of Helen of the Tree.
19.10. εἶναι γὰρ καὶ Πολυξὼ τὸ γένος Ἀργείαν, Τληπολέμῳ δὲ ἔτι πρότερον συνοικοῦσαν φυγῆς μετασχεῖν τῆς ἐς Ῥόδον καὶ τῆς νήσου τηνικαῦτα ἄρχειν ὑπολειπομένην ἐπὶ ὀρφανῷ παιδί. ταύτην τὴν Πολυξώ φασιν ἐπιθυμοῦσαν Ἑλένην τιμωρήσασθαι τελευτῆς τῆς Τληπολέμου τότε, ὡς ἔλαβεν αὐτὴν ὑποχείριον, ἐπιπέμψαι οἱ λουμένῃ θεραπαίνας Ἐρινύσιν ⟨ἴσα⟩ ἐσκευασμένας· καὶ αὗται διαλαβοῦσαι δὴ τὴν Ἑλένην αἱ γυναῖκες ἀπάγχουσιν ἐπὶ δένδρου, καὶ ἐπὶ τούτῳ Ῥοδίοις Ἑλένης ἱερόν ἐστι Δενδρίτιδος.
19.11. A story too I will tell which I know the people of Crotona tell about Helen. The people of Himera too agree with this account. In the Euxine at the mouths of the Ister is an island sacred to Achilles. It is called White Island, and its circumference is twenty stades. It is wooded throughout and abounds in animals, wild and tame, while on it is a temple of Achilles with an image of him.
19.11. ὃν δὲ οἶδα λέγοντας Κροτωνιάτας περὶ Ἑλένης λόγον, ὁμολογοῦντας δέ σφισι καὶ Ἱμεραίους, ἐπιμνησθήσομαι καὶ τοῦδε. ἔστιν ἐν τῷ Εὐξείνῳ νῆσος κατὰ τοῦ Ἴστρου τὰς ἐκβολὰς Ἀχιλλέως ἱερά· ὄνομα μὲν τῇ νήσῳ Λευκή, περίπλους δὲ αὐτῇ σταδίων εἴκοσι, δασεῖα δὲ ὕλῃ πᾶσα καὶ πλήρης ζῴων ἀγρίων καὶ ἡμέρων, καὶ ναὸς Ἀχιλλέως καὶ ἄγαλμα ἐν αὐτῇ.
19.12. The first to sail thither legend says was Leonymus of Crotona. For when war had arisen between the people of Crotona and the Locri in Italy, the Locri, in virtue of the relationship between them and the Opuntians, called upon Ajax son of Oileus to help them in battle. So Leonymus the general of the people of Crotona attacked his enemy at that point where he heard that Ajax was posted in the front line. Now he was wounded in the breast, and weak with his hurt came to Delphi. When he arrived the Pythian priestess sent Leonynius to White Island, telling him that there Ajax would appear to him and cure his wound.
19.12. ἐς ταύτην πρῶτος ἐσπλεῦσαι λέγεται Κροτωνιάτης Λεώνυμος. πολέμου γὰρ Κροτωνιάταις συνεστηκότος πρὸς τοὺς ἐν Ἰταλίᾳ Λοκρούς, τῶν Λοκρῶν κατὰ οἰκειότητα πρὸς Ὀπουντίους Αἴαντα τὸν Ὀιλέως ἐς τὰς μάχας ἐπικαλουμένων, ὁ Λεώνυμος Κροτωνιάταις στρατηγῶν ἐπῄει τοῖς ἐναντίοις κατὰ τοῦτο ᾗ προτετάχθαι σφίσι τὸν Αἴαντα ἤκουε. τιτρώσκεται δὴ τὸ στέρνον καὶ— ἔκαμνε γὰρ ὑπὸ τοῦ τραύματος—ἀφίκετο ἐς Δελφούς. ἐλθόντα δὲ ἡ Πυθία Λεώνυμον ἀπέστελλεν ἐς νῆσον τὴν Λευκήν, ἐνταῦθα εἰποῦσα αὐτῷ φανήσεσθαι τὸν Αἴαντα καὶ ἀκέσεσθαι τὸ τραῦμα.
19.13. In time he was healed and returned from White Island, where, he used to declare, he saw Achilles, as well as Ajax the son of Oileus and Ajax the son of Telamon. With them, he said, were Patroclus and Antilochus; Helen was wedded to Achilles, and had bidden him sail to Stesichorus at Himera, and announce that the loss of his sight was caused by her wrath.
19.13. χρόνῳ δὲ ὡς ὑγιάνας ἐπανῆλθεν ἐκ τῆς Λευκῆς, ἰδεῖν μὲν ἔφασκεν Ἀχιλλέα, ἰδεῖν δὲ τὸν Ὀιλέως καὶ τὸν Τελαμῶνος Αἴαντα, συνεῖναι δὲ καὶ Πάτροκλόν σφισι καὶ Ἀντίλοχον· Ἑλένην δὲ Ἀχιλλεῖ μὲν συνοικεῖν, προστάξαι δέ οἱ πλεύσαντι ἐς Ἱμέραν πρὸς Στησίχορον ἀγγέλλειν ὡς ἡ διαφθορὰ τῶν ὀφθαλμῶν ἐξ Ἑλένης γένοιτο αὐτῷ μηνίματος. Στησίχορος μὲν ἐπὶ τούτῳ τὴν παλινῳδίαν ἐποίησεν·
20.1. Therefore Stesichorus composed his recantation. In Therapne I remember seeing the fountain Messeis. Some of the Lacedaemonians, however, have declared that of old the name Messeis was given, not to the fountain at Therapne, but to the one we call Polydeucea. The fountain Polydeucea and a sanctuary of Polydeuces are on the right of the road to Therapne.
20.1. ἐν Θεράπνῃ δὲ κρήνην τὴν Μεσσηίδα ἰδὼν οἶδα. Λακεδαιμονίων δὲ ἑτέροις ἐστὶν εἰρημένον τὴν Πολυδεύκειαν ὀνομαζομένην ἐφʼ ἡμῶν, οὐ τὴν ἐν Θεράπνῃ Μεσσηίδα καλεῖσθαι τὸ ἀρχαῖον· ἡ δὲ Πολυδεύκειά ἐστιν αὐτή τε ἡ κρήνη καὶ Πολυδεύκους ἱερὸν ἐν δεξιᾷ τῆς ἐς Θεράπνην ὁδοῦ.
20.2. Not far from Therapne is what is called Phoebaeum, in which is a temple of the Dioscuri. Here the youths sacrifice to Enyalius. At no great distance from it stands a sanctuary of Poseidon surnamed Earth-embracer. Going on from here in the direction of Taygetus you come to a place called Alesiae (Place of Grinding) they say that Myles (Mill-man) the son of Lelex was the first human being to invent a mill, and that he ground corn in this Alesiae. Here they have a hero-shrine of Lacedaemon, the son of Taygete.
20.2. Θεράπνης δὲ οὐ πόρρω Φοιβαῖον καλούμενόν ἐστιν, ἐν δὲ αὐτῷ Διοσκούρων ναός· καὶ οἱ ἔφηβοι τῷ Ἐνυαλίῳ θύουσιν ἐνταῦθα. τούτου δὲ οὐ πολὺ Ποσειδῶνος ἀφέστηκεν ἱερὸν ἐπίκλησιν Γαιαόχου. καὶ ἀπʼ αὐτοῦ προελθόντι ὡς ἐπὶ τὸ Ταΰγετον ὀνομάζουσιν Ἀλεσίας χωρίον, Μύλητα τὸν Λέλεγος πρῶτον ἀνθρώπων μύλην τε εὑρεῖν λέγοντες καὶ ἐν ταῖς Ἀλεσίαις ταύταις ἀλέσαι. καί σφισι Λακεδαίμονος τοῦ Ταϋγέτης ἐνταῦθά ἐστιν ἡρῷον.
20.3. Crossing from here a river Phellia, and going past Amyclae along a road leading straight towards the sea, you come to the site of Pharis, which was once a city of Laconia. Turning away from the Phellia to the right is the road that leads to Mount Taygetus. On the plain is a precinct of Zeus Messapeus, who is surnamed, they say, after a man who served the god as his priest. Leaving Taygetus from here you come to the site of the city Bryseae. There still remains here a temple of Dionysus with an image in the open. But the image in the temple women only may see, for women by themselves perform in secret the sacrificial rites.
20.3. διαβᾶσι δὲ αὐτόθεν ποταμὸν Φελλίαν, παρὰ Ἀμύκλας ἰοῦσιν εὐθεῖαν ὡς ἐπὶ θάλασσαν Φᾶρις πόλις ἐν τῇ Λακωνικῇ ποτε ᾠκεῖτο· ἀποτρεπομένῳ δὲ ἀπὸ τῆς Φελλίας ἐς δεξιὰν ἡ πρὸς τὸ ὄρος τὸ Ταΰγετόν ἐστιν ὁδός. ἔστι δὲ ἐν τῷ πεδίῳ Διὸς Μεσσαπέως τέμενος· γενέσθαι δέ οἱ τὴν ἐπίκλησιν ἀπὸ ἀνδρὸς λέγουσιν ἱερασαμένου τῷ θεῷ. ἐντεῦθέν ἐστιν ἀπιοῦσιν ἐκ τοῦ Ταϋγέτου χωρίον ἔνθα πόλις ποτὲ ᾠκεῖτο Βρυσίαι· καὶ Διονύσου ναὸς ἐνταῦθα ἔτι λείπεται καὶ ἄγαλμα ἐν ὑπαίθρῳ. τὸ δὲ ἐν τῷ ναῷ μόναις γυναιξὶν ἔστιν ὁρᾶν· γυναῖκες γὰρ δὴ μόναι καὶ τὰ ἐς τὰς θυσίας δρῶσιν ἐν ἀπορρήτῳ.
20.4. Above Bryseae rises Taletum, a peak of Taygetus. They call it sacred to Helius (the Sun), and among the sacrifices they offer here to Helius are horses. I am aware that the Persians also are wont to offer the same sacrifice. Not far from Taletum is a place called Euoras, the haunt of wild animals, especially wild goats. In fact all Taygetus is a hunting-ground for these goats and for boars, and it is well stocked with both deer and bears.
20.4. ἄκρα δὲ τοῦ Ταϋγέτου Ταλετὸν ὑπὲρ Βρυσεῶν ἀνέχει. ταύτην Ἡλίου καλοῦσιν ἱερὰν καὶ ἄλλα τε αὐτόθι Ἡλίῳ θύουσι καὶ ἵππους· τὸ δὲ αὐτὸ καὶ Πέρσας οἶδα θύειν νομίζοντας. Ταλετοῦ δὲ οὐ πόρρω καλούμενός ἐστιν Εὐόρας, θηρία καὶ ἄλλα τρέφων καὶ αἶγας μάλιστα ἀγρίας. παρέχεται δὲ καὶ διʼ ὅλου τὸ Ταΰγετον τῶν αἰγῶν τούτων ἄγραν καὶ ὑῶν, πλείστην δὲ καὶ ἐλάφων καὶ ἄρκτων.
20.5. Between Taletum and Euoras is a place they name Therae, where they say Leto from the Peaks of Taygetus... is a sanctuary of Demeter surnamed Eleusinian. Here according to the Lacedaemonian story Heracles was hidden by Asclepius while he was being healed of a wound. In the sanctuary is a wooden image of Orpheus, a work, they say, of Pelasgians.
20.5. Ταλετοῦ δὲ τὸ μεταξὺ καὶ Εὐόρα Θήρας ὀνομάζοντες Λητώ φασιν ἀπὸ τῶν ἄκρων τοῦ Ταϋγέτου Δήμητρος ἐπίκλησιν Ἐλευσινίας ἐστὶν ἱερόν· ἐνταῦθα Ἡρακλέα Λακεδαιμόνιοι κρυφθῆναί φασιν ὑπὸ Ἀσκληπιοῦ τὸ τραῦμα ἰώμενον· καὶ Ὀρφέως ἐστὶν ἐν αὐτῷ ξόανον, Πελασγῶν ὥς φασιν ἔργον. καὶ τόδε δὲ ἄλλο δρώμενον ἐνταῦθα οἶδα·
20.6. I know also of the following rite which is performed here. By the sea was a city Helos, which Homer too has mentioned in his list of the Lacedaemonians:These had their home in Amyclae, and in Helos the town by the seaside.It was founded by Helius, the youngest of the sons of Perseus, and the Dorians afterwards reduced it by siege. Its inhabitants became the first slaves of the Lacedaemonian state, and were the first to be called Helots, as in fact Helots they were. The slaves afterwards acquired, although they were Dorians of Messenia, also came to be called Helots, just as the whole Greek race were called Hellenes from the region in Thessaly once called Hellas.
20.6. ἐπὶ θαλάσσῃ πόλισμα Ἕλος ἦν, οὗ δὴ καὶ Ὅμηρος ἐμνημόνευκεν ἐν καταλόγῳ Λακεδαιμονίων·οἵ τʼ ἄρʼ Ἀμύκλας εἶχον Ἕλος τʼ ἔφαλον πτολίεθρον.τοῦτο ᾤκισε μὲν Ἕλιος νεώτατος τῶν Περσέως παίδων, Δωριεῖς δὲ παρεστήσαντο ὕστερον πολιορκίᾳ, καὶ πρῶτοί τε ἐγένοντο οὗτοι Λακεδαιμονίων δοῦλοι τοῦ κοινοῦ καὶ εἵλωτες ἐκλήθησαν πρῶτοι, καθάπερ γε καὶ ἦσαν· τὸ δὲ οἰκετικὸν τὸ ἐπικτηθὲν ὕστερον, Δωριεῖς Μεσσηνίους ὄντας, ὀνομασθῆναι καὶ τούτους ἐξενίκησεν εἵλωτας, καθότι καὶ Ἕλληνας τὸ σύμπαν γένος ἀπὸ τῆς ἐν Θεσσαλίᾳ ποτὲ καλουμένης Ἑλλάδος.
20.7. From this Helos, on stated days, they bring up to the sanctuary of the Eleusinian a wooden image of the Maid, daughter of Demeter. Fifteen stades distant from the sanctuary is Lapithaeum, named after Lapithus, a native of the district. So this Lapithaeum is on Taygetus, and not far off is Dereium, where is in the open an image of Artemis Dereatis, and beside it is a spring which they name Anonus. About twenty stades past Dereum is Harpleia, which extends as far as the plain.
20.7. ἐκ τούτου δὴ τοῦ Ἕλους ξόανον Κόρης τῆς Δήμητρος ἐν ἡμέραις ῥηταῖς ἀνάγουσιν ἐς τὸ Ἐλευσίνιον. πεντεκαίδεκα δὲ τοῦ Ἐλευσινίου σταδίους ἀφέστηκε Λαπίθαιον καλούμενον ἀπὸ ἀνδρὸς ἐγχωρίου Λαπίθου· τοῦτό τε οὖν τὸ Λαπίθαιόν ἐστιν ἐν τῷ Ταϋγέτῳ καὶ οὐ πόρρω Δέρειον, ἔνθα Ἀρτέμιδος ἄγαλμα ἐν ὑπαίθρῳ Δερεάτιδος, καὶ πηγὴ παρʼ αὐτῷ ἣν Ἄνονον ὀνομάζουσι. μετὰ δὲ τὸ Δέρειον σταδίους προελθόντι ὡς εἴκοσιν ἔστιν Ἅρπλεια καθήκοντα ἄχρι τοῦ πεδίου.
20.8. On the road from Sparta to Arcadia there stands in the open an image of Athena surnamed Pareia, and after it is a sanctuary of Achilles. This it is not customary to open, but all the youths who are going to take part in the contest in Plane-tree Grove are wont to sacrifice to Achilles before the fight. The Spartans say that the sanctuary was made for them by Prax, a grandson of Pergamus the son of Neoptolemus.
20.8. τὴν δὲ ἐπʼ Ἀρκαδίας ἰοῦσιν ἐκ Σπάρτης Ἀθηνᾶς ἕστηκεν ἐπίκλησιν Παρείας ἄγαλμα ἐν ὑπαίθρῳ, μετὰ δὲ αὐτὸ ἱερόν ἐστιν Ἀχιλλέως· ἀνοίγειν δὲ αὐτὸ οὐ νομίζουσιν· ὁπόσοι δʼ ἂν τῶν ἐφήβων ἀγωνιεῖσθαι μέλλωσιν ἐν τῷ Πλατανιστᾷ, καθέστηκεν αὐτοῖς τῷ Ἀχιλλεῖ πρὸ τῆς μάχης θύειν. ποιῆσαι δέ σφισι τὸ ἱερὸν Σπαρτιᾶται λέγουσι Πράκα ἀπόγονον τρίτον Περγάμου τοῦ Νεοπτολέμου.
20.9. Further on is what is called the Tomb of Horse. For Tyndareus, having sacrificed a horse here, administered an oath to the suitors of Helen, making them stand upon the pieces of the horse. The oath was to defend Helen and him who might be chosen to marry her if ever they should be wronged. When he had sworn the suitors he buried the horse here. Seven pillars, which are not far from this tomb... in the ancient manner, I believe, which they say are images of the planets. On the road is a precinct of Cranius surnamed Stemmatias, and a sanctuary of Mysian Artemis.
20.9. προϊοῦσι δὲ Ἵππου καλούμενον μνῆμά ἐστι. Τυνδάρεως γὰρ θύσας ἐνταῦθα ἵππον τοὺς Ἑλένης ἐξώρκου μνηστῆρας ἱστὰς ἐπὶ τοῦ ἵππου τῶν τομίων· ὁ δὲ ὅρκος ἦν Ἑλένῃ καὶ τῷ γῆμαι προκριθέντι Ἑλένην ἀμυνεῖν ἀδικουμένοις· ἐξορκώσας δὲ τὸν ἵππον κατώρυξεν ἐνταῦθα. κίονες δὲ ἑπτὰ [οἳ] τοῦ μνήματος τούτου διέχουσιν οὐ πολύ, κατὰ τρόπον οἶμαι τὸν ἀρχαῖον, οὓς ἀστέρων τῶν πλανητῶν φασιν ἀγάλματα. καὶ Κρανίου τέμενος κατὰ τὴν ὁδὸν ἐπίκλησιν Στεμματίου καὶ Μυσίας ἐστὶν ἱερὸν Ἀρτέμιδος.
20.10. The image of Modesty, some thirty stades distant from the city, they say was dedicated by Icarius, the following being the reason for making it. When Icarius gave Penelope in marriage to Odysseus, he tried to make Odysseus himself settle in Lacedaemon, but failing in the attempt, he next besought his daughter to remain behind, and when she was setting forth to Ithaca he followed the chariot, begging her to stay.
20.10. τὸ δὲ ἄγαλμα τῆς Αἰδοῦς τριάκοντά που στάδια ἀπέχον τῆς πόλεως Ἰκαρίου μὲν ἀνάθημα εἶναι, ποιηθῆναι δὲ ἐπὶ λόγῳ φασὶ τοιῷδε. ὅτʼ ἔδωκεν Ὀδυσσεῖ Πηνελόπην γυναῖκα Ἰκάριος, ἐπειρᾶτο μὲν κατοικίσαι καὶ αὐτὸν Ὀδυσσέα ἐν Λακεδαίμονι, διαμαρτάνων δὲ ἐκείνου δεύτερα τὴν θυγατέρα ἱκέτευε καταμεῖναι καὶ ἐξορμωμένης ἐς Ἰθάκην ἐπακολουθῶν τῷ ἅρματι ἐδεῖτο.
20.11. Odysseus endured it for a time, but at last he bade Penelope either to accompany him willingly, or else, if she preferred her father, to go back to Lacedaemon. They say that she made no reply, but covered her face with a veil in reply to the question, so that Icarios, realizing that she wished to depart with Odysseus, let her go, and dedicated an image of Modesty; for Penelope, they say, had reached this point of the road when she veiled herself.
20.11. Ὀδυσσεὺς δὲ τέως μὲν ἠνείχετο, τέλος δὲ ἐκέλευε Πηνελόπην συνακολουθεῖν ἑκοῦσαν ἢ τὸν πατέρα ἑλομένην ἀναχωρεῖν ἐς Λακεδαίμονα. καὶ τὴν ἀποκρίνασθαί φασιν οὐδέν· ἐγκαλυψαμένης δὲ πρὸς τὸ ἐρώτημα, Ἰκάριος τὴν μὲν ἅτε δὴ συνιεὶς ὡς βούλεται ἀπιέναι μετὰ Ὀδυσσέως ἀφίησιν, ἄγαλμα δὲ ἀνέθηκεν Αἰδοῦς· ἐνταῦθα γὰρ τῆς ὁδοῦ προήκουσαν ἤδη τὴν Πηνελόπην λέγουσιν ἐγκαλύψασθαι.
21.1. Twenty stades from here the stream of the Eurotas comes very near to the road, and here is the tomb of Ladas, the fastest runner of his day. He was crowned at Olympia for a victory in the long race, and falling ill, I take it, immediately after the victory he was on his way home; his death took place here, and his grave is above the highway. His namesake, who also won at Olympia a victory, not in the long race but in the short race, is stated in the Elean records of Olympic victors to have been a native of Aegium in Achaia.
21.1. προελθόντι δὲ αὐτόθεν σταδίους εἴκοσι τοῦ Εὐρώτα τὸ ῥεῦμα ἐγγυτάτω τῆς ὁδοῦ γίνεται, καὶ Λάδα μνῆμά ἐστιν ὠκύτητι ὑπερβαλομένου ποδῶν τοὺς ἐπʼ αὐτοῦ· καὶ δὴ καὶ Ὀλυμπίασιν ἐστεφανοῦτο δολίχῳ κρατῶν, δοκεῖν δέ μοι κάμνων αὐτίκα μετὰ τὴν νίκην ἐκομίζετο, καὶ συμβάσης ἐνταῦθά οἱ τελευτῆς ὁ τάφος ἐστὶν ὑπὲρ τὴν λεωφόρον. τὸν δὲ ὁμώνυμον τούτῳ, νίκην καὶ αὐτὸν Ὀλυμπίασι, πλὴν οὐ δολίχου, σταδίου δὲ ἀνελόμενον, Ἀχαιὸν ἐξ Αἰγίου φησὶν εἶναι [καὶ] τὰ ἐς τοὺς Ὀλυμπιονίκας Ἠλείων γράμματα.
21.2. Farther On in the direction of Pellana is what is called Characoma (Trench); and after it Pellana, which in the olden time was a city. They say that Tyndareus dwelt here when he fled from Sparta before Hippocoon and his sons. Remarkable sights I remember seeing here were a sanctuary of Asclepius and the spring Pellanis. Into it they say a maiden fell when she was drawing water, and when she had disappeared the veil on her head reappeared in another spring, Lancia.
21.2. προϊόντι δὲ ὡς ἐπὶ τὴν Πελλάναν Χαράκωμά ἐστιν ὀνομαζόμενον καὶ μετὰ τοῦτο Πελλάνα πόλις τὸ ἀρχαῖον. Τυνδάρεων δὲ οἰκῆσαί φασιν ἐνταῦθα, ὅτε Ἱπποκόωντα καὶ τοὺς παῖδας ἔφευγεν ἐκ Σπάρτης. θέας δὲ ἄξια αὐτόθι ἰδὼν Ἀσκληπιοῦ τε οἶδα ἱερὸν καὶ τὴν πηγὴν Πελλανίδα. ἐς ταύτην λέγουσιν ὑδρευομένην ἐσπεσεῖν παρθένον, ἀφανισθείσης δὲ τὸ κάλυμμα ἀναφανῆναι τὸ ἐπὶ τῆς κεφαλῆς ἐν ἑτέρᾳ πηγῇ Λαγκίᾳ.
21.3. A hundred stades away from Pellana is The place called Belemina. It is naturally The best watered region of Laconia, seeing that The river Eurotas passes through it, while it has abundant springs of its own.
21.3. Πελλάνας δὲ ἑκατὸν στάδια ἀπέχει Βελεμίνα καλουμένη· τῆς δὲ χώρας τῆς Λακωνικῆς ἡ Βελεμίνα μάλιστα ἄρδεσθαι πέφυκεν, ἥντινα διοδεύει μὲν τοῦ Εὐρώτα τὸ ὕδωρ, παρέχεται δὲ ἀφθόνους καὶ αὐτὴ πηγάς.
21.4. As you go down to the sea towards Gythium you come to a village called Croceae and a quarry. It is not a continuous stretch of rock, but the stones they dig out are shaped like river pebbles; they are hard to work, but when worked sanctuaries of the gods might be adorned with them, while they are especially adapted for beautifying swimming-baths and fountains. Here before the village stands an image of Zeus of Croceae in marble, and the Dioscuri in bronze are at the quarry.
21.4. ἐπὶ θάλασσαν δὲ ἐς Γύθιον καταβαίνοντί ἐστι Λακεδαιμονίοις [ἡ] κώμη καλουμένη Κροκέαι καὶ λιθοτομία· μία μὲν πέτρα συνεχὴς οὐ διήκουσα, λίθοι δὲ ὀρύσσονται σχῆμα τοῖς ποταμίοις ἐοικότες, ἄλλως μὲν δυσεργεῖς, ἢν δὲ ἐπεργασθῶσιν, ἐπικοσμήσαιεν ἂν καὶ θεῶν ἱερά, κολυμβήθραις δὲ καὶ ὕδασι συντελοῦσι μάλιστα ἐς κάλλος. θεῶν δὲ αὐτόθι πρὸ μὲν τῆς κώμης Διὸς Κροκεάτα λίθου πεποιημένον ἄγαλμα ἕστηκε, Διόσκουροι δὲ ἐπὶ τῇ λιθοτομίᾳ χαλκοῖ.
21.5. After Croceae, turning away to the right from the straight road to Gythium, you will reach a city Aegiae. They say that this is the city which Homer in his poem calls Augeae. Here is a lake called Poseidon's, and by the lake is a temple with an image of the god. They are afraid to take out the fish, saying that a fisherman in these waters turns into the fish called the fisher.
21.5. μετὰ δὲ Κροκέας ἀποτραπεῖσιν ἐς δεξιὰν ἀπὸ τῆς ἐς Γύθιον εὐθείας ἐπὶ πόλισμα ἥξεις Αἰγίας· Ὅμηρον δὲ ἐν τοῖς ἔπεσι τὸ πόλισμα τοῦτο ὀνομάζειν λέγουσιν Αὐγειάς. ἐνταῦθα ἔστι μὲν λίμνη καλουμένη Ποσειδῶνος, ἔστι δὲ ἐπὶ τῇ λίμνῃ ναὸς καὶ ἄγαλμα τοῦ θεοῦ. τοὺς δὲ ἰχθῦς δεδοίκασιν ἐξαιρεῖν, τὸν θηρεύσαντα ἁλιέα γενέσθαι λέγοντες ἐξ ἀνθρώπου.
21.6. Gythium is thirty stades distant from Aegiae, built by the sea in the territory of the Free Laconians, whom the emperor Augustus freed from the bondage in which they had been to the Lacedaemonians in Sparta. All the Peloponnesus, except the Isthmus of Corinth, is surrounded by sea, but the best shell-fish for the manufacture of purple dye after those of the Phoenician sea are to be found on the coast of Laconia.
21.6. Γύθιον δὲ ἀπέχει μὲν σταδίους τριάκοντα Αἰγιῶν, ἐπὶ θαλάσσῃ δὲ ᾠκισμένον ἔστιν ἤδη τῶν Ἐλευθερολακώνων, οὓς βασιλεὺς Αὔγουστος δουλείας ἀφῆκε Λακεδαιμονίων τῶν ἐν Σπάρτῃ κατηκόους ὄντας. θαλάσσῃ μὲν δὴ πλὴν τοῦ Κορινθίων ἰσθμοῦ περιέχεται πᾶσα ἡ Πελοπόννησος· κόχλους δὲ ἐς βαφὴν πορφύρας παρέχεται τὰ ἐπιθαλάσσια τῆς Λακωνικῆς ἐπιτηδειοτάτας μετά γε τὴν Φοινίκων θάλασσαν.
21.7. The Free Laconians have eighteen cities; the first as you go down from Aegiae to the sea is Gythium; after it come Teuthrone and Las and Pyrrhichus; on Taenarum are Caenepolis, Oetylus, Leuctra and Thalamae, and in addition Alagoma and Gerenia. On the other side of Clythium by the sea are Asopus, Acriae, Boeae, Larax, Epidaurus Limera, Brasiae, Geronthrae and Marius. These are all that are left to the Free Laconians out of twenty-four cities which once were theirs. All the other cities with which my narrative will deal belong, it must be remembered, to Sparta, and are not independent like those I have already mentioned.
21.7. ἀριθμὸς δὲ τῶν Ἐλευθερολακώνων ὀκτὼ πόλεις καὶ δέκα εἰσί, πρώτη μὲν καταβᾶσιν ἐξ Αἰγιῶν ἐπὶ θάλασσαν Γύθιον, μετὰ δὲ αὐτὴν Τευθρώνη τε καὶ Λᾶς καὶ Πύρριχος, ἐπὶ Ταινάρῳ δὲ Καινήπολις Οἴτυλός τε καὶ Λεῦκτρα καὶ Θαλάμαι, πρὸς δὲ Ἀλαγονία τε καὶ Γερηνία· τὰ δὲ ἐπέκεινα Γυθίου πρὸς θαλάσσῃ Ἀσωπὸς Ἀκριαὶ Βοιαὶ Ζάραξ Ἐπίδαυρος ἡ Λιμηρὰ Βρασιαὶ Γερόνθραι Μαριός. αὗται μὲν οὖν εἰσιν αἱ λοιπαὶ τῶν Ἐλευθερολακώνων ἀπὸ τεσσάρων ποτὲ καὶ εἴκοσι πόλεων· τὰς δὲ ἄλλας, ἐφʼ ἃς ἂν καὶ αὐτὰς ὁ λόγος ἐπέλθῃ δή μοι, συντελούσας ἴστω τις ἐς Σπάρτην καὶ οὐχ ὁμοίως τοῖς προλεχθεῖσιν αὐτονόμους.